Less than 100 yards up the road from the Co-op in Killin, take the footpath on the same side of the road into the park at the back of the buildings. Keep following the footpath round the back of the buildings and you’ll see the stone in front of you soon enough.
Archaeology & History
Another curious site in this quite beautiful mountainous arena. Thought to have originally stood by the rounded fairy knoll a bit further up the hill, no one knows for sure when the stone was moved to its present position—but locals will tell you how the curious knob-end atop of the stone was also a later addition to the fallen original, when it was resurrected in the latter half of the 19th century. C.G. Cash (1912) also found the fairy mound and its companions on the slope above to be of interesting, wondering, as I have, that “they might have been burial mounds.” The local historian William Gillies (1938) said of the stone:
“Both the Old and New Statistical Accounts of the parish of Killin make reference to a site near the village that had been pointed out from time immemorial as the burial place of Fingal, the hero of Celtic folk stories. At this point, which is in the middle of a field immediately behind the schoolhouse, there is a standing stone 2 feet 8 inches high and 5 feet in girth. The stone had fallen, but in 1889 it was re-erected by Mr Malcolm Fergusson, a patriotic native of Breadalbane. Without any reference to the original arrangement, a smaller stone was fixed on the top, and others were placed near it. The lands in the vicinity of Fingal’s Stone used to be called Stix. The name suggests that here, as at Stix between Kenmore and Aberfeldy, there were a number of standing stones, of which this one alone remains.”
And it certainly smells that way… Yet no further monoliths have been found hereby or on the slopes above.
Folklore
Reputed to be a stone that marks the grave of the hero-figure, Fionn. Local historian Duncan Fraser (1973) told that:
“Killin is steeped in history and one of its memorials of the past is a standing stone in a field behind the school, that is said to mark the spot where the mighty Fionn lies buried. He is believed to have died about the end of the Iron Age, in 283 AD.”
Gazing N, to the Cailleach
William Gillies (1938) also reported how tradition said that an early church and graveyard was once to be found at the original site of Fingal’s Stone. Legends of Finn, his magick and his encounters with both faerie and men are found all over the landscape in this neck o’ the woods….
References:
Cash, C.G., “Archaeological Gleanings from Killin,” in Proceedings of the Society of Antiquaries of Scotland, volume 46, 1911-12.
Fraser, Duncan, Highland Perthshire, Standard Press: Montrose 1973.
Gillies, William A., In Famed Breadalbane, Munro Press: Perth 1938.
Wheater, Hilary, Killin to Glencoe, Appin Publications: Aberfeldy 1982.
An impressive prehistoric cairn of some considerable size was in evidence on the lands of Old Sauchie, near Sauchie farmhouse, until the Industrial Age brought an end to its presence. First mentioned in the New Statistical Account (‘Stirlingshire’, volume 7), the Royal Commission lads reported,
“Nothing now remains of the cairn that once existed ‘on the lands of Sauchie’, about 3 miles SSW of Stirling. It was examined in the early 19th century and is said to have measured more than 20ft in height and 90ft in diameter, to have been made of stones, and to have contained two cists, one somewhat larger than the other. It is possible that Wilson (1863) is referring to this cairn when he mentions a quantity of ‘silver coins recently found in a cist exposed on the demolition of a cairn on the lands of Sauchie.’ The coins were very thin, and were described as having been ‘struck through from the back,’ with ‘figures’ on one side only. Some of them had loops for suspension, and there can be little doubt that they were silver bracteates. All have been dispersed and lost.”
If anyone has further information about this obviously important and seemingly lost site, please let us know!
References:
Royal Commission on the Ancient & Historical Monuments, Scotland, Stirlingshire – volume 1, HMSO: Edinburgh 1963.
Wilson, Daniel, The Archaeology and Prehistoric Annals of Scotland – volume 2, Sutherland & Knox: Edinburgh 1863.
