From Gilmerton village, take the A822 Dunkeld road north. Go for about 200 yards and take the little road to Monzie; watching carefully another 200 yards on for the dirt-track on the left taking you across the fields. Go along the track, watching out for the small stones in the field on your right less than 200 yards along. You can’t really miss ’em! This small ring of stones is the Monzie Cairn Circle. The carving is just in front of it!
Archaeology & History
Although we know this brilliant carved stone has some relationship with the Monzie cairn circle only five yards away (it was linked via a man-made stone causeway, running between the circle and the carving), the stone itself is very much deserving of its own entry here — and at the same time I can give Andrew Finlayson’s (2010) excellent book a decent plug aswell! (the superb drawings of the stone, top & bottom, are from Andy’s work)
Allen’s 1882 drawingCarving & proximity of circle
First mentioned (I think) in Simpson’s (1867) early survey, the carving was described soon after by J. Romilly Allen (1882), who gave us an early drawing of the stone. Thought by some to have originally stood upright, the carving was described by Aubrey Burl (2000) as being, “decorated with forty-six cupmarks, cup-and-rings, nine double, one triple, there are grooves and a pair of joined cups.” It’s certainly an impressive carving!
Although the carving has been posited by some archaeologists as an outlier to the Monzie circle, it’s probable that the circle emerged from the carving — a concept that some may find difficult to understand. I’m not aware of any modern excavations here (the last, I think, was in 1938), but my guess would be that the stone causeway laid between the cup-and-ring stone and the circle ran towards the circle from the carving, and not the other way round. The carving is probably older than the stone ring — though of course, without excavation, my idea could be utter bullshit! (there are also some cup-marked stones in the circle aswell – though none as impressive as this)
One of my truly favourite megalith fanatics (despite some of his alignments being out), Alexander Thom, came here and thought this old carving “coincided with a rough stellar alignment from the centre-point of the cairn” (Hadingham 1974); though his notes in Megalithic Rings (1980) tell that,
“from the cupmarked stone beside the circle, the midsummer sun sets above an outlier some 800ft distant.”
The “outlier” that Thom mentions is known as the Witches’ Stone of Monzie, which Simpson (1867) appears to have mistakenly thought was the name of this very carving.
References:
Allen, J. Romilly, “Notes on some Undescribed Stones with Cup Markings in Scotland,” in Proceedings of the Society of Antiquaries Scotland, volume 16, 1882.
Burl, Aubrey, The Stone Circles of Britain, Ireland and Brittany, Yale University Press 2000.
Finlayson, Andrew, The Stones of Strathearn, One Tree Island: Comrie 2010.
Hadingham, Evan, Ancient Carvings in Britain, Garnstone: London 1974.
Simpson, James, Archaic Sculpturings of Cups, Circles, etc., Upon Stones and Rocks in Scotland, England and other Countries, Edmonston & Douglas: Edinburgh 1867.
Thom, Alexander, “Megalithic Astronomy: Indications in Standing Stones,” in Vistas in Astronomy, volume 7, 1966.
Thom, A., Thom, A.S. & Burl, H.A.W., Megalithic Rings, BAR: Oxford 1980.
Various ways to get here. Probably the easiest is via the golf course itself, walking up towards the top where the trees reach the hills, but keeping your eyes peeled for the large archetypal tumulus or fairy mound near the top of the slope. Alternatively, come up through the wooded slopes from Bridge of Allan and onto the golf course, keeping your eyes ready for the self same mound sat in the corner by the walls. You can’t really miss it to be honest!
