West Lane Rock, Askwith, North Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 15802 48393

Also Known as:

  1. Carving no.509

Getting Here

Walk about a mile along West Lane from Askwith village, towards Ilkley, until you reach a notable rounded bend in the road where, in the field immediately above you (behind the thorns) on your left, is a small scatter of large rocks at the edge of the field.  One of these is what you’re after! (although this stone is just a couple of yards from the roadside, you can’t just pull up here and have a look — unless you’re an idiot! — without causing one hellova bad accident.  So don’t do it!)

Archaeology & History

Carving no.509, Askwith

First described in Boughey & Vickerman’s (2003) survey, this is a curious “design” — if indeed that’s the right word!  On the upper surface we can see, very clearly, one large cup and two deep curved lines set away from the cup-marking.  One of these lines appears to curve along and down the edge of the rock and, on the shaded side below (somewhat overgrown with nettles when we were looking at it), what may be another large cup-mark and a continuation of the same “carved” line, roughly as drawn in the 2003 survey.  It looks pretty good (if you’re a sad rock-art freak like me), but there could be another reason for the markings…

A mile upstream on the eastern edges of the wooded Scales Gill valley (known in previous centuries as both St. Helen’s Ghyll and the Fairy Dell), recent forestry and industrial work has scarred a number of rocks with engraved lines upon more faded cups or gunshot marks.  When we wandered up here a few days ago and found a couple of these recently scarred stones, I remarked on how, in years to come, unless we made note of these very modern curves and grooves on the rocks, that future archaeologists will be cataloguing them as cup-and-ring stones.  Several hours later on the way back home from our moorland wanderings, we ventured upon this, stone no.509.

I mention this for good reason: as a century back, only 100 yards away, are the remains of what was an old quarry that used industrial machinery similar to the ones that have made the recent curved markings on the stones a mile up the valley.  And as we can see quite clearly with this stone and its companions, they’ve been moved and dumped into their present position at the field-side.  We should keep this ingredient in mind when looking at this stone, just in case the archaeologists who’ve logged this as prehistoric have got their dates out by a few thousand years.  With any luck however, I’ve got it all wrong…

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.

© Paul Bennett, The Northern Antiquarian


Eclipse Stone (107), Bingley Moor, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 11164 42652

Also Known as:

  1. Carving no.107 (Boughey & Vickerman)
  2. Carving no.228 (Hedges)

Getting Here

From East Morton village, take the moorland road, east, and up the steep hill.  Where the road levels out there’s a right turn, plus (more importantly!) a trackway on your left which leads onto the moor.  Go up this track for a few hundred yards until you’re on the moor proper (by this I mean the track’s levelled out and you’re looking 360° all round you with all the moor in front of you).  Just before the track starts a slight downhill slope, go into the heather on your right, for about 80 yards.  You’re damn close!

Archaeology & History

I first came here many years back in my mid- to late-teens with an old school-friend Jon Tilleard, wandering about adventurously, occasionally stopping here and there when I found some stupid cup-mark or other seemingly innocuous scratch on the rocks, gerrin’ all excited and jumping about like a tit!  But when we visited the place again a few days back my response was somewhat different.  I was worse!  But for good reason…

Primary features of CR-107
Close-up of main features

The potential variations visible in this carving are peculiar, to say the least.  Ones first impression shows a carving similar in many ways to that shown in Hedges (1986) fine survey; but upon closer inspection a number of initial visual responses begin to look murky.  A seeming cup-with-double-ring aint what it seems!  To me at least (sad fella that I am!), it’s far more intriguing and far less certain, with a number of oddities still left.

The central feature of the carving is the lovely near-cup-and-double-ring!  As we can see in the photo here, there are some insecurities in the top-right of the outer ring.  To the upper right of this is another cup-with-partial-ring that was not included in the Hedges (1986) survey, nor Boughey & Vickerman’s (2003) updated work.  There are some obvious pecked carved lines — whose specific definition yet remains unclear — in and around this area of the petroglyph; but in the “official” illustration these elements or ingredients were somehow missed.

