On the A85 road from St Fillans to Lochearnhead, about 1½ miles on is the Loch Earn Sailing Club, with a large parking spot thereby. From here, cross the road and go through the gate up the dirt-track, past the cottages where the track bends right until a few hundred yards further up where the track splits, bear right, along and down across the river, up the other side and past the cottage. From here, the track becomes a grassy footpath. Walk along here, east towards the trees 5-600 yards away. Once you go through the large wooden slip-gate, about 150 yards on the path into the scattered trees, you’ll see a large dome-shaped rise on your right (south). Y’ can’t really miss it!
Archaeology & History
This carving was rediscovered by the great Scottish petroglyph writer Ron Morris in 1968. He told that, just below the overgrown track, “is a big dome-shaped outcrop with a smooth top. On a scattered area on this, in 3 main groups, are over 24 cup-marks, up to 3″ diameter, ½” deep.” But these aren’t mere cup-marks…
Faint, albeit clear cup-and-ringsCup-marks, top & bottom of photo
It literally is just like a large dome of rock, with carvings on certain sections of it. Half of the cup-marks are easy to see, especially the ones near to the top of the dome and which exist in three main clusters. Much more faint is another, larger cluster of cups, on its south-side.
Dealing with those on top of the rock: on the easternmost side a long natural crack separates a faint single cup-mark from a notable triangle of three, clearly visible in the photo (left). Below this are what may be a couple more cups, but they were difficult to make out and may simply be Nature’s handiwork. Certainly Nature has a part to play in the next small cluster of cups about six-feet further along the stone. A shallow natural ‘arc’ has clearly been used to create a ring around one of the cups, clearly visible in the photo (right), with another faint cup-and-ring visible below it. In between these, both Paul Hornby and I could make out what may be another incredibly faint smaller cup-and-ring (and which seemed evident on a couple of photos), but we need to wait for the computer-tech boys to get their teeth into that one! Several other single cup-marks exist either side of another moss-covered crack in the rock. And as we roll over the top western-edge of the stone, another small cluster of three, maybe four single cup-marks greets our attention.
Close-up of southern C&RsSouthern carved section
It’s on the sloping south-side of the stone where the best cluster is found. At least ten faint cup-marks—one or two with very faint incomplete rings round them—are arranged in gentle arcs into the rock. On both sides of this section is a covering of vegetation, beneath which the carved designs probably continue. In fact if this entire stone dome was completely free of vegetation, it’s likely we’d have a much larger piece of prehistoric rock art. A job for future antiquarians perhaps…
References:
Morris, Ronald W.B., “Glentarken Wood, Strathyre – Cup-marked Rocks,” in Discovery & Excavation Scotland, 1969.
Acknowledgments: Big thanks to Paul Hornby for use of his photographs. Cheers dood. 😉
Located near the top of one of Castleton’s rocky island outcrops and overlooking extensive flatlands many miles to the south, this impressive multi-ringed carving was rediscovered in May 1985 by the Ordnance Survey lads and, I believe, was first described in an article by Maarten van Hoek (1996), whose description we’ll get to shortly. It’s a design that incorporates some of Nature’s own cup-marks alongside the marks of men.
The overall design here is captured within three sections of the rock: between three large natural cracks running roughly north-south, as clearly shown in the accompanying photos. It’s a multi-period carving, executed over what seems to be a considerable period of time—probably several centuries. I base this on the differing degrees of erosion between the respective multiple rings — a factor found several of the Castleton carvings.
Eastern & central cup ring symbolsCloseup of central rings
One of the most eroded sections can be seen on the eastern side of the rock, where a very faded cup-and-three-rings was carved. Initially it looked as if there was no central cup to this, but as I looked across this towards the falling sun, what seemed to be a possible ‘dot’ was noticed in the centre, very faint indeed. There are several single cup-marks just a few inches east of this triple-ring, which look more recent than its eroded companion.