Archaeology & History
This is an impressive-looking burial mound sat, intact, on the edge of those painful golf courses that keep growing over our landscape — and you can see for miles from here! It would seem to have been placed with quite deliberate views across the landscape, reaching for countless miles into the Grampian mountains north and west across the moors of Gargunnock and Flanders towards Lomond and beyond…
Fairy Knowe, facing westSir Armstrong’s old drawing
The Fairy Knowe was first excavated in 1868 by Sir J.E. Alexander and his team, when their measurements found it to be some 80 yards in circumference, 78 feet across and 21 feet high — compared to less than 60 feet across and only 8 feet tall today. The findings were recorded in one of the early PSAS reports, and more recently a synopsis of the account was made of it by the Royal Commission (1963) lads who summarized his early findings and told:
“The excavation revealed a cist in the centre of the cairn, laid on the original surface of the ground and measuring 2ft 6in in length, 1ft 6in in breadth and 3ft in depth. Its walls were formed partly of upright slabs and partly of small stones laid horizontally, while the floor and the roof each consisted of a single slab. Within it there was a deposit, 6in in depth, of black earth, charcoal and fragments of human bone among which pieces of a skull were conspicuous. The cist was covered by a heap of large stones, 8ft in diameter and 13ft in height, and this in turn was covered with earth, in which there were charcoal, blackened stones, fragments of human and animal bones and unctuous black earth. Among these remains were found six flint arrowheads, a fragment of what was once thought to be a stone spear-head, and a piece of pine which, it was suggested, might have formed part of a spear-shaft.”
Also, near the top of the cairn in the fairy mound, Sir Alexander’s team located a prehistoric beaker vessel and fragments of what they thought were other beakers pots. Archaeologist Richard Feachem (1977) also mentioned this site in his gazetteer, simply copying the words of previous researchers.
Other prehistoric cairns can be found nearby: one in Cuparlaw Woods less a mile north; plus the Pendreich cairns on the edge of the moors just over 1 mile to the northeast.
Folklore
Obviously an abode of the faerie folk in bygone times, the tales of the place are sadly fading from local memory… Mr Alexander (1868) thought this place may have been an important site for the Pictish folk, and he may well have been correct, as the legendary hill of Dumyat (correctly known as Dun Myat) 2 miles east of here has long been regarded as an outpost of one Pictish tribe.
The main piece of folklore attached to this place relates to its very name and how it came about. In R.M. Menzies (1912) rare work on the folklore of the Ochils, he narrates the local tale that used to be spoken, which describes a procession here from the Fairy Well, just over a mile to the east. Whether this folktale relates to some long lost actual procession between the two sites, we don’t know for sure. Mr Menzies told:
“Once upon a time, when people took life more leisurely, and when the wee folk frequented the glens and hills of Scotland, there was one little fairy whose duty it was to look after certain wells renowned for their curative properties. This fairy was called Blue Jacket, and his favourite haunt was the Fairy Well on the Sheriffmuir Road, where the water was so pure and cool that nobody could pass along without taking a drink of the magic spring. A draught of this water would have such a refreshing effect that the drinker could go on his journey without feeling either thirsty or hungry. Many travellers who had refreshed themselves at the Fairy Well would bless the good little man who kept guard over its purity, and proceed upon their way dreaming of pleasant things all the day long.
“One warm day in June, a Highland drover from the Braes of Rannoch came along with a drove of Highland cattle, which he was taking to Falkirk Tryst, and feeling tired and thirsty he stopped at the Fairy Well, took a good drink of its limpid water, and sat down beside it to rest, while his cattle browsed nearby. The heat was very overpowering, and he fell into a dreamy sleep.
“As he lay enjoying his noonday siesta, Blue Jacket stepped out from among the brackens and approaching the wearied drover, asked him whence he came. The drover said:
“‘I come from the Highland hills beside the Moor of Rannoch; but I have never seen such a wee man as you before. Wha’ may you be?’
“‘Oh,’ said the fairy, ‘I am Blue Jacket, one of the wee folk!’
“‘Ay, ay man, ye have got a blue jacket, right enough; but I’ve never met ony o’ your kind before. Do ye bide here?’
“‘Sometimes; but I am the guardian of the spring from which you have just been drinking.’
“‘Weel, a’ I can say is that it is grand water; there is no’ the likes o’t frae this to Rannoch.’
“‘What’s your name?’ asked the fairy.
“‘They ca’ me Sandy Sinclair, the Piper o’ Rannoch,’ was the reply.
“‘Have you got your pipes?’ asked Blue Jacket.
“‘Aye, my mannie, here they are. Wad ye like a tune? Ye see there’s no’ a piper like me in a’ Perthshire.’
“‘Play away then,’ said Blue Jacket.
“Sandy Sinclair took up his pipes and, blowing up the bag, played a merry Highland reel. When he finished, he was greatly surprised to see above the well a crowd of little folk, like Blue Jacket, dancing to the music he had been playing. As he stopped they clapped their little hands and exclaimed, ‘Well done Sandy! You’re the piper we need.’
