Coming via the Keighley-Bingley (Airedale) B6265 road, go up to Riddlesden and then up the winding Banks Lane until you reach the T-junction. Turn left here and about 330 yards along, on the right-side of the road is a dirt-track. Walk up here, sticking to the track (not the footpath) towards the cliffs of Rivock ahead of you, going through the gate and into the Rivock woods area. 450 yards on from the gate, on your right you’ll pass the long straight line of walling running uphill and literally 275 yards further along the track from here, walk straight up into the trees for 20 yards where, just before the slope begins to truly veer into an “uphill” state, you’ll see the stone in question!
Archaeology & History
Cups on east-side of stone
In 1961 when Stuart Feather rediscovered this carving, the “rock was almost completely covered by a six-inch layer of peat and vegetation.” But, like all good rock art explorers, he slowly and carefully peeled it all back and brought back to light another one of Rivock’s olde stories. We know not what the story on the rock might tell, but it looks good nonetheless! Feather counted “several cups carved on it”, but a few more have ben discerned since then. When Boughey & Vickerman (2003) described it in their typically minimalist way, they told it be a “large square rock with surface in slope of hill. About nineteen cups.” Evocative stuff!
Sketch of basic designFaint line visible, left-side
When I first saw visited this carving as a young lad, the thing which stood out to me more than anything was the long but faint line that ran down one section of the stone. Added to this was an equally faint arc attached to the side of the line, like a “D” form. A few months later I did a sketch of it on my second visit, but I’ve looked and looked and seem to have lost it. (not good) The one I’ve done here is a recent one. As we can see, a series of cup-marks straddle each side of the D-line and are plainly visible, which implies that the line was carved much earlier than the cups. Of course, it’s possible that the cups were repeatedly forged over and over many times over a century or more and the D-line, for whatever reason, left untouched.
Another interesting aspect of this D-line is its repetition in the much more ornate petroglyph 35 yards to the east (presently known as Rivock 67 until we devise something more appropriate). The recently rediscovered Slinger Stone 100 yards south may also have the same feature, but this needs further surveying before we can say for sure.
References:
Bennett, Paul, ‘The Prehistoric Rock Art and Megalithic Remains of Rivock & District (2 parts),’ in Earth, 3-4, 1986.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Feather, Stuart, ‘Mid-Wharfedale Cup-and-Ring Markings: No. 14, Rivock,’ in Cartwright Hall Archaeology Group Bulletin, 7:1, 1962.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Acknowledgements: With thanks to Andy Roberts for giving this stone its modern name.
The best/easiest way to approach this and the Rivock carvings as a whole is to reach the Silsden Road that curves round the southern edge of Rombalds Moor (whether it’s via East Morton, Riddlesden, Keighley or Silsden) and keep your eyes peeled for the singular large windmill. About 200 yards east of this is a small parking spot, big enough for a half-dozen vehicles. From here walk 450 yards east along the road till you hit the dirt-track/footpath up towards the moor. Follow the track up for about 400 yards and you’ll see the crags a half-mile ahead of you. Get up there to the Wondjina Stone and follow the walling east for about 175 yards where you’ll see a track-cum-clearing in the woods. Walk along and the first large stone on your left is what you’re after.
Archaeology & History
I first visited this carving in my teenage years in the 1970s, before the intrusive so-called “private” forest covered this landscape and when its petroglyphic compatriots were easier to find. Thankfully this one’s still pretty accessible and possesses a damn good clear design. It was rediscovered in the 1960s by Stuart Feather and his gang, zigzagging their way across the open moors, pulling back the heather to see what they might find. His description of it told how the stone,
“has two roughly level areas, one 18ins and the other 2 feet above ground level. Both (levels) have several well-preserved cup-and-ring markings on them. There are eight single cup-and-rings and 18 cups, two of the latter being joined by a clear channel seven inches long and 1½ inches wide. Nearly all the markings are unusually well preserved and the pocking marks are very clear.”
Note the line running down
He also had “the impression that all the markings on this stone and possibly one other similar stone in the Rivock area have been carved by the same hand, as all the symbols are nearly identical in in type, size and execution.” (this other carving he’s referring to seems to be one about 170 yards to the north, where occasionally “offerings” have been found)
The design from E-W
When John Hedges (1986) and his team checked the stone out he could only make out “seven cups with single rings, twenty two other cups”; whilst the ever descriptive Boughey & Vickerman (2003) saw “twenty-nine cups, eight with single rings.” Eight cup-and-rings is what most people see when the light’s right. There’s also a long, bent carved line on the lower level of the rock, running from near the middle of the stone out to the very edge. It seems to be man-made (although I may be wrong) – and I draw attention to it as this same feature exists on at least three of the other large and very ornamental cup-and-rings hereby within 300 yards of each other – and on these other carvings the long “line” is definitely artificial. Tis an intriguing characteristic…
Stuart Feather’s old sketch
When visiting this petroglyph you’ll notice how some of the carved elements on top of the stone are more eroded than those on the lower section. This is due to the fact that the lower section was only revealed by Feather and his team in the mid-20th century, after it had been covered in soil for countless centuries. As a result you can still see the peck-marks left by the implements that were used to make the carving, perhaps 5000 years ago!