On the other side of the long natural crack we see two quite distinct multiple cup-and-rings: one with three rings and another with four, both of which have short carved lines running from their centres westwards. Between these, a smaller single cup-and-ring nestles quietly, almost innocuously, minding its own business! But below these two large multiple-ringers there’s a very faint cup-and-double ring, only visible when the light conditions are just right. In numerous attempts I made to catch this element in my photos, none were successful. (I’m a crap photographer, which doesn’t help!) Due to the erosion on this element, this is possibly the earliest section of the carving. Above these rings, close to the edge of the small cliff, one or two carved lines can be seen that run into natural ‘bowls’ which, in all probability, were of some significance to those who made this design. In cultures outside the UK, such elements have sometimes been afforded mythic importance.
Several other natural small ‘bowls’ exist above the most blatant of the cup-and-rings here, on the west side of the rock, which consists of a cup-and-triple-ring no less. Erosion levels on this would seem to suggest that it was the most recent element of this petroglyph.
When Maarten van Hoek (1996) wrote his report, there was much less vegetation covering the stone and another cup-and-ring could be seen on the northernmost section of the rock – as his sketch here shows. He wrote:
Westernmost elementvan Hoek’s 1996 sketch
“Near the edge are five cup-and-rings and possibly up to four single cups, all on rock sloping about 6″ to 12″ NW. The easternmost set consists of the worn remains of three rings (the innermost hardly visible) without a distinct central cup. Across a crack is a cup with four rings, the outer incomplete and curving away; another cup with four rings, mostly incomplete. A small cup-and-one-ring sits in between. South of this group may be some grooves and a single cup, all doubtful being very near the cliff-edge which is heavily pitted by erosion. The westernmost cup with three ovalish rings is the best preserved set of the group. Further away from the scarp is one single cup on a horizontal part and even further N is a cup-and-two-rings on a part sloping 6″ SW.”
It would be good to completely clear this rock and make it all visible again, as it was long long ago…
References:
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
van Hoek, M.A.M.,”Prehistoric Rock Art around Castleton Farm, Airth,” in Forth Naturalist & Historian, volume 19, 1996.
Amidst the cluster of at least twenty petroglyphs found at Castleton, this example close to the fence 60 yards southeast of the farmhouse, wasn’t included in the earlier surveys by Morris (1981) and van Hoek. (1996) At this spot there a large smooth sloping rock broken into separate parts with natural cracks running over it at different angles, partially covered in soil. The stone faces north. On the easternmost side there exists a number of carved symbols, most notable of which is a large double cup-and-ring. You can’t really miss it! The other elements however, can be a little more troublesome to see…
Cup, rings & crossCastleton 11 carving
A curious motif is the quite notable ‘cross’ that’s been pecked onto the stone, above the primary cup-and-ring. This cross is probably a later addition to the petroglyph, perhaps added to christianize the original mythic function. From the cross, it looks as if a curved line has been carved down towards the double-ring, nearly linking them together, which could also be viewed as a movement from the pre-christian to the new christian meaning conferred upon the stone. …Just an idea…
It should be noted that a faint cross was also cut into natural cracks in the Castleton 2 carving, 380 yards northwest of here.
There are two more cup-and-rings on the stone, both on the right-hand side of the cross. These were carved quite separately over large periods of time, as evidenced by their degrees of erosion. One cup-and-ring (if you can call it that) is a somewhat erratically executed series of peck-marks that strives to join up with each other, almost failing miserably, creating a somewhat disjointed cup-and-ring. Next to this, but much much fainter, is a cup-and-half-ring that was obviously carved decades, if not centuries earlier. You can just make them out in the two photos here, to the right of the cross.
Carving in negative
Another very faint cup-and-half-ring also exists to the left of the primary motif that was only visible from one or two angles when we visited the place the other day, but barely shows up on any of the photos we took. There are a number of single cup-marks, mainly between the double-ring and the smaller cup-and-rings, some of which are probably natural, but several seem to have been worked upon by human hands.
A now-hidden petroglyph—known as “Castleton-3” in the Morris and van Hoek surveys—consisting of multiple cup-and-rings, exists beneath the mass or gorse bushes about forty years to the southwest. We could do with cutting this back so we can see the carving again.
References:
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
van Hoek, M.A.M.,”Prehistoric Rock Art around Castleton Farm, Airth,” in Forth Naturalist & Historian, volume 19, 1996.