“Thereupon Blue Jacket blew a silver whistle, which he took from his belt, and all the wee folk formed themselves into a double row. Blue Jacket then took the Highland piper by the hand, led him to the front of the procession, and told him to play a march. Sandy felt himself unable to resist the command of the fairy, and, putting the chanter into his mouth, blew his hardest and played his best, marching at the head of the long line of little people, who tripped along, keeping time to the strains of the bagpipes. Blue Jacket walked in front of the piper, leading the way in the direction of the Fairy Knowe.
“Sandy Sinclair never marched so proudly as he did that day, and the road, though fairly long, seemed to be no distance at all; the music of the pibroch fired his blood and made him feel as if he was leading his clansmen to battle. When the Fairy Knowe was reached, the wee folk formed themselves into a circle round the little hill, and sang a song the sweetest that ever fell upon the ears of the Highlandman. Blue Jacket once more took his whistle and, blowing three times upon it, held up his hand, and immediately the side of the knoll opened. Bidding the piper to play on, Blue Jacket led the procession into the interior; and when all were inside, the fairies formed themselves into sets, and the piper playing a strathspey, they began dancing with might and main.
“One dance succeeded another, and still Sandy played on, the wee folk tripping it as merrily as ever. All thoughts of Sandy’s drove had gone quite out of his head, and all he thought of now was how best to keep the fairies dancing: he had never seen such nimble dancers, and every motion was so graceful and becoming as made him play his very best to keep the fun going. Sandy Sinclair was in Fairyland, and every other consideration was forgotten.
“Meanwhile his cattle and sheep were following their own sweet will, the only guardian left to take care of them being his collie dog. This faithful animal kept watch as well as he could, and wondered what had become of his master. Towards evening another drover came along with his cattle for the same tryst. He knew the dog at once, and began to pet the animal, saying at the same time, ‘Where’s your master, Oscar? What’s become o’ Sandy?’
“All the dog would do was to wag his bushy tail, and look up with a pleading air, as if to say, ‘I don’t know; will you not find him?’
“‘My puir wee doggie, I wonder what’s come over Sandy? It’s no like him to leave his cattle stravaiging by the roadside. Ay ay man; and at the Fairy Well too! Indeed, this looks unco bad.’
“The newcomer, who was also a Highlander, made up his mind to spend the night with his own drove and that of Sandy Sinclair, thinking that the missing man would turn up in the morning. But when the morning came there was no sign of Sandy.
“Taking Sandy’s collie and leaving his own dog in charge of the combined droves, he said, ‘Find master, Oscar!’ The wise beast sniffed around for a little and then trotted off in the direction taken the day before by Sandy Sinclair and the fairies. By and by they reached the Fairy Knowe; but there was nobody there as far as the drover could see. The dog ran round and round the knoll, barking vigorously all the time, and looking up into the face of the drover as if to say, ‘This is where he is; this is where he is.’ The drover examined every bit of the Fairy Knowe, but there was no trace of Sandy Sinclair. As the drover sat upon the top of the Fairy Knowe, wondering what he should do next, he seemed to hear the sound of distant music. Telling the faithful dog to keep quiet, he listened attentively, and by-and-by made out the sound of the pibroch; but whether it was at a long distance or not, he could not be certain. In the meantime, the dog began to scrape at the side of the mound and whimper in a plaintive manner. Noticing this, the drover put his ear to the ground and listened. There could be no mistake this time: the music of the pibroch came from the centre of the Fairy Knowe.
“‘Bless my soul!’ exclaimed Sandy’s friend. ‘He’s been enticed by the fairies to pipe at their dances. We’ll ne’er see Sandy Sinclair again.’
“It was as true as he said. The Piper of Rannoch never returned to the friends he knew, and the lads and lasses had to get another piper to play their dance music when they wished to spend a happy evening by the shore of the loch. Long, long afterwards, the passers-by often heard the sound of pipe music, muffled and far away, coming from the Fairy Knowe; but the hidden piper was never seen. When long absent friends returned to Rannoch and enquired about Sandy Sinclair, they were told that he had gone to be piper to the wee folk and had never come home again.”
