King’s Park, Stirling, Stirlingshire

Cup-and-Ring Stone:  OS Grid Reference – NS 7837 9299

Also known as:

  1. CEN 12 (R.W.B. Morris survey, 1981)

Getting Here

King's Park cup-and-ring, Stirling
King’s Park cup-and-ring, Stirling

Not too hard to find really.  On the far western edge of the King’s Park golf course, head for the highest point where the small cliffs drop down.  From here, walk down the footpath on the slight slope south, just below where the small copse of trees are, and you’ll see the singular small flat stone in the grasses near the footpath you’re walking along.  If you can’t find it – look around!

Archaeology & History

A little-known but fascinating isolated carving, first described by David Morris at the sixth meeting of the Stirling Natural History and Archaeological Society in 1901.  It is found on the western edge of the town, above the rocky edges not far from the pond of St. Thomas’ Well on the far edge of the golf course.  Morris’ finding was written up in their fine journal, where he wrote:

“In the King’s Park, about 50 yards east of the cliff where a seat overlooks the Douglas Terrace sand quarry, there is a smooth surface of rock showing through the turf, measuring two-and-half feet by one-and-half feet… On it is a cup-shaped hollow, outside the rim of which is a well-marked hollowed ring, beyond which is another faintly marked, concentric circular groove.  The cup-mark measures one-and-a-half inches across; the inner rim of the first circle is 4 inches, and the outer rim is 6 inches in diameter.  The outer circle, if complete, would be 9 inches in diameter.  The depth of the central hollow is half-an-inch, and of the inner groove fully one-quarter of an inch.  The markings are plainly artificial…”

King's Park CR - central design, with finger pointing to northernmost cup!
King’s Park CR – central design, pointing to northernmost cup

In good sunlight, it is obvious that the carving is a fine example of a double-ringed cup-and-ring carving – though the outer ring may not be complete.  The Scottish Royal Commission lads told that “this rock outcrop bears three cup marks” – one of which has the rings surrounding it.  In the first photo here, the southernmost cup-marking is highlighted in the centre of the two shells which were on the rock when we arrived.

However, there’s definitely more to this carving than previous investigations have outlined.  It seems that the northernmost cup-mark has a ring and a possible outer-ring.  There is also a distinctive linear carving, which at first seems like a primitive triangle, just below the southernmost cup – as we’ve tried illustrating here in the photo which Mikki Potts took.  It’s faint, but once you see it, it’s obvious that it’s there.  Other faint lines of similar nature also seem apparent near the northernmost cup-marking, but we will have to wait for rubbings and further visits in better light to ascertain the full image on this rock.  Well worth checking out if you like your rock art! (can any of you Scottish rock-art fanatics have a closer look at this? – take a rubbing of it and see what other aspects are on this design)

Faint linear carvings on southern end of the rock
Faint linear carvings on southern end of the rock

One other thing which seemed apparent when we were here: this site has all the geomantic hallmarks of accompanying a burial at some time in the ancient past.  Its isolation here is unusual and the carving is only 50 yards from the highest point hereabouts, where you have 360-degree views all round, typifying the position of many prehistoric tombs.*  Does anyone know about such features, or have records of any field-name surveys taken, which might confirm or deny this thought?  Twouldst be good to know!

References:

  1. Feachem, Richard, Prehistoric Scotland, Batsford: London 1963.
  2. Morris, David B., “Cup and Ring Marked Rock Surface in King’s Park,” in Stirling Natural History & Archaeology Society Transactions, 1900-1901.
  3. Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR 86, Oxford 1981.
  4. Royal Commission on the Ancient and Historical Monuments of Scotland, Stirlingshire – 2 volumes, HMSO: Edinburgh 1963.
  5. Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.