The name of the stone was inspired by a local lady who saw an astronomical function in the design (I quite like it as well). Examples of petroglyphs representing myths of heavenly bodies have been described first-hand in some tribal cultures and, nowadays, even a number of archaeologists are making allusions about potential celestial features in some carvings in the British Isles. That doesn’t mean to say that it’s correct, but the idea’s far from unreasonable…
Anyhow – check this one out when you’re next up here. You’ll like it!
References:
Bennett, Paul, “The Prehistoric Rock Art and Megalithic Remains of Rivock & District (parts 1 & 2),” in Earth, 3-4, 1986.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Deacon, Vivien, The Rock Art Landscapes of Rombalds Moor, West Yorkshire, ArchaeoPress: Oxford 2020.
Feather, Stuart, “Mid-Wharfedale Cup-and-Ring Markings – no.16 – Rivock,” in Cartwright Hall Archaeology Group Bulletin, volume 8, no.10, 1963.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Morris, Ronald W.B., “The Prehistoric Rock Art of Great Britain: A Survey of All Sites Bearing Motifs more Complex than Simple Cup-marks,” in Proceedings of the Prehistoric Society, volume 55, 1989.
Acknowledgments: Huge thanks to Collette Walsh for use of her photos.
If you’re coming via the Keighley-Bingley (Airedale) road, go up to Riddlesden and then up the winding Banks Lane until it meets the edge of the moors. At the T-junction, turn left and about 330 yards along on your right there’s a dirt-track. Walk up here, sticking to the track (not the footpath) towards the cliffs of Rivock ahead of you, going through the gate and into the Rivock woods area. About 450 yards on from the gate on your right-hand side you’ll see the long straight length of walling that runs uphill—and about 60 yards up here, on the left-hand side of the wall you’ll see a very large boulder. Y’ can’t really miss it!
Archaeology & History
2 of the several cups here
This large natural block, embedded into the hillside about 80 yards below the Wondjina Stone and its companions, is nothing much in the petroglyphic visual scale of things, but is worth checking out for a break if you’re checking out the other good designs in the Rivock cluster. Upon its sloping flat two-tiered surface there are just a small number of randomly spaced cup-marks of varying sizes: six at least, but perhaps as many as nine altogether. In times gone by (many years ago) we thought one of them might have had a very faint ring around it, but on my last couple of visits here I couldn’t see anything.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Cup-Marked Stone: OS Grid Reference – SE 0745 4470
Getting Here
Rivock Top stone
Best approached via the Wondjina Stone, then over the wall and follow the geological ridge that bends into the trees. It’s difficult to find amidst the dense forest and is another one of those carvings that’s probably only for the purists amongst you.
Archaeology & History
If you’re doing the Rivock rock art tour, you might as well give this a go once you’ve checked ou the decent ones nearby. Here, on a rather large stone we find, on its uppermost ridge, three faint cup-marks next to each other in a very slight curve. The cup-mark in the middle is slightly larger than its two compatriots and might be natural. If you were to wet the rock when the sunlight is just right, you’ll probably get a better idea of its real appearance—otherwise we’ll have to let the computer-gadget lads suss it out!
First highlighted on the 1850 Ordnance Survey map of western Addingham in the same year William Howson described it, this large oval embankment sits on the eastern side of Counter Hill, amidst its gigantic earthworks, with attending tumuli, cup-and-rings, buried standing stones and other enclosures, like one huge prehistoric family of ancient sites! The earthworks here are in slightly better condition than the nearby ones at Marchup, as we can still make out the ditch marking the site.