There is some confusion as to whether this mound of earth, barely four feet high but some 50 feet across, is actually prehistoric. But the folklore has that common ring to it, found at olde sites from Cornwall to northern Scotland, speaking of old tombs and ancient ways…
Folklore
In modern times apparently, earthlights have been reported flitting about around this earthen ridge, but the old mound has older, more familiar tales spoken of it. In Rev. Williams’ (1901) article on the folklore of Stirlingshire, he made a considerable detour to tell of some old faerie-lore he’d heard when he was younger, from the prehistoric tomb on the northern side of Elphillock, a few miles south of Kildrummy. In talking with some of the local people about old beliefs, one local man told him:
“The fairies of my native parish made their abode in a round knoll, known as Elfhillock. My friend, James Smith, now no more, was ploughman at Cairncoullie, in the neighbourhood. Passing the hillock one evening, he heard the sound of music and dancing. James drew near to the spot and saw the revels. He waited and enjoyed himself for a short space and then returned to Cairncoullie and went to bed. He found to his amazement that he had been away a year and a day! Every field on the farm and the new ploughmen bore evidence to the fact; and Jamie believed till his dying day that he was a year older than he was aware of, and all because he had given heed to matters he had no business with.”
Not only were the little people said to live within this small tomb, but the hillock must also be cared for and never damaged. Rev. Williams also narrated that the grandfather of the same local man told him that he had,
“pulled some heather from this elf hillock. He was compelled by the women to replace it, otherwise he would have to encounter the wrath of the fairies.”
Thankfully the old hillock is still here, just off the roadside. Not far from here are a number of other prehistoric sites with faerie and ghost-lore and mythological place-names, long since fallen into memories old…soon to be lost perhaps…
References:
Williams, George, “Local Superstitions,” in Transactions of the Stirling Natural History and Archaeological Society, 1901.
Settlement (destroyed): OS Grid Reference – NS 086 635
Archaeology & History
Pottery remnants
Somewhere beneath the modern cemetery and adjacent factory close to St. Mary’s church on the southern outskirts of Rothesay, right by the roadside, was once an important prehistoric settlement. All remains of the site however, have long since been destroyed. An axe that was found here was held in the local museum. There are several scattered accounts of the place, one of which was written by J.G. Scott (1968), who reported that,
“between 1914 and 1929, a series of finds — pottery, a polished stone axehead, a saddle quern, hearths and remains of shallow trenches — was made at Townhead…at a now disused gravel pit. Excavations in 1929 revealed several slots in the original gravel surface, which suggested the remains of sleeper beams for wooden buildings. All the pottery recovered was neolithic… Amongst it were sherds of two vessels of Rinyo-Clacton ware. Most of the rest of the pottery…showed well-developed rims, often thickened and bevelled externally and sometimes everted. This pottery recalls the Abingdon style of southern Britain, and has been termed Rothesay ware by the writer.
“Sherd from one of these Rothesay vessels were associated with charcoal, possibly from a hearth, with hazel-nut shells and small fragments of bone.”
Scott told that radiocarbon analysis dated the finds at around 2120 BC. A couple of hundred yards away are the enclosed remains of St. Mary’s Holy Well, whose waters may well have been of magickal repute all those centuries ago…
References:
Scott, J.G., “A Radiocarbon Date for a West Scottish Neolithic Settlement,” in Antiquity journal, volume 42, no.168, December 1968.
Go thru Killin and, just past the Bridge of Lochay hotel, take the tiny road on your left. Go down here for 3 miles till you pass the gorgeous Stag Cottage (with its superb cup-and-rings in the field across the road) for another 300 yards, past Duncroisk Farmhouse set back on your right, then over the small river bridge. Just over the bridge there’s a gate on your left. Go thru this and up the track until you get to another large gate. Go thru this, then walk immediately left where you’ll notice a large-ish boulder sat on the nearby slope ahead of you in a part of some very old walling. That’s your target!
Archaeology & History
The title of this carving is slightly misleading, as the stone concerned is about 50 yards west of the fast-running burn. But it’s pretty easy to locate. When we visited the stone recently, as the photos show, the rock was all-but covered in a beautiful patchwork of lichen and moss, inhibiting the visibility of a quite impressive carving. But we have to let this be.