* Since writing the above, thanks the correspondence of Paddybhoy, we’ve learned that there definitely were prehistoric tombs close by; one being just at the bottom of the ridge below the carving, on Douglas Terrace.  Records describe several other prehistoric tombs nearby at Birkhill House, the Birkhill Sandpit and Coneypark Nursery.  However, I still think it most probable that there were other tombs and more rock art, probably along the edges of King Park, aswell as the Cambusbarron plain.  These need locating.

© Paul Bennett, The Northern Antiquarian


Big Rock, Fenny Shaw, Bingley Moor, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 11203 43517

Also Known as:

  1. Carving no.95 (Hedges)
  2. Carving no.108 (Boughey & Vickerman)

Getting Here

Big Stone Carving - looking SW
Big Rock Carving – looking SW

The best and easist way to get here is to drive west past Dick Hudson’s pub along the moor road for about a mile till you reach the left turn of Heights Lane. Stop here! (if you’re now going downhill to East Morton, you’ve gone past it) On the opposite side of the road is a gate and a footpath onto the moor at the spot called Fenny Shaw Low Well (small copse of woods adjacent to your right). Walk a quarter-mile up the path, bearing left where the path diverges (ignoring the ‘Private’ sign) and head for the derelict building. Less than 100 yards before it, notice the large boulder to your right, on the slope – that’s it!

Archaeology & History

Old inaccurate drawing of the cups, c.1982
Old inaccurate drawing, c.1982

I first came across this on one of my countless ambles on these moors as a teenager.  It was a cold, windy day as I recall – hence the reason for my sketch of the stone being a bit vague!  The bit of paper on which I drew it, was included in one of my unpublished hand-written booklets.  A few years later an image of the carving appeared in Mr Hedge’s (1986) fine collection, in much better detail than my scratty little pic!

Some of the cups highlighted
Some cup-marks highlighted

It’s a ‘big rock’ and stands out on the slope here.  There’s at least one complete cup-and-ring which is visible on the northern edge of the rock and there are between 17 and 30 other cups scattered across its surface, which has been greatly eroded by our timely forces of wind, rain, ice and snow.

Hedges’ 1986 sketch

In ambling around looking at the other stones in the vicinity, along with finding the small Littlestone cup-marked rock further up the slope, we also found, just below the faded old Big Stone, another quite large rock upon which, quite recently, someone has decided to etch four complete cup-and-ring symbols.  These appear to have been done either to,

i) assess degrees and speed of erosion on rock carvings;

or,

ii) pure artistry.

Whichever it may be (and there’s been various cries of “vandalism” when such carvings have been etched by some folk on otherwise virgin rock over the years), let it be known that the Big Stone’s partner was etched c.2008-9.  Does anyone out there know who did this ‘new’ carving?

References:

  1. Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
  2. Hedges, John (ed.), The Carved Rocks of Rombald’s Moor, WYMCC: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian


Grey Stone, Harewood, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 3148 4307

Also Known as:

  1. Carving no.399 (Boughey & Vickerman)

Getting Here

Various ways to get here, but I suppose the easist is by walking along the path just above the woods from the main A61 road, where there’s the junction turn-off to Wike.  You have to walk perhaps 1000 yards until eventually, a couple of hundred yards up the slope to your left (south) you’ll see the boulder stuck in the field.  You’re there!

Archaeology & History

The Grey Stone, Harewood
The Grey Stone, Harewood

Described first by Cowling & Hartley in 1960, this multiple-ringed carving gives the distinct impression that it aint quite as old as our more traditional cup-and-rings on the moors west and north of here – but I s’ppose we’ll never know for sure.  There isn’t a central cup to this concentric-ringed carving, which is quite unusual, and which is why I get the impression that it’s from a later archaeological period.  However, saying that, there are several other faint cup-markings on the southwest and east-faces of the boulder (which I forgot to photograph when I was there – idiot that I am!).  Boughey and Vickerman (2003) illustrate as many as 18 other cup-marks on the rock surface – which they list as stone 399 in their survey.