Not to be confused with the ‘fort’ shown on modern OS-maps on the wooded slopes a few hundred yards to the south, the denuded remains of this site were shown on an 18th century map of the area (the Breadalbane estate plans). Probably Iron Age in nature, the local historian William Gillies (1938) described the place in his fine work,
“According to the atlas of 1769 there were ruins of an ‘Ancient Castramentation’ at Firbrush Point on the farm of Auchmore. An examination of this little peninsula revealed the foundation of a very thick wall that at one time ran across its neck, and formed a defence on the landward side. It is probable that the stones were removed for the erection of the small pier and harbour close by.”
An assessment of the site by some of the Scottish Royal Commission lads in the late 1970s found no remains of the thick walling and it seems all remains of this fort have sadly been destroyed.
References:
Gillies, William A., In Famed Breadalbane, Munro Press: Perth 1938.
Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
Chambered Cairn (destroyed): OS Grid Reference – NN 830 127
Archaeology & History
References to this site are few and far between. I wandered past the place the other day on my way back from the megaliths of Dunruchan and Comrie without knowing anything about the place; but was, for some reason, drawn up the grassy hill slope towards the forestry plantation, where the scattered old walling implied (to me at least) the presence of some old prehistoric ruin… But as the daylight hours were fading, I had to head for home, wondering what it was that was pulling my nose to this place I’d never visited before.
The following day when I was searching for information about the prehistoric archaeology of the area, I came across Audrey Henshall’s (1972) description of some giant cairns that once stood here, upon the hilltop – exactly where my nose had led me! Sadly however, they have been all-but destroyed.
At least two prominent prehistoric cairns were to be found in relative proximity to each other hereby, each with their own name. The site was first described in A. Gordon’s 1726 work, Itinerarium Septentrionale, where he wrote the following:
“On the hill above the moor are two great heaps of stones, the one called Cairnwochel, the other Cairnlee: the former of these is the greatest curiosity of its kind that I ever met with; the quantity of great rough stones lying above one another almost surpasses belief, which made me have the curiosity to measure it, and I found the whole heap to be about 182 feet in length, 30 in sloping height, and 45 in breadth at the bottom. That at Cairnlea is not near so considerable as the former.”
Nearer to the end of the 18th century, Cairnwochel was mentioned again – this time in the Old Statistical Account (1793), where a description was given of some dig into the giant cairn, to see what lay beneath the mass of rocks. The report told that,
“there was found a stone coffin, in which there was a skeleton 7 feet long. The cairn lay from north to south and the coffin was nearly in the middle of it, with the head to the east. Most of the stones have been carried away to inclose the neighbouring farms; but the coffin, with a few large stones around it, has, by the order of Sir William Stirling, been preserved.”
When Miss Henshall explored the site in the 1960s, she found very little left of this once superb tomb, simply, “the only sign of any structure (were) a few laid stones on its S side, possibly part of a revetting wall-face.”
The sheer size of the cairn implies that it was probably Neolithic in origin (its description reminded me of the King’s and Queen’s Cairns near Skipton, Yorkshire). We have hardly any information about the nearby Cairnlea site. The intrusion of the forestry commission here has probably covered over a number of other important Neolithic and Bronze Age remains, but if anyone has further information on this site it would be hugely welcome.
References:
Henshall, Audrey, The Chambered Tombs of Scotland – volume 2, Edinburgh University Press 1972.
Go thru Killin and, just past the Bridge of Lochay hotel, take the tiny road on your left. Go down here for 3 miles till you pass the gorgeous Stag Cottage (with its superb cup-and-rings in the field across the road) for another 300 yards, until you see Duncroisk Farmhouse set back on your right. On the other side of the road, go thru the giant deer-gates (close ‘em behind you) to the river-bridge and across it. Walk along the track till you reach the turning to Corrycharmaig House on the right (over the stream), but here, go up into the field thru the gate. Walk up the hill ahead of you with its trees on the left, walking up onto the grassy level, over the deer-fence, then up again to the rounded knoll another 100 yards up. You’re here!