Eclipse Stone, looking west

When we visited the stone the other day, the naturally eroded lines on the rock seemed pretty obvious; but the more we looked, the less secure we were about some of them.  Thankfully the light kept changing about, allowing us to get different perspectives — and with the low sunlight of evening casting itself across the rock, some additional features seemed obvious.  In particular, what seemed like two natural “scratches” on the stone turned out to have been pecked and carved and the straight lines ran into the double cup-and-ring on the left-side.  One of these — the lower and shorter of the two — seems to run into the central cup, but this aint certain.  The longer top line has an even more circuitous venture: entering the outer ring, it passes onto the top-inner ring and then bends along its edge, before exiting again on the right-hand side, through the outer ring and heading out towards the large natural eroded cutting a few feet away (see my crappy drawing to get an idea).  Other faint aspects on this stone may have the hand of man behind them…

My shit sketch!
Hedges 1986 sketch

There are certainly a few other cups on the stone: one with a near semi-circle on its lower and right-hand side.  The long nature-worn cut, right-of-middle, may have had the hand of man cutting into the cup at the bottom; and another couple of “is it? — isn’t it?” enhanced natural cups seem possible on the left side of the rock.  There is also what looks like a distinct single cup-marking on the west-facing vertical face of the stone (you walk towards it from the track).  It looks pretty decent, but I’ll let them there “professionals” assess the validity or otherwise of that one!  But the other unmistakable and very curious ingredient is the deep, worn arc beneath the primary double-ring feature.  This is, as the photo shows, separated by a long natural crack running halfway down and along the stone, above which possibly the double-ring feature touches.  This large ‘arc’ feature gives the distinct impression of being a big smile!  However…

Turn the image of the central feature upside down and you get a very different effect indeed.  A rainbow above the surface of the Earth, with (perhaps) a pool in which the sun has reflected?  Or an underworld venture?  Looking at it from a few angles gives the impression of a comet moving across the sky, aswell as an eclipse with the diamond-ring effect.  But as with cup-and-ring in general, there are plenty of other potentials!  Which also begs the question: was it to be looked from the top or bottom (or left or right for that matter)?

I could waffle about this particular carving for much longer, showing that it had quite an effect on me.  Check it out and sit with it for a while… It’s superb!

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  2. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian


Wray Stone (314), Ilkley Moor, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 13173 46585

Also Known as:

  1. Carving no.150 (Hedges)
  2. Carving no.314 (Boughey & Vickerman)

Getting Here

Take the road up across from Ilkley train station uphill towards the moor until you reach great rocks on your right.  From here, the Cow & Calf Stones car park (packed with tourists and litter everywhere these days), go up the steep footpath onto the moor.  As you level out looking across the first moorland ridge, to your left is a rounded hillock.  Go into the heather there and near its small peak and you’ll find what you’re looking for.

Archaeology & History

This is a nice big stone, found amidst a clump of other stones, that gives the distinct impression of once being a large cairn or similar artificial prehistoric feature.  But that’s wishful thinking on my behalf…  This long fat 10-foot long rock has the distinct signature of someone who thought it a good idea to carve his little name on the carving in 1978, as the name of the rock tells: “Wray Nov 78” — vandalism which the local Ilkley Parish Council and local businessman Tom Lonsdale validate as little more than “twenty-first century informal unauthorised carving.”  Beneath the great artist’s signature we find two distinct cup-marks above a large rounded bowl, inside of which seems to be the impression of an old ring, but this seems due to the actions of water and lichen.  There are perhaps another two faded cup-markings alongside those distinctly visible.  In Hedges (1986) survey he described the “top flat surface has three cups and one basin” — so let’s play safe and go with that!