Although there seems to be no folklore attached to this isolated carving, rock-art authority Graeme Chappell noted how “the midwinter full moon set behind Almscliffe Crags at its extreme northerly setting point in Bronze Age times” from this Grey Stone.

The archaeologist S.A. Moorhouse (1981) also pointed out how some of the many Grey Stones (which usually means ‘a boundary stone’, sometimes very ancient ones) found in northern England, derive their name from the old word har, which “can also mean ‘grey, hoar,’ used to describe natural boulders, possibly with cup-and-ring markings” – just as we have here!

References:

  1. Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
  2. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  3. Cowling, E.T. & Hartley, C.E., ‘A Ring-Marked Rock: The Grey Stone,’ in YAJ 1960.
  4. Moorhouse, S.A., ‘Boundaries,’ in Faull & Moorhouse’s West Yorkshire: An Archaeological Survey, volume 2, 1981.

© Paul Bennett, The Northern Antiquarian


Map Stone, Ilkley Moor, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 12961 46396

Also known as:

  1. Carving No.137 (Hedges)
  2. Carving No.295 (Boughey & Vickerman)
  3. Planet Stone
  4. The Planets Rock

Getting Here

Map Stone, looking east
Map Stone, looking east

Best visited in winter and spring – thereafter the vegetation can hide it a little – but even then, it’s not too hard to find.  Start from the Cow & Calf Hotel and walk across the road onto the moor, and head over as if you’re gonna walk above the Cow & Calf Rocks, onto the moorland proper.  When you’ve gone a few hundred yards, walk up the slope (there are several footpaths – you can take your choice).  Once on the ridge on top of the moor proper, you’ll see the Haystack Rock: it’s on the same ridge, right near where the moor drops down the slope about 250 yards west of here, just about next to the footpath that runs along the edge.  Look around!

Archaeology & History

Unlike some folk who’ve seen this old stone, I find this carving superb.  Its one of my favourites up here!  Its alternative name – the Planet Stone – perhaps lends you to expect something more, but this is down to the astronomer who thought this was some type of heavenly image (which is most unlikely).  I prefer to call it the ‘Map Stone’ because the correlates this carving has with indigenous aboriginal cup-and-rings is impressive and — to Aborigines anyway — would have all the hallmarks of a map.  But not a ‘map’ in the traditional sense of modern humans.  The incidence of cups and rings linked by curvaceous lines, typifies routes between water-holes or settlement spots made by ancestral beings — which is just what we find at this carving here.  These ancestral beings need to be seen in a quite mythic sense: they may be creation deities (giants, gods, etc), animal spirits, the routes of shaman spirits, or other expressions of homo-religiosus.

Map Stone (note the carved line along the very edge of the rock)
…and again from another angle

In the Map Stone here, we see that the very edge of the rock (fig.2 & 3) is ‘encircled’, perhaps (and I say perhaps) symbolic of the edge of the world.  The lines and rings upon the top of the rock may symbolize journeys to and from important places.  Another impression I get of this carving, with the “map” idea, is that the large pecked diamond-shaped ‘cup’ near the middle of the carving is a large body of water around which the archaic routeways passed.  The next time anyone visits this stone, have a look at it with this idea in mind.  Its simple, straightforward and makes sense (mind you – that doesn’t mean to say it’s right!).

The first account I’ve found of this comes from the pen of J. Romilly Allen (1882), where this stone “measuring 5ft 3in by 5ft, and 1ft 9in high” was described thus:

“On its upper surface, which is nearly horizontal, are carved thirteen cups, varying in diameter from 2 to 2½ in, eleven of which are surrounded by rings.  There is also an elaborate arrangement of connecting grooves.”

Although we can only work our nine cup-and-rings here today, Mr Allen seemed suitably impressed with this old carving. Stan Beckensall (1999) seemed to have a good feel of this design too, describing it thus:

“Two thirds of the surface of this earthfast sandstone have been used in a design that partly encloses the marked part of the rock with long curvilinear grooves along its edge, and the inner grooves link single rings around cups.  The effect is one of inter-connection and fluidity.”