Archaeology & History
On my first visit to this stone, in overcast and wet conditions — the easternmost of at least four separate carved rock faces along the same geological ridge — I only noticed a handful of cup-marks etched onto the northeastern section of the stone. But I was sure there were supposed to be more. And when I returned home to check up, found that Ron Morris (1981) said there were “40 widely scattered cups of which, however, 29 well-defined cups are in a compact group, of which 6 are in a line.” Much more than what I saw! And when I checked further, it was evident that even more cup-marks were once visible on the rock. In the very first description of this carved stone, E.A. Cormack (1952) told:
“On the easterly area there are about 70 small cups, roughly one inch in diameter, in groups of ten to twelve. Most are on the flatter rock surface, but some are on the steeper slope facing south, which also bears the marks of deep glacial scorings.”
A sample of cups on ‘Corrycharmaig 1’
So on our visit here again a few weeks ago when we stayed at Corrycharmaig house*, a couple more visits allowed a slightly better investigation, albeit in even wetter and cloudier conditions than our first visit! And the more we looked, the more we could see; and it was plainly evident that a number of cup-marks had become receptacles for moss-growth! We counted at least 40 cup-markings on this ‘Corrycharmaig 1’ stone, but it seemed pretty obvious that beneath the grasses and vegetation, more carvings would be found.
Walking SSE along the same rocky ridge brings you to the other rock faces of Corrycharmaig (2), (3) and (4) — all with their own carvings. Corrycharmaig 2 possessing the only known complete cup-and-ring on the ridge. More carvings remain hidden nearby…
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR 86: Oxford 1981.
Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
You can come here from either Dunblane to the north, or Bridge of Allan immediately south: either way you reach the site by going along the A9 road until you reach the Lecropt Church, a half-mile north of Bridge of Allan. On the other side of the road is a somewhat battered wooden gate. Go through here and up towards the tree-covered hill, following its edges to the right for a few hundred yards, until you come to another very large mound covered in trees. That’s what you’re looking for!
Archaeology & History
Described on early OS-maps as a “Supposed Roman Camp,” this large fortified stone hillock has more recently been considered a creation of indigenous Scots. Hemmed in and hidden on most sides, by the rises of Knock Hill to the west and Gallows Hill to the east, the only lines of visibility out of the fortress is along a northwest to southeast corridor, keeping the site quite secret to outsiders. It would have been a fine place for a small community in ages not-so-long-ago, keeping the people hidden from the pestilent invasions of both Romans and english in bygone times.
The tree-clad fort, through blizzard
The large raised oval enclosure was walled around its sloping sides and edges, with remains of a walled embankment still visible running around the top of the slopes. What may have been traces of hut circles were on top of the hillock until recent times, but these have been much reduced by some digging near the middle of the site. It would appear that an ‘entrance’ was once visible on the southeastern side of the fort, but when we came here the other day, a lovely blizzard covered the place in snow, so this was difficult to see.
When the Royal Commission chaps came to visit the place in 1979, they didn’t really say much about the place, merely telling of its dimensions, saying:
“This fort measures 48m by 32m within the remains of a single rampart 4.5m thick and 1m high.”
I’m sure there must be much to be said of this lovely old site by local antiquarians, but I haven’t found much as yet. But if you’re wanting a nice quiet spot to sit for a while on the outskirts of Stirling and Dunblane, I’d heartily recommend visiting this place. Badgers and deer also seem to like the place!
References:
Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
Follow the same directions to reach the Duncroisk Crosses stone. From here, look up the slope to your right and you’ll see the line of fencing running uphill. Follow this until you reach the ruined remains of the old sheepfold building. From here, look towards the tree-lined gorge of Duncroisk Burn, a few hundred yards west and walk towards it for about 50-60 yards. There’s a group of three rocks hereby, two are large, but the carving’s on the smallest one in the middle.
Archaeology & History
This cup-marked stone was rediscovered as a result of the fine archaeological survey work by that Glasgow bunch of Certified Field Archaeologists, in their assessment of remains in and around Duncroisk Farm. As well as mentioning — albeit briefly — the carvings of Duncroisk Farm and Duncroisk Crosses, Dugald MacInnes (2001) and his team came across another that hadn’t been recorded before. Described in their survey as ‘feature 2’, he told,
“Some 20 metres downslope from the sheep fank and about 60 metres NW from it, there is a group of large boulders. On the southeast sloping face of one of these there are three previously unrecorded cup-marks. These are oriented vertically on a northeast to southwest alignment and are no more than 4cm apart. They are all about 7cm in diameter and 2.5cm deep.”