The carving’s on the big rock by tree, in the wallingLine of walling clearly evident
The carved rock plays an important part in a line of ancient prehistoric walling, which looks Iron Age in nature, but without an excavation we’ll not know for certain. The walling is quite extensive and is an integral part of the extended derelict village of Tirai, with its standing stones and other monuments. This begs the questions: was the carving executed before or after the walling was created? Was the stone carved in traditional neolithic/Bronze Age periods and later accommodated into the walling?
Even in the grey overcast light of a winter’s day when we first visited here, many cups were clearly visible on the rock’s surface, but they were difficult to contextualize in terms of artificial and natural aspects of the stone. Later visits here at the end of Spring enabled a much better assessment — though capturing the surrounding “rings” proved difficult. The carving is shown highlighted on Ron Morris’ (1981) map of the cluster of Duncroisk carvings, and described as a:
“domed schist boulder, 2½m by 2m, 1¼m high (8ft x 6ft x 4ft). On its top, mostly where sloping…are: 2, and possibly 3, cups-and-one-ring, much weathered and only visible when wet in very low sun, probably un-gapped, and at least 32 cups. Diameters up to 17cm (6½in) and depths up to 1cm.”
But this is only half the story. Despite what Mr Morris and the more recent Canmore records tell us about this carving, there are in fact at least 52 cups on the surface of the rock, at least two of which have definite ring-like forms around them. The largest of the cups has linear features around a large section of it, but to ascribe these elements as ‘rings’ is also stretching it a bit — as one of the photos here clearly shows. The ‘ring’ consists more of two separate straight lines with curvaceous ends: more like a right-angled carving with a swerve than any traditional ring. It’s a quite unique feature by the look of things.
Faint cup-and-ring and cups…and…Cups & right-angled lines
The majority of the carved cups and lines occur on the eastern side of the boulder, with only a few singular cups almost fading their way onto its western sloping sides. And of primary visual interest are the swirl of cups that surround two small cups at the ESE corner of the rock. These give the impression of running into another swirl of cups that hedge their ways around the edges of the largest cup-and-right-angled-lines, until bending back up and along the southern-side of the stone. This possibly deliberate sequence of cups then continues in roughly the same form back upwards to near the top-middle of the rock and onto a complete cup-and-ring. Just above the top of this runs a short pecked line just detached from the cup-and-ring, but of obvious mythic relevance in the story which this carving once told.
RWB Morris’ sketch of the design
It’s an absolutely fascinating carving which gives the distinct impression of narrating a myth of journeying, by either a person, tribes or ancestral beings. Of course we’ll probably never know for sure what story it once told; but its tale may have been known by the people of the once proud village of Tirai which was only destroyed a couple of centuries ago, along whose fallen walls this great stone still rests within…
And finally, for those students exploring the potential relationship that cup-and-rings may have with water: please note that in wet conditions, a spring of water emerges right underneath the very base of this large rock.
…to be continued…
References:
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR 86: Oxford 1981.
Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
Go west outta Stirling along the Cambusbarron road and along the Main Street until it meets up with Touch Road. Go along here for a couple of miles, past Touch House and Seton Lodge until you reach the small West Lodge cottage where the road bends. From here go left up the footpath onto the fields immediately south. About 200 yards on, where the field rises to the crest of the hill, you’ll note the small mound right next to the track. If you start walking back down the slope again, you’ve walked past it!
Archaeology & History
Possible peristalith ruins
There’s not too much to see here as the site is very much overgrown, but it’s in a lovely spot looking across to the Ochil Hills eastwards. And if records are anything to go by, it’s a pretty isolated prehistoric site with no companions close by — though a prehistoric food vessel was located a short distance to the east on the Touch House Estate grounds many years ago. It’s quite a large, roughly circular mound. Several long stones are visible, laid down, on top of its western side, which archaeologists believe may represent the remains of an encircling stone ring that was built to define the cairn. As far as I’m aware the site remains unexcavated and its condition is still much as it was when the Scottish Royal Commission fellas visited the place in 1956. Following their brief excursion, they later (1963) wrote the following notes:
“It is circular on plan, measures 65ft in diameter at the base and stands to a height of 2ft 6in. Now covered with fine pasture, it appears to have been formerly under cultivation, and the flat top measures 50ft in diameter. The mound may represent a denuded cairn and three earthfast boulders which protrude through the turf near the W edge may be the remains of a peristalith. The largest stone has a bench-mark carved on it (125.9).”