Cup-and-Ring Stone: OS Grid-Reference – C 30754 37541
Archaeology & History
Incredible setting -incredible carving
This is an incredible find—dare I say a beautiful find—uncovered beneath the soil a few years ago on farmland close to the shore of Loch Swilly by one of the farm-workers. We were lucky inasmuch as when it was found he noticed curious markings on it. Informing the farmer, between them they peeled back the rest of the soil and found the incredible carving that we see here in Bettina Linke’s photos.
Etched onto a sloping stone overlooking the blue panorama that is Loch Swilly, this petroglyph has a 180º view of the landscape, from the southeast through to the northwest. This panorama—unimpaired by trees thanks to its proximity to the sea loch—was probably an important ingredient in the mythic function of the carving and is something we’ll return to shortly…
Local rock art specialist, Liam McLaughlin was informed of the discovery and, along with Bettina Linke, they met up with the farmer who showed them the carving. I have little doubt that they were very impressed by what lay before their eyes! They told that the rock,
“is aligned east-west with the visible motifs, apart from a few cup marks, situated at the western end of the outcrop. Interestingly, the northern half/leaf is little worn and individual peck marks, made millennia ago, are clearly visible, suggesting it may have been covered for most of the time. The southern half is clearly worn and smoothed out and therefor appears to have been exposed for a considerable amount of time.”
Archetypal cup-and-ringsAncient solar motif?
One of the most impressive elements in the overall design is the solar motif, i.e., a series of concentric rings (in this case three) with a number of ‘spokes’ reaching outwards as if to indicate the rays of the sun itself. This is shown clearly in one of Bettina’s photos here. This symbol is found on other neolithic carvings in Ireland: not least the incredible designs in the Newgrange complex where the solar alignment is unmistakable.
The discovery of the carving was reported to the Irish National Monument Service and added to the Heritage Environment Inventory where a detailed report was subsequently written, much of which is extracted here:
“The rock art panel is on an outcrop of bedrock, aligned east to west and slightly sloping in this direction towards Lough Swilly and Knockalla Mountains, also known as the Devil’s Backbone. It lies in an arable field near a field wall in rough ground. Visibility is good to the SE, S, W, and NW across Lough Foyle and the Fanad peninsula.”
On the northern section of the stone,
“There are three large motifs and well preserved with cup and pecking marks between them. There are traces of a fourth large motif on the east end but the rock surface has been eroded or damaged, making it impossible to ascertain the design of the motif.
“Starting from west to east, the top large motif has three rings and a diameter of 43cm. The centre cup mark is shallow and has a diameter of 5cm. There is second shallow cup mark between the 2nd and 3rd ring in the southern part of the motif. Its diameter is 3cm. One tail, is running from the inner ring outwards to the west and a second one is running towards the north. Peck marks, covering the motif, are still visible, particular in the rings.
“The motif below has four rings and a diameter of 39cm. The centre cup mark is very shallow and has a diameter of 4cm. And like in the above motif it has a tail running northwards. But a special mentioning has to be made of the unusual heart shape of its rings with the indentation to the south. Peck marks are still visible in the rings. As far as could be made out, there are five cup marks between those two motifs with diameters between 3cm – 5cm. This part also contains several single peck marks of about 1cm in diameter.
“The next large motif below has a diameter of 37cm, three rings and a centre cup with a diameter of 3cm. A tail appears to divide the motif into an eastern and western half. Another tail seems to run from the centre cup through the inner and middle ring towards east.
“Large peck marks of 1cm diameter cover the entire motif, which can be particular well seen in the embossed space between the middle and outer ring. There are more, large peck marks above the motif to the west as well as four possible shallow and small cup marks. Although the two closed to the motif, in what appears to be a twin configuration, could be two independent but slightly damaged peck marks.
“All of the three motifs on the northern wing leave the distinct impression that they may have been sun wheels with some spokes no longer visible or not visible during our visits.
“The southern wing:
“Like the northern ring the large motifs are placed in the western end of the wing with only a few cup marks on its eastern tip. The edges of the carvings are rounder and more worn, although some rings and cup marks are distinctively deeper. The latter might suggest that these motifs were carved at a different time and by different hands. It also appears that this wing was longer exposed than the northern one.