Close-up of cups, bowl & modern etching

It’s a good stone, sat upon a fine ridge with distinctive views for miles both east and west along the valley of the Wharfe, and north to the ancient settlements and burial grounds of Middleton Moor on the other side of the River Wharfe.  From here, behind and up onto Ilkley Moor, unfolds its greater mythic history, scattered and hidden over differing ages.  In years past, this site was a fine one for reflection and insight.  Today, one must venture further and to other sites for such quiet realities. Close by you can find the double-ringed carving of stone 318 and other faded cup-mark stones nearby.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  2. Cowling, E.T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
  3. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian


Counter Hill Carving, Silsden, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 0463 4995

Also Known as:

  1. Carving no.31 (Boughey & Vickerman)

Getting Here

Cowling’s 1946 drawing

From Silsden go up the long hill (A6034) towards Addingham until the hill levels out, then turn left on Cringles Lane (keep your eyes peeled!) for a half-mile where you need to veer right along Banks Lane and go 100 yards past Moorcock Farm Hall where the footpath takes you into the fields on your right.  Walk down the line of the wallings, thru the gate, and keep following down until you reach a cluster of large rocks.  Stop here and look over the wall where you’ll see one of the boulders poking its head out on the other side.  That’s it!

Archaeology & History

First discovered by Eric Cowling in the late 1930s during one of his explorations of the immense Counter Hill earthworks (thought to be Iron Age), whose remains can still be seen encircling the peaked hill close by.  The stone is found in the edge of the walling halfway down the field towards the Marchup enclosure and is just inside the outer edge of the Counter Hill ditched enclosure surrounding the hill above you. (on the other side of the wall from the carving, you can make out the remains of the faint line of the ditch running pretty straight up towards the next wall)

Cluster of cups by walling
Counter Hill carving from above

At the top eastern edge of the stone is a clear cluster of 3 cup-markings, just as the rock meets the walling.  A much more faint group is visible to the left.  Cowling (1946) suggesting that the three-cup-cluster “shows the final form of the fylfot symbol,” i.e., the three-armed swastika.  Boughey & Vickerman (2003) meanwhile suggest that one of the two clusters are “doubtful (possibly recent?).”

When we came to this site yesterday, the day was overcast and cloudy.  But it seemed there may be more to this carving than has previously been recorded.  What may be a faint ring seemed possible near the middle of the stone, with a natural crack running through it (you can just about make it out in the photo on the right).  There also seemed to be other faint lines on the rock, but until we’ve been here again with better lighting conditions, the two groups of 3-cups is the symbolic state of play for this stone!

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  2. Cowling, E.T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
  3. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian


Glovershaw Quarry Stone, Baildon Moor, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 13044 40093

Also Known as:

  1. Carving BM5 (Hedges)
  2. Carving no.122 (Boughey & Vickerman)

Getting Here

Follow the same directions as those to reach the small Central Design Stone up past the top-end of Shipley Glen.  You’ll notice the small disused quarry just a few yards away, and this partly-covered flat stone lies right at the very edge of the quarry itself.

Archaeology & History

Faint cups on CR-122
Plan of CR-122 (after Hedges)

Unless you catch this stone in good light, many of the cups on this design are difficult to make out; but defocus for a bit and they’ll come to you.  Around 13 cups have been counted on this stone, with a couple of grooves: one of which descends just by the small arc (a common local feature on Baildon’s carvings), near the eastern side of the stone.  A larger basin below this, covered by earth, may or may not be natural.  Two of the cups here may have been carved sometime in the late 19th or early 20th century, probably around the time the quarrying was being done.

As is common in some parts of Britain, this carving (and others nearby) was found in association with a small cairn-field, much of which has long since gone.

It’s very probable that there were other petroglyphs close to this one, but which have subsequently been destroyed as a result of the quarrying operations here.

References:

  1. Baildon, W. Paley, Baildon and the Baildons – parts 1-15, Adelphi: London 1913-1926.
  2. Bennett, Paul, Megalithic Ramblings between Ilkley and Baildon, private manuscript: Shipley 1982.
  3. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
  4. Jackson, Sidney, “Cup-Marked Boulder near the Glovershaw Footpath,” in Cartwright Hall Archaeology Group Bulletin, 2:17, 1957.
  5. Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian


Baildon Moor (126), West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 13066 40095

Also Known as:

  1. Carving no.9 (Hedges)
  2. Central Design Stone

Getting Here

Arc of deep cups

From the old Glen House pub, walk up the road onto ‘Shipley Glen’ as all locals call the place.  Go up the Glen Road for about half a mile, watching out for the small dirt-track turning going the slope on your left-hand side just near where the road starting swerving uphill to the right.  At this point where the track heads down and into the trees, there’s a footpath going into the bracken along to the right, heading onto level ground.  Walk up and along here.  After 100 yards or so you’ll notice the disused quarry on your left.  Keep walking along the footpath (two end up running parallel to each other) and you’ll see this carving right beneath your feet!