A later brief report by the Royal Commission (1979) commented that the site was a cairn measuring 20m across and 0.7m high.
References:
Royal Commission on the Ancient & Historical Monuments Scotland, Stirling – volume 1, HMSO: Edinburgh 1963.
Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
To be found on the wooded hill about 160 yards north of Wallstale Farm, on the Polmaise Road on the western side of the M9, a mile or so south of Cambusbarron, below the hugely impressive Murrayshall Quarries. Walk up the steep slope into the woodland and when you reach the level you’ll find the stonework remains. It’s on the edge of the slope in the trees.
Archaeology & History
This old fortified walled structure is best seen in the winter months when all the vegetation has fallen back to Earth. If you come here in the summer, the woods are nice but the monument can’t be seen as clearly. Found at the top of the slope above the roadside, it was described in the Stirlingshire Royal Commission (1963) account as follows:
Ground-plan of Wallstale Dun (after RCAHMS 1963)Wallstale Dun, up there somewhere!
“It is almost circular in plan…measuring about 45ft in diameter within a ruined stone wall some 11ft in thickness. Except on the ESE side, where the entrance was probably situated, the wall can be traced continuously by patches of rubble core, and round the east half outer facing-stones are visible up to a maximum height of four courses. In contrast, the inner face is only exposed for a short distance on the ENE. The interior of the dun is featureless. On the NW side the dun is protected by a rock-cut ditch of substantial proportions which traverses the spur; it measures 26ft in width at the top and the scarp is 5ft 6in in depth.”
References:
Royal Commission on the Ancient & Historical Monuments Scotland, Stirling – volume 1, HMSO: Edinburgh 1963.
Not to be confused with the Achnacreebeag chambered tomb a short distance to the east, Achnacree is a site that has been made ruinous over the last 100 years, prior to which — as R.A. Smith’s (1885) illustration here shows — we had a quite grand prehistoric chambered cairn to behold. It’s still worth looking at though!
R.A. Smith’s old drawingSmith’s early plan of the cairn
The once giant tomb is neolithic in age and nature, and was defined by Audrey Henshall (1972) as a passage grave of the Clyde Cairns group. It appears to have been built over two different periods: the earliest being when the first two internal chambers were done, “which in building technique and plan are comparable to a two-compartment Clyde-chamber and which may have been covered by a small cairn.” (RCAHMS 1974) Much later, the long passage seems to have been added and built over the original chambers.
Although Smith (1885) and Henshall describe the large cairn, the Scottish Royal Commission (1974) entry gives the most succint archaeocentric summary of the site:
“The cairn is about 24.4m in diameter and now stands to a height of some 3.4m on the S and 4.1m on the NE, although it is said to have been about 4.6m high before excavation; it consists of small and medium-sized stones, interspersed with a few large boulders. A low platform of cairn material, now grass-covered and about 1m high, extends round the base of the cairn and increases the overall diameter to about 40m. The entrance to the passage is on the SE side of the cairn and is marked by four upright stones, one of which is now leaning out of position. The central pair, set about 1.2m apart and protruding 1.3m and 0.4m above the cairn material, are the portal stones on either side of the passage, while the flanking pair may be the remains of a shallow forecourt. The passage, which measured 6.4m in length and 0.6m in width, was constructed of upright slate slabs about 1m in height, and the roof was composed of similar slabs. The excavator recorded that the passage was filled with stones, and these seem to indicate a deliberate blocking after the final burial-deposit. The chamber comprised three compartments. The outer, measuring 1.8m by 1.2m and about 2.1m in height, was constructed of upright slabs and drystone walling supplemented by corbelling, and was covered by a single capstone. The central compartment, measuring 2m by 0.7m and 1.6m in height, was entered across a large transverse slab, and the entrance itself appeared to have been deliberately sealed with stones ‘built firmly in after the chamber had been completed.’ The sides of this chamber were formed of blocks of stone supplemented by dry-stone walling, and it was roofed by a singular capstone. The inner compartment was entered across a sill-stone, and measured 1.4m by 0.9m and 1.7m in height. A combination of slabs and dry-stone walling had been employed in its construction, and it was roofed by a single massive capstone some 0.4m thick. Each side-wall was constructed of two slabs set lengthwise one above the other, in such a way that a narrow ledge was formed at their junction. On these two ledges a number of white quartz pebbles had been deliberately deposited… Three neolithic pottery bowls were discovered in the course of the excavation — a fragmentary vessel from the outer compartment, and one complete and one fragmentary bowl from the inner compartment.”