“The motifs are as followed from west to east: two deep cup marks on the northern side. Diameter for the upper one 5cm in diameter, for the lower one 4cm. There could be a shallow third one below and a damaged one to the south.
“Next in the centre of the wing is a large, three ringed motif with a diameter of 40cm and a centre cup mark, 3.5cm in diameter. Some of the photos show possible if faint tails or spokes, suggesting that this also could be a sun wheel motif. No visible peck marks. Below is a small double ring motif with a diameter of 17cm and a centre cup mark with a diameter of 2cm. Just below and to the south-east is a cup mark, circa 3 cm in diameter. Beside it to the east another cup mark about 5cm in diameter. There are one or two, maybe three circa 2.5cm cup marks in the white lichen area to the north-east of the small ringed motif. And some faint peck marks appear between the large 3 ring motif above and the small ringed motif close to the natural split of the bedrock. The next motif below is a deep double ring motif with a diameter of 26cm and a centre cup mark of 5cm. No tails or spokes could be detected. The white lichen area with up to three possible single cup marks is just beside it, close to the natural dividing crack.
“In the middle of the southern wing are faint traces which suggest that there could have been another motif, now destroyed, of an estimated diameter of 28cm.
“The eastern tip has one large cup mark of 10cm and 3 small cup marks between 2.5cm and 3cm. There might be a fifth but damaged cup mark.”
Somerville’s astronomical linesThe setting sun: a mythic function?
The fact that the stone itself is aligned east-west and pointing towards the outline of the Knockalla Mountains, suggesting “a solar/sunset alignment at the equinoxes” may well be true, but whether this was intended or not is another matter.
Intriguingly, one of the archaeo-astronony pioneers, Boyle Somerville (1909) wrote a article in the Journal of the Royal Society of Antiquaries of Ireland about a number of summer solstice alignments he thought existed in this precise locale. Amongst them was one he found running from the standing stone at Cloghbane on the other side of Loch Swilly—known as the White or Rowan Stone—heading northeast to the small mountainous peak of Bulbin, approximately 7.1 mile away. Somerville found that,
“The outline of the mountains visible to the northward from Cloghbane shows two sight-lines that undoubtedly were used from this position. One is for the summer solstitial sunrise over the prominent peak Bulbin; the other is over a low and small but conspicuous round-topped headland, towards the mouth of the Lough, which is in line with an exactly similar hill behind it; their two summits being practically coincident, forming a single sky-line; so that, from Cloghbane, their angle of elevation by theodolite is the same.”
The primary motifs
The first alignment is the relevant one here: it not only relates to the rising sun at solstice in 1000 BC, but our Glebe petroglyph lies right on the edge this alignment! (give or take a few yards) Whether or not this is a coincidence we cannot say for certain, but the ‘solar motif’ in the design would seem a strong indicator that implies some sort of solar function here.
As always with cup-and-rings, their non-linear designs tickle our minds with possibilities, probabilities and that there thing called the mysterious, which Einstein described as “the source of all true art and science…”
One final and important thing to anyone who may want to visit this site: please contact the farmer and ask his permission if you want to see it. Cheers. 😉
Acknowledgements: Massive, huge huge thanks to Bettina ‘Grianan Swilly’ Linke for the superb photos and data for this site profile. And (although he doesn’t know it yet!) thanks are also due to the farmer and his employee who rediscovered the carving and to Liam McLaughlin who put pen to paper and told the rest of us about it.
Follow the same directions as if you’re visiting the impressive Fairy Stone carving, then 3 yards east is the Cottingley 2 double cup-and-ring, keep walking past through trees for another 5-6 yards where you’ll come across this reasonably large curved flat stone. Y’ can’t really miss it
Archaeology & History
Cup, with ring faintly visible
This was another carving in the small cluster by the Fairy Stone that I found on my visit here in the 1980s—but it’s a pretty innocuous one to be honest. There’s a faded incomplete “ring” (not really visible on my photos due to pouring rain and very poor light when I was here) with a distinct cup-mark in the middle. Several inches away from the cup-and-ring is a carved line that arcs around it creating an incomplete oval design; and what seems to be a single cup-mark is visible at the top of this oval. Other marks on the stone are both natural as well as recent ‘scratches’.