There have been many literary visitors to the Round Dikes and its cluster of sites. One of the early ones was by the renowned historians and antiquarians, Forrest & Grainge (1868) who, in the second part of their ‘rambles’ exploring the prehistoric sites on and around Rombald’s Moor in the 1860s, told us:
“The Camp—known locally as Round Dykes—is of an irregular oval shape, the longest axis measuring over all 300 feet, and the shorter 250 feet. The trench outside the vallum is about 15 feet wide, and 4 or 5 feet in depth. The area is level, showing no indications of buildings or works of any kind. A feeble spring of water rises at one corner. The trench is regular and even, and does not appear to have ever been used as a series of pit dwellings. This work commands a large and splendid view of Wharfedale…”
Although suggested by Thomas Whitaker (1878) in his magnum opus on the history of Craven, to have been constructed by the Romans—who laid a road nearby on top of another earlier trackway—the site is obviously prehistoric. But when the late great Harry Speight (1900) ventured over for a gander at the end of the 1890s, he too thought it might be Roman. Finding the place to be “thickly overgrown with ling,” it was still in very good condition he said, telling “how its outline is almost as perfect as when made seventeen or eighteen centuries ago.” He continued:
“The form bespeaks a rather late date, having the characteristic angles, which makes the ordinary streight-sided rectangle into an octogan, giving it the appearance superficially of a round or oval. Its dimensions are based on the most approved form of castramentation, the length being one-third greater than the breadth, namely sixty yards wide and eighty yards long. A watch-mound has been thrown up within the southwest angle, and the whole camp defended with a double rampart having an intervening ditch. There is an old and excellent spring of water on the east sie of the camp; the site having been well chosen, commanding as it does, a splendid view of the valley and Street as it runs towards Olicana.”
By the time Eric Cowling (1946) came and looked at these earthworks, the opinion had truly swayed to seeing Round Dikes as a prehistoric site and not Roman. Cowling placed it firmly in the Iron Age! His profile of the site told:
“On the Western slope of Counter Hill and with a wide view of Wharfedale to the east is a second enclosure with five sides. Three of these form the three sides of a square and the remaining two bend outwards to enclose a spring on the lower eastern side. This enclosure is one hundred feet across from east to west and in the opposite direction the greatest measurement is seventy-three feet. The ditch is fifteen feet wide and varies in depth from three to five feet and there appears to have been an entrance in the eastern angle. There is an unfinished look about the earthwork; the inner and outer banks vary in height and are not continuous. The position is badly sited for defence, being overlooked from the higher ground to the west. The site would be very suitable for excavation, for it has been untouched by cultivation and is undisturbed.”
E.T. Cowling’s plan
And as far as I’m aware, no such excavation has yet been done here; and as we all know the local archaeologist is pretty poor when it comes doing such things round here, so god only knows when the real explorers and scientists will ever get their teeth into the place! However, the writers and archaeology consultants John and Phillip Dixon told that “a limited survey of parts of Round Dykes defined nine hut circles or parts of circles and possible hearth sites” in the 1980s. And although they ascribe the large earthwork as being Iron Age, the tumulus which sits near the southern edge of the enclosure is ascribed as Bronze Age.
It’s likely that the internal tumulus (a separate profile of it is forthcoming) was of communal and religious importance at Round Dykes. There was probably ritual function here within the enclosure, though only at certain times, when and where the ancestral spirits in the tomb awoke or were required to help the living. The spring of water on the eastern side of the enclosure, above the tumulus, was obviously not just the main drinking supply for the people who stayed here, but would also have had ritual importance (water, forget not, is tantamount to blood in ancestral cosmologies, and not a ‘commodity’ as the half-witted retards in modern culture have profaned it in their shallow beliefs). In the Lands of the Dead, water is vital for gods, spirits and the sustenance of the underworlds. (Eliade 1979) You might not think that; judæochristians might not think that — but the worlds of experience are much wider and deeper than the failing beliefs of atheists and monotheists…
…to be continued…
References:
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
Bennett, Paul, The Prehistoric Sites of Counter Hill, Addingham, forthcoming 2013.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Forrest, C. & Grainge, William, A Ramble on Rumbald’s Moor, among the Dwellings, Cairns and Circles of the Ancient Britons in the Spring of 1868: Part 2 – Counterhill and Castleberg, W.T. Lamb: Wakefield 1868.
Dixon, John & Phillip, Journeys through Brigantia – volume 1: Walks in Craven, Airedale and Wharfedale, Aussteiger Publications: Barnoldswick 1990.
Eliade, Mircea, A History of Religious Ideas – volume 1, Collins: London 1979.
Howson, William, An Illustrated Guide to the Curiosities of Craven, Whittaker: Settle 1850.
Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.
Whitaker, Thomas Dunham, The History and Antiquities of the Deanery of Craven in the County of York, (3rd edition) Joseph Dodgson: Leeds 1878.
From the B6265 valley road between Bingley and Keighley, just near Riddlesden Hall, take the road up and over the canal into Riddlesden, bearing left up past West Riddlesden Hall and up Banks Lane. As you reach the T-junction at the top, where you hit the Silsden Road that goes round the moors, park up.Cross the road and follow the footpath diagonally across the bottom of the field, then when you hit the track, follow it up through the closed gates into the woods. A half-mile along the track, watch out for the dark pool a few yards beneath you on your left. That’s it!