These bowls were sent to Edinburgh’s National Museum of Antiquities soon after being found.
Folklore
Those of you into earthlights will like this one! Also known as Carn Ban, or the White Cairn, aswell as Ossian’s Cairn, R. Angus Smith (1885:217) told how,
“it was curious…to listen to the superstitions that came out (about this tomb). One woman who lived here, and might therefore be considered an authority, said that she used to see lights upon it in dark nights.”
Another old local was truly terrified of the place, and said he would not enter this tomb for all the money in Lochnell Estate.
Regarding the various names given to the site, when Mr Smith (1885) wrote about it all those years ago, he told:
“We have often inquired the name of the cairn. The cairn really has had no definite name. Some people have called it Carn Ban or White Cairn, but that is evidently confusing it with the other cairn which we saw over the moss, and which is really whiter. Some people have called it Ossian’s Cairn, but that is not an old name, and even if it had been, we know that it is a common thing to attach this name to anything old. We call it Achnacree Cairn, from the name of the farm on which it stands.”
References:
Henshall, A.S., The Chambered Tombs of Scotland – volume 2, Edinburgh University Press 1972.
Royal Commission on the Ancient & Historical Monuments of Scotland, Argyll – Volume 2: Lorn, HMSO: Edinburgh 1974.
Two real ways to get here. Either (i) follow the directions to get to the Stag Cottage carvings of Duncroisk 1, then walk down to the fence by the riverside and walk along to the left for a coupla hundred yards till you reach a second metal fence-post sticking out of a rock on the other side of the deer-fencing; or (ii) from the roadside burn a coupla hundred yards along the road before you reach Stag Cottage, follow it down to the riverside, then head along the footpath behind the fencing, parallel with the river’s edge. It aint far. Within 100 yards you’ll reach the stone with the metal pole sticking out of it and the carvings are on this!
Archaeology & History
Confusingly redesignated as Duncroisk 5 carving by the usually efficient Canmore people, we’re sticking with this stone’s original name given by Ronald Morris (1981) in his British Archaeological Report of this and nearby carvings — and a quite fascinating carving this is as well!
C.G. Cash’s drawingDuncroisk 3 stone
As with many cup-and-rings, erosion and lighting has a powerful effect on seeing the design correctly. On my visit here in recent months there were quite distinct additional elements in the carving which haven’t been noted by previous archaeologists. But in saying that, there were also some elements that were reported by the earliest antiquarians that proved difficult to see in the grey light of day when I was here. The earliest report of the carving by C.G. Cash (1912) told there to be five rings, whereas today only 3 or 4 are visible (though this will probably change when viewed in other lighting conditions).
When Mr Cash told of this stone in his essay on the antiquities of Killin it sounded as if it was lucky to have survived, as it had previously been dug out and left by the roadside, before then being reused by a local to fix a fence-post in! Mr Cash told us that the local,
“had used it as the foundation stone of the stretching post at the south end of the easternmost fence on the farm, and there I found it, near the brink of the river, buried in sand and turf. I cleared it and then in pouring rain crouched over it to make a hasty sketch. It bears eighteen cups, of which five are surrounded by rings. The largest cups are 2½ inches and the rings 6 inches in diameter.”
Ron Morris’ images
When I visited the place the weather was much the same as Mr Cash described: lovely teeming rain, typical of the mountains, with the surrounding trees breathing moisture onto the slopes as ever.
Years later when Ronald Morris (1981) came here he saw “4 cups-and-one-ring…probably complete rings, up to 12cm (5 in) in diameters and 10 cups up to 2cm deep.”
If you stand and face the stone, the cup-marking on its lower right side (see Morris’ old photo, above) has a pecked line running from it further to the right and down to the edge of the rock. You can clearly make it out on the top photo. This carved line also seemed to touch another carved line which can be seen running along the outer edge of the stone — although the poor light didn’t allow me to view this with absolute confidence. I’ll have another look at it again when I’m up in the area in May and hopefully confirm or deny it with greater confidence (and if anyone else gets here in the meantime, have a look and see what y’ think).