The carved rock is a relatively small one sitting roughly in between two much larger rocks, both of which are easily visible from the Duncroisk Crosses stone less than 100 yards down the slope. It’s probably only gonna be of interest to the rock-art purists among you and some may even question its veracity, particularly the bottom of the three cups, which gives the impression of being unfinished. If you visit the site in summer and autumn it will be much harder to find, as it gets overgrown with bracken. (we did take a number of photos of this stone, but managed to somehow delete them all before saving to disk – so have gotta check it again when we next visit here)
References:
MacInnes, Dugald, An Archaeological Field Survey of a Deserted Settlement at Duncroisk Farm, Glen Lochay, Association of Certified Field Archaeologists: Glasgow 2001.
Follow the same directions to get to the cup-marked stone on the slope behind Duncroisk Farm. Once here, look up the hillside and about 100 yards above you there’s the fence, and a gate in the fence. Go through that gate and walk uphill for some 20 yards where you’ll meet with a large sheet of flat sloping rock with a stream by its side. The crosses are on this rock sheet at the top left-hand side.
Archaeology & History
Although the stone here is pretty easy to find, the insignia carved on the rock itself can be troublesome to see. The accounts by both Cormack (1952) and Morris (1981) each recommend visiting the site around sunrise, but an hour before sunset is also profitable if you wanna see the design with any clarity. And of course, if you keep the rock-face wet (the adjacent stream is handy here) the carvings stand out even better!
Main section of carvingSolar cross & arrow?
It’s a quite superb carving in a truly superb setting, come rain, shine or mist — but for the cup-and-ring aficionado’s amongst you this one might not get y’ going, as we’re looking at a carving that was probably born of the more recent mythic period. Although there are between two and four faded cup-markings here, the principal designs do not echo the more usual neolithic and Bronze Age carvings scattering this part of Perthshire. Instead we find very worn examples of what have been variously called “solar wheels”, “Greek crosses”, Celtic crosses, etc. We also find simple carved ‘arrows’ at the ends of both natural and man-made lines in the rock; along with very distinct ‘eye’ or vulva symbolism. (Crawford 1957) Added to this is the possibility of human figurines discernible in the carving, very similar indeed to those found in Spain (Kuhn 1956) and elsewhere.
The site was first described by E.A. Cormack (1952) who wrote the following, (slightly edited) piece:
“Examination of the rough and sloping rock surface revealed an interesting group of inscribed figures, confined to an area of about 8 by 2½ feet, four of which included a cross within a circle. The figures are difficult to discern, except when thrown into relief by early morning sunlight, but are clearly demonstrated on a rubbing.
Cormack’s 1952 rubbing of the carving
“The crosses may be described in three groups:
“Group 1 — a) Near the upper edge of the rock is a cross within a circle of 8-inch diameter. The vertical axis of the cross is extended below the circle for 4 inches, resting on an ill-defined rectangular base, and upwards for 5 inches to form an arrow-head with 3-inch barbs. At the junction of the shaft of the arrow with the top of the circle is a pair of contiguous rings of about 1-inch diameter. The cross is deeply cut, to about a half-inch depth, with equal arms 4 inches long and 1 inch broad. The left arm of the cross extends beyond the circle, but this may be due to the circle being slightly excentric in relation to the cross. The lower right quadrant of the circle is marred by a natural crevice in the rock, but careful examination shows that the circle does not cut the right arm of the cross.
b) On each side of this figure is a roughly circular marking, one about 4 inches above and to the left, of 3-inch diameter, and the other 2 inches to the right, of about 5-inch diameter. In each there is an indefinite depression across the centre.