Archaeology & History
The spirit and feel of this pool is a curious one: still, calming, but with a slight sense of unease at times. It felt like this before the large forestry plantation was planted around it — so it’s good to know it’s kept its spirit intact. I’m not quite sure how long it will last though… The small spring of water from just above the edge of the pool which in part feeds it, tastes good and refreshing after a good downpour, but sometimes in recent years the waters have slowed somewhat compared to earlier decades — an unhealthy state of affairs that’s happening all over the world.
A favourite haunt for very colourful dragonflies, deer, pheasant and other animals, very little has been written about this site. Said by place-name authorities to get its name from an old oak that once stood by its side, the name must be pretty old as no remains of such a tree has been mentioned by any antiquarians in the last 200 years. But the first element in the place-name “riv-ock” is an intriguing puzzle. Does it mean simply a split oak? Or was it a more regal in nature, and derive from the old Gaelic Righ, (proncounced ‘ree’) meaning a King’s Oak? More probably the name relates to the “well by the twisted oak,” from the dialect word, rive, or ‘twisted’. However, when we begin exploring dialect variations on this word, a whole host of possible meanings emerge!
Ancient people who lived on these moors obviously used this well — and no doubt had old tales of its medicinal virtues, but sadly these are lost. All we have to remind us that our ancestors came here are the numerous cup-and-ring stones found at Rivock Edge itself, a short distance southeast of here…
References:
Whelan, Edna & Taylor, Ian, Yorkshire Holy Wells and Sacred Springs, Northern Lights: Dunnington 1989.
From the B6265 valley road between Bingley and Keighley, just near Riddlesden Hall, take the road up and over the canal into Riddlesden, bearing left up past West Riddlesden Hall and up Banks Lane. As you reach the T-junction at the top, where you hit the Silsden Road that goes round the moors, park up. Cross the road and follow the footpath up the field, but walk up the side of the field-wall where the woods are, all the way to the top. On the flat, you’ll see a gap in the woods on your left, and the triangulation pillar atop of Rivock Edge 150 yards away. Head towards it, watching out for one of the natural rocks rising near the middle of the grasses. It’s one of them!
Archaeology & History
Faint cup-and-ring, centre of photo
Exactly halfway between the cup-marked Niplet Stone and the large flat Carving 58 (Boughey & Vickerman survey) is this natural long upright rock, shaped in the form of a house-roof, with its apex running along an axis SE-NW, its sloping sides dropping either side into the deep wet heather. Upon its crown is what may be a singular cup-marking, almost perfectly formed, though is just as likely to be Nature’s handiwork as much as anything else. But on its western-face, within the mass of old lichen painting the rock surface, a more distinct man-made cup-mark has been cut.
On its eastern face, close to where the rock meets the boggy Earth, a singular faint cup-and-ring design can be made out, albeit a somewhat mis-shapen one. It’s easily missed if the lighting isn’t too good as it’s very eroded indeed. The carving was first described in Mr Hedges (1986) survey, where he told:
“Rough grit rock with ridge, in crowberry and heather with cup and ring on E edge and possible cups and grooves.”
The stone’s certainly worth visiting, as a number of other cup-and-ring stones scatter this region — half of them officially recorded, but nearly as many again that aren’t. It’s a good area to explore.
References:
Bennett, Paul, “The Prehistoric Rock Art and Megalithic Remains of Rivock & District (parts 1 & 2),” in Earth, 3-4, 1986.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Morris, Ronald W.B., “The Prehistoric Rock Art of Great Britain: A Survey of All Sites Bearing Motifs more Complex than Simple Cup-marks,” in Proceedings of the Prehistoric Society, volume 55, 1989.
Take the same directions as if you’re visiting the Rivock Edge 060 Carving. It’s 25 yards NNW – you can’t really miss it!
Archaeology & History
Rivock Edge, carving 58
This large flat rock, with a couple of long lines almost splitting the rock into sections, was first mentioned as a prehistoric site in John Hedges (1986) survey, where he described it simply as, “Large rough grit rock with possible four cups, in crowberry.” Boughey & Vickerman (2003) said even less about it! One of the cups is very distinct, but the others are somewhat faded and perhaps even dubious. It’s still worth a look at, if only due to the other better carvings nearby.