Some elements of this carving—as with others in this petroglyph cluster—seems to be modern. The cup-and-ring seems to be the real deal, but the ‘oval’ seems to have been added much more recently, perhaps by the scouts who play around in this part of the woods.
Get yerself to the Fairy Stone, then walk east past the adjacent woodland carvings—numbers 2, 3 and 4—from where you should walk about another 10 yards east across the grass, keeping your eyes peeled for a large flat stone measuring about 6ft by 10ft just as you go back into the tree cover north-side. You’ll find it.
Archaeology & History
This large carved rock is the easternmost known petroglyph in this small woodland cluster of five. (a sixth one can be found, but it’s several hundred yards east from here) Consisting of two distinct cup-and-rings in relative proximity to each other on the northern section of the stone, this design—unlike others in this group—has a greater sense of stylistic authenticity to it. Despite this, one of the two cup-and-rings seems to be a more recent addition to the rock, as close inspection shows peck marks that aren’t very well eroded as you’d expect on rock of this type if it was truly ancient. The more faded cup-and-ring on its northwestern section looks to have a greater sense of age about it when we look at its erosion level….perhaps…
The 2 Cup & RingsThe 2 cup-and-rings
We have to take into consideration when looking at this carving and the others nearby that possess some quite peculiar design-elements, that this section of woodland is used extensively by boy scouts who do what boy scouts do in their teenage ventures: from making fires, climbing trees and, perhaps, scribing on stones if/when their elders aint looking. It’s an important ingredient that has to be taken into consideration when looking at the more rash motifs hereby—this carving included. The more faded cup-and-ring on this, however, may be the real deal. And hopefully, next time I visit this site, She’ll not be dark and pouring with rain (much though I love such weather), so I’ll be able to get some better photos!
Follow the same directions as if you’re visiting the impressive Fairy Stone carving, then check out the overgrown rock three yards away, to the east. You might have to rummage under the scrubbage to see it, but you’ll find it if you want to!
Archaeology & History
I first found this stone in the 1980s when I’d been shown the Fairy Stone carving which, at the time, was thought to be all alone. But I used the olde adage: “where’s there’s one cup-and-ring, others tend to be“—and found this and several others closed by.
Large messy cup-and-ring
It’s a relatively small, slightly-domed earthfast rock, upon which we find an unusually large cup-and-double-ring design with a carved line running from the large central cup out to the edge of the stone. However, the carved lines that constitute both the inner and outer rings are ‘crude’ in form and style when compared to the vast majority of other British petroglyphs; and for some reason, this aspect of the design has me casting doubts over its prehistoric authenticity. I hope I’m wrong!
References:
Bennett, Paul, ‘Tales of Yorkshire Faeries,’ in Earth 9, 1988.
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
To be found in the grounds of Belmont House School, just 1¾ miles (2.8km) north of Derry’s otherColumba’s Stone, this is one of the many petroglyphic “footprints” that folklore ascribes to Ireland’s saint Columb/Columba/Columbkille (and other variants). Said to have originally been carved at the great fortress of Grianan of Aileach, 4½ miles (7.2km) to the west, this great block of stone—roughly 6 feet square on top—has the distinct sculpturings of two feet, each about 10 inches long, etched into its sloping surface. Archaeologically speaking, there’s little more to say about the stone; but its traditions are another thing altogether and are of considerably greater importance…
Folklore
Like the carved footprint on top of Dunadd in Argyll with its association of tribal initiations, the traditions relating to this footprint follows the same path, so to speak. It was H.P. Swan (1938) who gave us a good summary of the olde lore here, telling that,
“It is almost absolutely certain that it was brought from the Grianan of Aileach after its destruction, probably by an O’Doherty for his own installation. If so, the task of removal was no joke, for the stone weighs some seven tons. It was the “crowning stone” of the Kinel-Owen, or, in other words, the stone upon which the chieftains of the great O’Neill clan were inaugurated. They reigned in Aileach for many centuries.