“Group 2 — a) About a foot below and to the right of Group 1 there is a boldly cut cross within a 7-inch circle. Again the vertical arm of the cross is extended above and below the circle, downwards for 5 inches to a curved arrow-head with 4-inch barbs, and upwards as an equal armed 5-inch crosslet above which is a 4-inch circle with the central axis continued through it. (The junction of this axis through the circle with the top of the small cross is slightly angled.) The main cross and circle are cut to fully half an inch in depth and one inch in breadth, but the upper part of the figure is much less distinct.
b) About 8 inches to the left of the upper part of the above figure is a very faintly incised cross within a 2½-inch circle. It is difficult to discern on the rock, but can be seen in the photograph and is very clear on the rubbing. It also appears to have an arrow-head above it.
“Group 3 — a) A foot below and to the right of Group 2 is a clearly cut cross within a 6½-inch circle. A natural cleft in the rock has been used for one axis of the cross, which lies obliquely to the others already described, and this axis terminates in an arrow-head 3 inches below the circle, and another slightly smaller arrow-head is cut 2 inches above the circle; in each case the angle formed by the arrow being towards the circle.
b) Immediately below the last cross is a curious hieroglyph not easy to make out on the rubbing, but clear in the photograph. On an 18-inch vertical axis can be seen from above downwards an arrow-head, an oblique line to the left, a faint 2-inch circle, a transverse stroke, and finally two oblique lines to the right. A natural crevice to the left of the figure rather confuses the picture.”
Ron Morris’ (1981) description wasn’t as detailed and he was initially hesitant about using the site in his rock art survey of the area, as he thought it “most likely to be early christian” in nature and period. He changed his view after talking with an associate at Bergen University, who pointed out that the symbols found here up Glen Lochay were “exactly the same as Norway’s second commonest symbol, the ‘Cross-ring’, which is contemporary with their cup-and-ring series.” Morris described the carvings here as:
“3 ‘cross-rings’ and 7 other rings, some of which have traces of crosses within them. There are also grooves, some extending from a ‘cross’-line to form an ‘arrowhead’, and one group, with ring above, rather resembles a ‘man.’ Largest ring diameter, 20cm (8in) and greatest carving depth, 1cm (½in).”
Examples of the artistic symbolism found at this ‘Duncroisk Crosses Stone’ are scattered throughout western Europe from the Bronze Age period onwards: notably at Dowth and Clonfinloch in Ireland (Brennan 1983; Coffey 1912); Jonathan’s Cave, Fife (Simpson 1867); Valcamonica, Italy (Anati 1961); and all over Norway and Sweden (Coles 2005; Gelling & Davidson 1969; Janson 1966). In more recent times we find these curious symbols etched inside the prehistoric chamber of Ty Illtud (Grinsell 1981) — but these are thought to be later additions. However, the universal nature given to such interconnecting symbols such as those found here is, simply, ritual magick. We find it across the Himalayas, Africa, north and south America – just about everywhere. It would be quite wrong to believe that the presence of an encircled ‘cross’ on this stone relates it to a christian belief system, as such a motif is found in many non- and pre-christian societies with a mythic nature akin to that of the swastika, i.e., of a world unfolding or emerging from a centre-point and the arms of the ‘cross’ outwards defining the directions and boundaries of any specified cosmology: be it landscape, heavens, spirit worlds, pregnant belly, etc.
Solar cross? Eye? Vulva?…or dancing human figure?
As Cormack (1952) described, the respective groups of carvings are integrally linked by an interconnecting line that joins the symbols in the respective groups to the other symbols. The fact that the connecting ‘lines’ are natural is meaningful in the relationship between humans and Nature; but moreover, the connecting line linking the symbols strongly implies sequential reasoning and magickal import. Indeed, these three distinct clusters (see Cormack’s rubbing) are functionally akin to magickal sigils, examples of which are found across the ancient and modern world. This is a notion that must be given serious consideration as a function in the carved stone of ‘Duncroisk 4’. Equally we can see in one section of the carving what may be a dancing human figurine, very much like rock carvings found elsewhere in Europe and beyond.