The Map, or Planets Stone (after Hedges 1986)
Hedges 1986 sketch

The Map Stone was also looked at to examine the potential for Alexander Thom’s proposal of a megalithic inch: a unit of measure speculated to have been used in neolithic and Bronze Age times for the carving of cup-and-ring stones.  Using nine other carvings on these moor as samples, Alan Davies (1983, 1988) explored this hypothesis and gave the idea his approval.  However the selectivity of his data, not only in the carvings chosen, throws considerable doubt on the idea.  Unfortunately the idea doesn’t hold water.  The ‘geometry’ in the size of cup-and-rings relates more to the biometrics of the human hand and not early scientific geometry, sadly….

References:

  1. Allen, J.R., ‘Prehistoric Rock Sculptures of Ilkley,’ in Journal British Arch. Assoc., 35, 1879.
  2. Allen, J.R., ‘Notice of Sculptured Rocks near Ilkley, with some Remarks on Rocking Stones,’ in Journal British Arch. Assoc., 38, 1882.
  3. Allen, J.R., ‘Cup and Ring Sculptures on Ilkley Moor,’ in Reliquary Illus. Archaeology, 2, 1896.
  4. Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
  5. Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Exeter 2003.
  6. Collyer, Robert & Turner, J.H., Ilkley: Ancient and Modern, William Walker: Otley 1885.
  7. Cowling, E.T., Rombald’s Way, William Walker: Otley 1946.
  8. Davis, Alan, ‘The Metrology of Cup & Ring Carvings near Ilkley in Yorkshire,’ Science Journal 25, 1983.
  9. Davies, Alan, ‘The Metrology of Cup and Ring Carvings,’ in Ruggles, C., Records in Stone, Cambridge 1988.
  10. Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Alan Davies' image of the carving - with carved 'lake' near centre
Alan Davies’ image of the carving – with carved ‘lake’ near centre

© Paul Bennett, The Northern Antiquarian


High Carr Rocks, Keighley, West Yorkshire

Cup-and-Ring Stones:  OS Grid Reference – SE 0578 4395

Getting Here

High Carr Cup-Markings (1 & 2)

Loadsa ways to get to this little outcrop, which the Boughey & Vickerman survey (2003) says comprises of five different carvings (CRs 33-37).  I’m not so sure misself.  When Stuart Feather first found these in the 1950s, he only thought three stones were carved, which I think is the more accurate.

Most folk would probably prefer to walk down the slope from Holden Gate down the footpath past Jaytail Farm, then dropping down to the very bottom of the fields (south) where you’ll see a small knoll with a cluster of rocks just in front of the tree-line.  But I wandered up thru the ‘Private’ (ahem!) woodland, wet-thru in the pouring rain, and clambered over the wall right to the very spot (the old dowser’s ‘seek-and-find-rock-art’ nose worked again!).

Archaeology & History

High Carr Cup-Marked Stone
High Carr Cup-Marked Stone – from Hedge’s Carved Rocks on Rombald’s Moor

Listed in John Hedge’s (1986) survey as carvings 1-5, I’d say there’s one “definite” carving here, but the others – comprising simply of cups – are a little dubious.  The main carving has at least six definite cup-markings, found on the rock at the highest point of the knoll at the bottom of the field.  The drawing in Hedge’s survey shows as many as 12 cups on this stone, but I’m not totally convinced.  Another stone right next to the main one has, perhaps, a cup-marking or two on it – but again, these may be natural.

Of the other alleged carvings, it was difficult to work out as they were literally covered in tons of cow-shit. It seems this rock-outcrop is the local bovine toilet!  A lovely secluded place though, with plenty of wildlife to see.  Next stop from here: the great Holden waterfalls!