References:
Bennett, Paul, “The Prehistoric Rock Art and Megalithic Remains of Rivock & District (parts 1 & 2),” in Earth, 3-4, 1986.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Take the A6034 road between Addingham and Silsden and, at the very top of the hill between the two towns, at Cringles, take the small road of Cringles Lane north towards Draughton. Less than a mile on, veer to left and go along Bank Lane until you reach the track and footpath on your right that takes you to Moorock Hall. On the other side of the Hall, take the track on your left, along the wallside; and where the track turns left again, look into the field on the other side of the wall. You can see some of the ditch and embankment running across the field.
Archaeology & History
Found within the southwestern segment of the gigantic Counter Hill enclosure, near Woofa Bank, Eric Cowling (1946) described “an almost obliterated fortification” which has certainly seen better days — though you can make out the ditched earthwork pretty easily at ground level. When T.D. Whitaker visited this place sometime before 1812, he described it as a camp that “was found to contain numbers of rude (?!?) fireplaces constructed of stone and filled with ashes.” He also thought the enclosure was Roman in nature.
Western line of embankment
It’s a large site. Running around the outer edge of the embankment, this enclosure measures roughly 378 yards (345m) in circumference. It has diameters measuring, roughly east-west, 132 yards (121m); and north-south is 95 yards (87m). The ditch that defines the edges of the enclosure averages 6-7 yards across and is give or take a yard deep throughout — but this is not an accurate reflection of the real depth, as centuries of earth have collected and filled the ditch. An excavation is necessary to reveal the true depth of this. There also seems to have been additional features constructed inside the enclosure, but without an excavation we’ll never know what they are. Examples of cup-marked stones can be found nearby.
The Marchup Hill enclosure was described by the early antiquarian James Wardell (1869), who visited this and the other earthworks around Counter Hill. He told that this was,
“of oblong form, but broadest at the west end, and rather larger than the other. When the area of this camp was broken up, there were found some numbers of rude fireplaces constructed of stone and filled with ashes, and also a large perforated bead of jet.”
E.T. Cowling’s plan
Modern opinion places the construction of this enclosure within the Iron Age to Romano-British period, between 1000 BC to 300 AD. E.T. Cowling (1946) thought the Iron Age to be most likely, but it may indeed be earlier. His description of the site was as follows:
“At the foot of the southern slope of Counter Hill and close to the head waters of Marchup Beck is an almost obliterated fortification. These remains are roughly rectangular, but one side is bent to meet the other; the enclosure has rounded corners and has a ditch with the upcast at each side. The inner area is naturally above the level of the surrounding ground. In spite of heavy ploughing, the ditch on the western side still has a span of fifteen feet and a depth of five feet between the tops of the banks. Whitaker states that the camp “was found to contain numbers of rude fireplaces constructed of stone and filled with ashes.” These hearths appear to be the remains of cooking-holes such as are often found on Iron Age sites… Cup and ring markings are close at hand, but no flints have been found or trace of Mid-Bronze Age habitation. The enclosure is badly planned, the upcast on the western side would aid an attack rather than the defence.”
…to be continued…
References:
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Wardell, James, Historical Notes of Ilkley, Rombald’s Moor, Baildon Common, and other Matters of the British and Roman Periods, Joseph Dodgson: Leeds 1869. (2nd edition 1881).
Whitaker, Thomas Dunham, The History and Antiquities of the Deanery of Craven in the County of York, (3rd edition) Joseph Dodgson: Leeds 1878.
From Silsden, take the moorland road up to Brunthwaite (ask a local if you’re in doubt). As you get near the top of the moorland road, take the right turn (east) on the track past the Doubler Stones, until you reach the last cottage before the woodland called Black Pots. Go onto the moorland behind the cottage, walking north, crossing the stream and you’ll see a large boulder stuck on its own close by. That’s it!
Archaeology & History
Stuart Feather’s 1964 image
On another wander on these moors t’other day, we ventured to the Doubler Stones and whilst there I had a vague recollection of another decent-looking carving west of them, just above the hidden house at Black Pots, when I was a teenager. When I got home I rummaged through some of my old notebooks and found the drawing I made of it all those years ago. Tis a decent carving consisting of 3 distinct cups encircled, though not completely, in an elongated arc. A cup-and-ring is just above this, and Boughey & Vickerman (2003) highlight another couple of cups which I didn’t manage to see when I was there as a kid. Nor for that matter did Stuart Feather, who was the first person to write about it in the Cartwright Hall Archaeology Group Bulletin in 1964. Itis a good carving in a good spot, with excellent views to the south and west.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Feather, Stuart, “Mid-Wharfedale Cup-and-Ring Markings: no.24 – Black Pots, Silsden, near Keighley,” in Cartwright Hall Archaeology Group Bulletin, 9:7, 1964.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