Both Erich Neumann (1973) and Alex Marshack (1972), for slightly different reasons, would also see the images carved here as early expressions of human development: either through i) the emergence of archetypal patterns and the interpretative interplay of the ego, or ii) the intellectual evolution of magickal appliance, whereby imagery and human action are recognized as meaningful in a wider natural sense. In the case of Duncroisk 4 it would more likely possess magickal import, as symbols were much more than ‘art’ and possessed meaning on several interconnecting levels, one of which being ritual function — an element that modern archaeology is slowly learning to incorporate into its analyses.
Dancing Siberian ShamanDancing shaman figure?
A more in-depth comparative essay is really needed to give a clearer exposition defining the nature of this carving… My personal view is that the carving represents, not some solar design, but one of Britain’s earliest artistic examples of human beings, in this case dancing and beating a drum or bodhran. It may indeed be the earliest pictorial example of a bodhran in the country. I’d say so. There is also the distinct possibility that the dancing figure is a shaman. We have many petroglyphs from all over the world that highlight such a character, integral to all early cultures—and this is as likely a contender as any for such a figure. (see Gough 1999; Whitley 2000, etc) It may however, be a warrior with a shield. You see the problems we can have with these damn carvings! 🙂
Folklore
This carved rock is said by local people to have been where a ‘Celtic’ saint delivered sermons to the heathen populace. The saint concerned is likely to be the one who tradition tells gave his name to the small glen immediately across the track from here: St. Charmaig. Halfway up the small glen is a small cave, barely accessible, with untouched remains of dried roots and other elements of human habitation therein. A few hundred yards to the north in old Finn’s Glen, is the forgotten Waterfall of the Oracle which sometimes isn’t even there!
References:
Anati, Emmanuel, Camonica Valley, Alfred Knopf: New York 1961.
Brennan, Martin, The Stars and the Stones: Ancient Art and Astronomy in Ireland, Thames & Hudson: London 1983.
Coffey, George, New Grange and other Incised Tumuli in Ireland, Dolphin: Poole 1977.
Coles, John, Shadows of a Northern Past: Rock Carvings of Bohuslan and Ostfold, Oxbow: Oxford 2005.
Grinsell, Leslie V., “The Later History of Ty Illtud,” in Archaeologia Cambrensis, 131, 1981.
Janson, Sverker & Westman, David, Rock-Carvings at Fiskeby, Esselte AB: Stockholm 1966.
Kuhn, Herbert, The Rock Pictures of Europe, Sidgwick & Jackson: London 1956.
Marshack, Alexander, The Roots of Civilization: The Cognitive Beginnings of Man’s First Art, Symbol and Notation, Weidenfeld & Nicolson: London 1972.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR 86: Oxford 1981.Neumann, Erich, The Origins and History of Consciousness, Bollingen Princeton University Press: New York 1973.
Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
Simpson, James, Archaic Sculpturings of Cups, Circles, etc., Upon Stones and Rocks in Scotland, England and other Countries, Edmonston & Douglas: Edinburgh 1867.
Whitley, D.S., The Art of the Shaman: Rock Art of California, University of Utah Press 2000.
Pretty easy to find this. Go up Glen Lochay for 3 miles or so, on the road past the brilliant Stag Cottage carvings for a couple of hundred yards where you’ll see an old run-down army-looking building and past that is a curious large wooden and wire construction. Go up the farm-track next to this, past Duncroisk Farm, taking the footpath through the gates that go up to the side and behind the farm. You’ll see a rounded grassy knoll ahead of you. Head straight for it!
Archaeology & Folklore
This carving would appear to have been described for the first time by Mr Cormack (1952) in his longer essay on the cross-marked stones nearby. He said briefly:
“On the top of a small rock-strewn knoll about 300 yards behind Duncroisk farmhouse is a recumbent boulder, at one corner of which is a group of five fairly deep cup-marks of 2- to 3-inch diameter.”
Little else has been said of the site and even Ron Morris (1981) only gave the carving a brief mention in his survey, saying in passing how “east of a prominent rocky knoll, on whose summit is a cup-marked boulder…”, as he journeyed further uphill to explore the fascinating Duncroisk 4 carving with its scant cup-marks, human figurine and other curious insignia. And although this carving is probably only worthwhile for the real fanatics amongst you, I like the place — sad fella that I am!