To get here, follow the same directions to reach its nearby colleague of Carse Farm south — but instead of walking down the track to where its companion is found, this small ring of stones is found a coupla hundred yards into the first field by the roadside. Unless the field’s fulla corn (in which case, give it a miss cos even if you do find it, you won’t be able to make much out), y’ can’t really miss it!
Archaeology & History
As with its nearby companion of Carse Farm south, this small “ring” of four stones is found along the Tay valley floor and, though cited as a stone circle in many archaeology tomes, should more accurately be defined as a cairn circle of sorts. Structurally akin to other four-posters, it reminded me of a distant companion in North Yorkshire more than 200 miles south: the Druids Altar at Bordley, which is also a robbed prehistoric tomb and not a stone circle. But it’s a fine little site sat amidst the majestic temple of surrounding hills on all sides, bar east, where the Tay valley reaches into the distance.
Faint cup-marksCarse Farm, looking north
Like its damaged companion in the field below, some of the stones in this circle also have well-defined cup-markings on top of the uprights; although when we visited here, low cloud and late daylight conditions prevented us from getting good images of the cup-marks concerned (as the photo of one of them here illustrates). The cup-markings are, curiously, carved on the top of the small standing stones.
Described briefly in Alexander Thom’s Megalithic Rings (1980), he regarded its geometry as “circular” in structure. Aubrey Burl (1988) gave the lengthier archaeological history of the site, telling:
“On the ‘carse’, or lowland…this 4-poster was excavated in 1964. When Coles saw it in 1907 only three smallish stones remained standing although “it seems clear that at this site there were originally four Stones as in so many other Perthshire groups”… The SW stone was missing but halfway between the NW and SE stones a long, thin slab lay half-buried.
“Coles noticed that there were cupmarks on the tops of both the NE and SE stones. The SE had three carvings but the top of the NE had no fewer than 17, the largest ‘cup’ being 4 by 3½in (10 x 9cm). In the group were two ‘dumb-bells’. In the same field the farmer had dragged away a buried stone which was also cupmarked.* (my italics, PB)
“Of the three standing stones, the NE is 3ft 11in (1.2m) high; the SE, 5ft 1in (1.6m); and the NW, 4ft 1in (1.3m). These heights…are almost double those cited by Coles (1908: 126).
“”The 1964 excavation discovered the SW stonehole. The 5ft 10in (1.8m) long stone lying at the centre of the 4-Poster was erected in it, a task made easier by the fact that its base had been keeled… The base was unweathered showing that the stone had been toppled in quite recent times as had the stones of the two Fortingall 4-Posters…3¾ miles to the WSW. The four stones stood at the corners of a rectangle 12ft by 8ft (3.7 x 2.4m) on a long ENE-WSW axis. They also stood on the circumference of a circle 14ft 5in (4.4m) in diameter.
“A tapering pit was discovered against the inner face of the NE stone, about 2ft 6in (76cm) across and 1ft 2in (37cm) deep. It was filled with cremated bone and sticky black earth and charcoal. At the bottom, a collared urn lay on is side, its rim decorated in geometrical designs. A flint flake lay near it. Within the 4-Poster there were three shallow pits, two between the NW and NE stones, another between the SE and SW. Their edges were clean and they had been backfilled with brown loam. The excavators thought they might have “been used for stabilising props during the erection of the stones.” …As the heaviest block, that at the NW, weighed about 6 tons it would have required 20 to 30 people to drag it upright…and the use of such props would have made their insertion safer.”
Unless the people building this site were dwarves, we’ve gotta re-assess this latter remark (which Burl quotes from the earlier archaeologist’s report from the 1960s). Having personally been involved with the creation of modern stone circles with stones larger than the ones here, we know that the uprights here could have been erected by 8-10 people at the very most.
Archaeology and folklore records describe many other prehistoric sites along this section of the upper Tay valley, but it’s also very likely that other “circles” or cairns of similar structure to the two known at Carse Farm once existed close by that are not in modern literary accounts.
References:
Burl, Aubrey, Four Posters: Bronze Age Stone Circles of Western Europe, BAR 195: Oxford 1988.