References:

  1. Boughey, K. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYMCC: Wakefield 2003.
  2. Feather, S., ‘Three Bronze Age Rock Carvings near Keighley,’ in CHAGB 4:3, 1959.
  3. Hedges, John D., The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian


Hawk Stone, Shipley, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 1792 4099

Getting Here

Take the road from Shipley to Guiseley, the A6038, past the turn-off to Esholt, until you get to the top of what’s locally known as Hollins Hill.  There’s a small farm-track to your leftand in the woodland here you’ll find the rocky outcrop.

Archaeology & History

Nothing has been written about this spot, but in this large wind-and-water worn rock outcrop, with its small cave, on the top part of the rock are several faint cup-markings.

Folklore

Legend tells that a man on horseback jumped from the top of here and landed safely at Low Hall, Yeadon, 2500 yards away to the east. (probably some sort of solar lore)

References:

  1. Gray, Johnnie, Through Airedale, from Goole to Malham, 1891.

© Paul BennettThe Northern Antiquarian


Fairy Stone, Cottingley, Bingley, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 09816 37862

Also Known as: 

  1. Black Hills Carving 01
  2. Cottingley Woods (01) carving

Getting Here

To get here, start from Bingley centre, go through Myrtle Park, across the river bridge and turn right at the dirt-track. Walk on & go over the old bridge/ford of Harden Beck, keeping with the track until the next set of buildings and be aware of a footpath left here. Take this and cross the golf-course, bearing SE until you reach the edge of Cottingley Woods. Take the distinct footpath into the trees & walk up the vivid moss-coloured path until you reach the level at the top where the woods become more deciduous. Here, turn left for 100 yards into the bit of woodland which has been fenced-off and walk about. You’ll find it!

Archaeology & History

Cottingley Woods Fairy Stone

This is a truly superb cup-and-ring stone which anyone into the subject must take a look at!  It was first found by the old forester here, Ronald Bennett, in 1966 — ten years before the rock art student Keith Boughey (2005) mistakenly reported it to have been found “by Valerie Parkinson…in 1976.”  Everything about it’s excellent — but I think the setting in woodland is what really brings it out.

The first published account and photograph of this superb carved stone seems to have been in Joe Cooper’s (1982) precursory essay on the Cottingley Fairies in an article he wrote for The Unexplained magazine in the 1980s.  A few years later I included the stone in a short article on local folklore (Bennett 1988), then again much later in The Old Stones of Elmet (2001).  It was curiously omitted from Boughey & Vickerman’s (2003) survey, as were the other carvings that are found very close by.  Not sure why…  But of the small cluster here (I’ll add the others later), this carving stands out as the best of the bunch by far!  Its name has nothing to do with the Cottingley Fairy folk down town: it simply originates from my own teenage thoughts and the true ambience of the setting. Check it out!

Joe Cooper’s 1982 photo
Fairy Stone carving

The rock is typical millstone grit and its carved upper surface measures roughly 3 yards east-west and 2 yards north-south, sloping gently into the ground.  As the photo shows, this is an elaborate design seemingly centred around two large and another smaller circular form, each enclosing a number of internal cups, ring and lines.  The next time we’re over there, we’ll try get some clearly images and make a detailed drawing of the old fella!  In the event that you visit here, check out the other three carvings close to this primary design — and try work out which one of the three was carved by the scouts in more modern times!  Another simple cup-marked stone was recently found in the undergrowth a short distant east of this group.

Sketch of the design in 1981

Recently the carving was given attention with what’s known as photogrammetry software: this enables a more complete image of the 3-dimensional nature of objects scrutinized.  In the resulting photos (which I’m unable to reproduce here due to copyright restrictions), a previously unseen long carved line was detected that runs across the middle of the larger of the two enclosing rings.  Hopefully in the coming months, those with the software (can’t remember whether it’s English Heritage or Pennine Prospects who won’t allow it) might allow us to reproduce one or two of their images to enable the rest of the world to see what their images have uncovered.  After all, considering that we peasants brought this carving to their attention, you’d at least hope they could repay the finds.  Some of these larger organizations, despite what they may say, simply don’t swing both ways!