Cup-marked stone, looking southClose-up of cups
There are five very distinct cup-marks etched onto a small, almost triangular section of the rock, sat close to a couple of other larger stones on top of the grassy knoll overlooking the glen, not far from some iron age walling. The cups are etched onto the topmost (northern) section of the rock, which is defined by a natural crack running across the surface, almost splitting one part of the stone from the other. The five cups are in no discernible linear formation. A possible sixth cup-mark and extended line may have been started on the other side of the crack on the stone, but its execution was stopped for some reason. This is by no means certain though.
Of some note is the larger stone immediately adjacent on top of this knoll, which — as Paul Hornby pointed out — is encrusted full of small garnets all over its surface. This may or may not have some significance to the cup-marked stone here. According to Mr Hornby, the nearby cup-and-ring stone at Duncroisk Burn also has garnets in it.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR 86: Oxford 1981.
Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
Corrycharmaig 3 stone, with Meall Dhuin Croisg rising…
Go thru Killin and, just past the Bridge of Lochay hotel, take the tiny road on your left. Go down here for 3 miles till you pass the gorgeous Stag Cottage (with its superb cup-and-rings in the field across the road) for another 300 yards, until you see Duncroisk Farmhouse set back on your right. On the other side of the road, go thru the giant deer-gates (close ’em behind you) to the river-bridge and across it. Walk along the track till you reach the turning to Corrycharmaig House on the right (over the stream), but here, go up into the field thru the gate. Walk up the hill ahead of you with its trees on the left, walking up onto the grassy level, then up again to the rounded knoll another 100 yards up. You’re here!
Archaeology & History
This is the most visually impressive of the set of four cup-marked rocks along this ridge — although if you visit here when the light is poor, or the sky’s overcast, you’ll be lucky if you can actually see much of the material. For example, I counted 38 cups on this particular stone on a day when the sky was bright, but upon checking later, found that Mr Morris (1981) described there being, “40 widely scattered cups of which, however, 29 well-defined cups are in a compact group of which 6 are in line.” Whereas more recently the Canmore website told there to be,
Corrycharmaig-3 carvingClose-up of line of cups
“At least 48 cupmarks are visible on the most westerly exposure. The cupmarks range in size from 25mm in diameter and 5mm in depth to 100mm in diameter and 40mm in depth. A straight line of six cupmarks arranged close together is orientated running from NW to SE.”
This line of six cups is very distinct and stands out as the most notable aspect on this carving, probably because it gives a sense of ‘order’ or linearity, whereas the rest of the carving (as with oh so many of them, thankfully) possess that non-linear feature of scattered cups and lines, dissolving reason and ego, and eliciting the natural meditative state, if one so cares to allow. On our most recent visit here, our eyes and fingers traced what appeared to be the faint remains of a carved line running along the bottom edge of the row of cups and then bending around the bottom cup in the same line — a little bit like the carved lines which run around the edges of the row of cups on Ilkley Moor’s Idol Stone. You can just make this ‘line’ out in the photo, below.
Cup-mark and flintClusters of cups and faint line
On one visit to the site when we’d stayed with the late great Lindsay Campbell of Stag Cottage, other sections of this carving were visible that we’d previously missed, highlighting at least 45 cup-marks that we counted. Several of the cups had been exposed by animals (sheep or deer – we couldn’t tell) cutting into the soaking wet earth and in carefully checking a couple of cups whose edges were exposed, found a small worked flint within one of the cups! I looked at it, held it, puzzled over it, then laid it back where we’d found it. You can see it in the photo here, on the right.
This carving obviously grows on you with time. And like its carved companions of Corrycharmaig (1), (2) and (4) both left and right of here, the stone rests within a natural theatre of dreams, eliciting — if only in a slight way — the non-focal perspective necessary to receive the carvings as its executor knew…
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR 86: Oxford 1981.
Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