“At his installation, as supreme head of the clan, the newly-chosen chief was placed upon this stone, his bare feet in the footmarks; a peeled willow wand was put into his hand, as an emblem of the pure and gentle sway he should exercise over his tribe; an oath was administered to him by the chief ecclesiastic in the neighbourhood, that he should preserve inviolable the ancient custom of his country, and deliver the succession peaceably to his tanist (successor); after which, descending from the stone, he turned himself thrice backwards and thrice forwards, to signify that he was ready to meet all foes, from whatever quarter they might come; and was then, with wild acclamations, hailed as their chief by his assembled clan.
“At the time of Ireland’s conversion to christianity by St Patrick, that holy man visited the Grianan (about AD 443), where this stone had been so used for centuries before; Owen was then King; he was converted from Paganism to the new faith and baptised by Patrick; at the same time, the saint consecrated this stone, and blessed it as the crowning-stone of the Kinel-Owen for ever. Time, however, has proved his blessing futile, as may be read in the account of the Grianan, which was deserted by the Kinel-Owen after its destruction by the O’Briens in 1101.”
The ritual described here cannot be taken lightly, nor seen as a presentation of fiction, for its ingredients are found echoed in kingship rites in many cultures.
References:
Swan, Harry Percival, The Book of Inishowen, William Doherty: Buncrana 1938.
It’s a bittova pain-in-the-arse locating this site unless you’re into walking off-path, through excessive dense heather or burnt coarse ground. You can either follow the directions to the Black Beck tomb, or set off from Horncliffe Circle and walk up parallel to the fencing for nearly 300 yards (275m). From here, walk due east for nearly half a mile through the deep heather until you reach an overgrown track that keeps you eastwards towards a line of grouse butts abaat 275 yards (250m) on. Naathen, walk on the north-side of this path-track and for a few yards and you’ll begin to see either small piles of stones, or heather-covered mounds. Zig-zag about. You’re in the middle of the cemetery!
Archaeology & History
This cairnfield, or burial ground, or necropolis (choose whichever term you prefer) is a bittova beauty! Although some of the tombs here had been ‘officially’ noticed a few years back, the magnitude of it was understated to say the least. On a visit to the place a few months ago in the middle of one fuckova downpour, James Elkington and I found not only the large Black Beck tomb, but scattered clusters of many more cairns. But it wasn’t until a few weeks after that we got a longer time to check it over and, even then, I think the job was only half-done. So this site profile is merely an overview of some of what we found there. Along with the Black Beck tomb, we found more than thirty examples of prehistoric cairns—probably Bronze Age in nature—around the Hawksworth Shaw area near the middle of Hawksworth Moor, scattered around (seemingly) in no particular order.
…and another one…Round cairn in foreground
Three types of cairns were identified in this large cairnfield. The majority of them are of the standard circular form, averaging 3-4 yards across and rising to about two feet high. They are of the same architectural form as those found in the Hawksworth Moor cairnfield 4-500 yards northwest of here (there is the possibility that the two of them are part of the same necropolis, but unless we can locate an unbroken continuity between the two groups, it’s best to present them as separate clusters). When we looked at them a couple of weeks ago, most cairns of the ’round’ type were overgrown, albeit in low growth, as a couple of the photos here show. The main cluster of the round cairns are just a few yards off the aforementioned track, but there are others scattered here and there at other points on this part of the moorland. A number of these cairns seem to have have been damaged and robbed of stones to build a line of grouse butts close by.
One of the ‘long cairns’Another ‘long cairn’ during an utter downpour!