Archaeology & History

Baildon Moor carving 126

This was one of the very first examples of “cup and ring stones” that I ever saw, when I was a mere 10 or 11 years old!  I’m not quite sure what I expected to find, but something about this stone with its deeply set cup-markings obviously had an effect on me – as I’m still foraging about looking at them more than 35 years later!  About 20 yards away from the Glovershaw quarry carving (Baildon Moor 122), this central design stone — as I used to call it — was first recorded in W. Paley Baildon’s (1913) magnum opus and was then all-but-forgotten until the Bradford Archaeology Group mentioned it again more than forty years later.  Although you can only see three distinct cups on this small rock, another 2 or 3 seem in evidence under better lighting conditions, and a small line runs below the cups in the photo here, which you can just make out above the central cup.

This carving and others close by give the distinct impression that they were once part of some seemingly lost cairn-field, awaiting rediscovery…

References:

  1. Baildon, W. Paley, Baildon and the Baildons – parts 1-15, Adelphi: London 1913-1926.
  2. Bennett, Paul, Of Cups and Rings and Things, unpublished: Shipley 1981.
  3. Bennett, Paul, Megalithic Ramblings between Ilkley and Baildon, unpublished: Shipley 1982.
  4. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
  5. Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
  6. Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian


Winter Hill Stone, Cowling, North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SD 98288 41976

Getting Here

Winter Hill Stone, looking NW

The easiest way to get here if you’re coming for the first time is via the A6068 Glusburn to Cowling road. On the south side of Cowling, take the small road Old Lane, uphill on the east side of the road (very easily missed – keep your eyes peeled!) and keep going up until the road just about levels out, where there’s a muddy parking spot on your left (the giant Wainman’s pinnacle is down the path from here).  Cross over the road and head up towards the giant Hitching Stone. When you reach the first fence, cross over it and follow it into the boggy heathlands to your right (west-ish).  Head into the tribbly grass and keep walking for 3-400 yards till you see the large rock growing out of the Earth.

Archaeology & History

Cup-markings near ground-level
Looking from above

Not far from the legendary Hitching Stone is this curiously-shaped boulder sitting peacefully and alone in its landscape.  It is in fact a large cup-marked boulder, previously unrecorded until being described in The Old Stones of Elmet.  On top of the stone it seems that there are no definite man-made cup-markings, but there are a number of seemingly natural ones (although some could have been etched thousands of years ago and have just eroded well); instead the real cup-markings are found curiously etched at the base of this large rock, just above ground-level.

Hitching Stone on horizon

As can be seen in the photos, on its lower south-facing edge there are around 20 well-defined cups that clearly stand out.  No other cup-marked stones appear to be nearby (surely there’s a few more kicking about in the area…?).

An earlier assertion I made (2001) about the nearby Hitching Stone aligning with the winter solstice sunrise from here was recently put to bed following the morning observations of myself and Dave Hazell on December 21st, 2010, when — as can be seen in the photo here — the midwinter sun emerges from the land a few degrees of arc further southeast than expected.  However, I aint checked what the alignment here would have been when the cup-markings were first etched here, around 5000 years ago perhaps…  Would any of you archaeo-astronomers out there know about this?

References:

  1. Bennett, P., The Old Stones of Elmet, Capall Bann: Milverton 2001.

© Paul Bennett, The Northern Antiquarian


Cliffe Castle Carving, Keighley, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 0577 4210

Also Known as:

  1. Carving no.144 (Boughey & Vickerman)

Getting Here

Dead easy!  Avoiding Keighley (as common sense dictates), but going to its outskirts, get to the huge Cliffe Castle (tis free) on the northern outskirts of the town. Go inside and look around!