The second type of cairn in the necropolis—close to the main cluster of round cairns—are curious small, long cairns. Each one of them measures between 8-10 yards in length, are up to three yards across, and rise to a height of about one yard. They are built of the usual mass of small stones typical of the huge number of other cairns on Rombalds Moor, but have been constructed in an elongated form, in contrast to the more usual circular ones. Four of them are very close to each other with a fifth further away from this main group. A sixth one appears to be under the heather 50-60 yards away to the northeast. Unlike some of the nearby round cairns, this group looks as if it’s barely been touched by the hand of man, with only fallen scatters of stones around the outer edges of them. Tis an interesting group…
The third architectural cairn-types are scattered unevenly across the necropolis and are characterized as smaller, mini-versions of the round cairns, i.e, small piles of stones between 1-2 yards across and and just one or two feet high. Each of this type of cairn are more deeply embedded in the peat with more vegetational growth covering them due to their small size. This makes them much more difficult to see in comparison to their larger compatriots. One example (at SE 1423 4404) can be seen in the photo, above left, some 50-60 yards north of the Black Beck tomb; with another, above right, some 100 yards away to the southeast. There is the possibility they may be so-called ‘clearance cairns’, although I have some doubts about this and believe they are more likely to be individual graves…. but I could be wrong…
There’s little doubt that other tombs are hiding away in this area, waiting for fellow antiquarians to uncover them. Equally probable is the existence of hut circles or similar living-quarters lost beneath the heather. Two such sites have been found on recent ventures here: one a short distance west of the Black Beck tomb and another hiding away nearly 300 yards southwest, right beside the Black Beck. The main thing lacking up here are cup-and-ring stones. Apart from several uninspiring cup-marked rocks it seems few exist hereby; but there are, no doubt, some hiding away that have been hidden for millenia…
One final thing: the grid-reference given for this necropolis is based loosely on where some of the cairns can be found, but there are others whose positions lies slightly beyond that grid-ref, as you’ll find if you potter about.
Acknowledgements: With huge thanks, as always, for James Elkington for use of his photos. Also to the evolving megalith and landscape explorer Mackenzie Erichs; and to Linzi Mitchell, for additional input…
Probably the easiest way to find this is to use other sites as guides. From the Great Skirtful of Stones tomb, get over the fencing and follow it eastwards for exactly 500m (238 yards) where you’ll meet a small footpath on your right that goes southeast up the small slope of Craven Hall Hill and onto the moorland. Go along here for literally 0.2km (223 yards) and, just where the path bends slightly to the left, drop diagonally down the slope to where the moorland levels out close to the Craven Hall Hill (2) tumulus. From here walk WSW onto the flat moorland for literally ⅓-km (0.21 miles; 365 yards) where you’ll find either a large rounded mass of stones, or a large heather-covered mound—depending on whether there’s been a burning. Best o’ luck!
Very troublesome to locate when the heather’s fully grown, this large prehistoric tomb was uncovered very recently as a result of extensive moorland fires. It’s the largest such structure in a cluster of more than thirty cairns near the middle of Hawksworth Moor, many of which were rediscovered at the end of May, 2021. Due south of the Great Skirtful of Stones, this smaller skirtful of stones measures some 45 feet across and is more than three feet high in parts. Probably built in the Bronze Age, the tomb looks as if it’s been deliberately robbed at some time in the past, probably before the Victorians by the look of things—although only an excavation would tell us for sure. Primarily, the cairn has been robbed from its centre outwards mainly on its western side, where you’ll also see a small and rather dodgy cup-marked stone. Scattered into the surrounding peat are visible remains of where some of the loose stones have been cast.
Small hole in the middleNorthern edge of cairn
A possible alternative to this being simply a large cairn, is that it’s a much-disturbed ring cairn. Some sections on the north and western edges give the impression that the mass of stones may be collapsed rubble walling. There are also a couple of internal features beneath the overgrowth of peat and compressed vegetation: one being a small circular piece of stonework that has either fallen in on itself, been dug into, or is the home of an animal; and a yard or two from this is what looks like another internal U-shaped stone structure – again, deeply encased by centuries of encroaching peat. But I must emphasize that these features are far from certain and can only be proven one way or the other by an excavation.
The site is well worth seeing, not only for its own merit, but also because of its place in a much wider prehistoric cemetery in the middle of Hawksworth Moor. There are at least six small single cairns (which may be clearance cairns) scattering this area—the closest of which from here is some 20 yards to the north. A more curious group of at least five small long cairns exist about 100 yards to the south; and below these is the largest cluster of standard tombs in the form of small round cairns. A curious D-shaped hut circle structure can be found less than 100 yards to the northwest, and what seems to be remains of a larger deeply embedded enclosure exists beyond the long cairns. Check ’em out!
Acknowledgements: With huge thanks, as always, for James Elkington for use of his photos. Also to the evolving megalith and landscape explorer Mackenzie Erichs; and to Linzi Mitchell, for additional stimuli…