Archaeology & History

Carving in Cliffe Castle Museum
Close-up of cups & rings

Initially located in the ground a few yards south of Dobrudden caravan park amidst a large gathering of other carved rocks, this grand-looking cup-and-ring stone is no longer in situ.  As with a several other carvings, this has been on a bittova wander in the last century!  It was first uprooted from the Earth and archaeologically transferred to Bradford’s Cartwright Hall Museum sometime after World War 2, where it lived peacefully for a number of years, before being moved to Cliff Castle Museum, where it still lives, quietly (along with another prehistoric carved rock, the Comet Stone, that was nabbed from the uplands near the Roms Law circle).

Baildon’s 1913 drawing

As we can see from the photos (taken in poor lighting in the museum – sorry…) there are five cup-and-rings with one cup-and-2-rings standing out (plus about another 10-12 cups scattered here and there); though when W. Paley Baildon drew a picture of the stone around 1913, he could clearly see another cup-and-ring etched onto the stone, but this has faded somewhat in the last century. Messrs Boughey & Vickerman (2003) were unable to see it.

References:

  1. Baildon, W. Paley, Baildon and the Baildons – parts 1-15, Adelphi: London 1913-1926.
  2. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
  3. Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
  4. Jackson, Sidney, ‘Cup and Ring Boulders of Baildon Moor,’ in Bradford’s Cartwright Hall Archaeology Group Bulletin, 1, 1955.

© Paul Bennett, The Northern Antiquarian


Ant’s Stone, Rivock, Keighley, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 0791 4422

Archaeology & History

Ant Stone, uncovered
Ant Stone, uncovered

Discovered today, amidst a cluster of other carvings not previously catalogued.  This was hidden beneath a mass of vegetation, but after cutting and digging into the peat on top of the stone, several cup-marks became evident.  By the side of the rock, measuring roughly 8 feet by 5 feet, was a small ant’s nest — hence the convenient name of the carving.

Central design of the carving
Central design of the carving

The main feature is the large, perhaps natural cup-mark, about 3 inches across.  But three distinct artificial cup-markings were etched around the edges of this larger ‘cup’.  When we found this stone, the daylight was nearing its end and we were unable to ascertain any further features carved onto the rock.  Several other carvings were close by, none of which were included in the survey by Boughey and Vickerman. (2003)  After we’d finished here, we covered the stone back over with its peaty quilt and hoped that the ants weren’t too pissed off about us disturbing them…

© Paul Bennett, The Northern Antiquarian 


Abacus Stone, Holden, Silsden, West Yorkshire

Cup-Marked Stone (lost):  OS Grid Reference – SE 060 440

Getting Here

This carving is somewhere between Rivock’s western woodland edge, into the meadowlands next to it, down towards Robin Hood’s Wood.  Good luck if you find it!

Archaeology & History

The lost Abacus Stone design
The lost Abacus Stone design

I found this carved ‘design’ when I was but a nipper, as they say!  I was up all day, bimbling abaat checking out the stones and stuff, with notepad and pencil and found a number of cup-marked stones that I hadn’t come across in Stuart Feather’s surveys (the Hedge’s [1986] survey hadn’t been published at the time).   I’ve been back up round the Holden and Robin Hood’s Wood district several times in recent months, hoping to re-locate this carving — but without success.  I recall that when I found it all those years ago, how the design itself seemed almost ‘numeric’ in quality to look at (hence its title) and was hoping to come across it again, but the little fella’s hiding away somewhere!

The faded design was etched onto a small, slightly raised natural  stone, no more than 3ft x 3ft and about 2 feet high.  I thought that it might have been Boughey & Vickerman’s carving number 53 (Hedges survey, no.17), but it wasn’t to be. If anyone finds it again, I’d love to know!

References:

  1. Bennett, Paul, Ramblings of Archaeological Remnants in West Yorkshire, unpublished: Shipley 1984.

© Paul Bennett, The Northern Antiquarian