Folklore

In an early edition of my old Fortean archaeology rag of the 1980s, I narrated the tale of one Anne Freeman, who was walking through the woods here.  When she reached the top of the woods, near some stones she heard a loud chattering and allegedly saw two tiny figures barely one-foot tall wearing red outfits and green hats in “medieval peasant dress”.  Andy Roberts (1992) later repeated the tale and illustrated the carving in his Yorkshire folklore work.

In the 1960s, the old ranger Ronnie Bennett (no relative of mine) who first found these carvings, also reported that he saw little people here: “not one, but three,” as he said.  Not fairies with wings, but more gnome-like.

References:

  1. Bennett, Paul, Of Cups and Rings and Things, unpublished: Shipley 1981.
  2. Bennett, Paul, ‘Tales of Yorkshire Faeries,’ in Earth 9, 1988.
  3. Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
  4. Boughey, Keith, “A Group of Four Cup-and-Ring-Marked Rocks at Black Hills, Cottingley Woods,” in Prehistory Research Section Bulletin, no.42, 2005.
  5. Cooper, Joe, ‘Cottingley: At Last the Truth,’ in The Unexplained 117, 1982
  6. Roberts, Andy, Ghosts and Legends of Yorkshire, Jarrold 1992.

© Paul Bennett, The Northern Antiquarian

Mitton Springs, Baildon Moor, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 12897 39490

Also Known as:

  1. Carving no.4 (Hedges)
  2. Carving no.121 (Boughey & Vickerman)

Getting Here

Glossop’s 1888 sketch

This lovely little stone is found on Shipley Glen.  Walk a few hundred yards up past the Brackenhall circle until, on the right-hand side of the road, you reach the track which leads up the slope to Mitton Springs farmhouse.  About 20 yards past the track, cross the road from and near to where the land drops down to the glen below and about 20 yards from the rowan tree, you’ll find this carving on one of the smaller low flat stones.  Be patient and look around.  You’re damn close!

Archaeology & History

The carving first appears to have been described by the Bradford historian, William Glossop (1888), in his local survey of prehistoric remains here (see his drawing).  It’s a cute little thing on a small stone, consisting of a simple large ‘enclosure’ ring with three archetypal cup-markings etched inside.  Described by several other local writers since, no other archaeological remains have been found in relation to this carving, making any realistic academic assessment on its nature almost wholly impossible.

References:

  1. Baildon, W. Paley, Baildon and the Baildons (parts 1-15), St. Catherines: Adelphi 1913-26.
  2. Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
  3. Glossop, William, “Ancient British Remains on Baildon Moor,” in Bradford Antiquary No.1, 1888.
  4. Hedges, John (ed.), The Carved Rocks of Rombald’s Moor, WYMCC: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian


Askwith Moor (515), North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 1668 5056

Also Known as:

  1. Shooting House West carving 

Getting Here

From Askwith village, at the T-junction, go up Moor Lane, taking the left turn up Moorside Lane about half-a-mile up and on the track to Moorside Farm and then onto Top Moorside Farm.  Take the path past the farm up onto the moor, then bear right up the small track that heads up onto the small Hollin Tree Hill.  As you go up the track, watch out for the small grassy depression to the right; and hereby head into the grasses on your right.  You’re close!

Archaeology & History

Image © Graeme Chappell

Image © Richard Stroud

Graeme Chappell was the first to rediscover this carving in the early 1990s when we were up pottering about on these and the adjacent moors, looking for any previously undiscovered prehistoric relics.   We found quite a lot!  The carving here is nowt special to look at really, but the cups can be seen quite clearly.  It’s a rather large stone on the western edge of the hill with at least seven or eight cup-marks carved across its upper surface.  Boughey & Vickerman (2003) later described it as “large, fine quartz sandstone rock with surface sloping slightly down into (the) hillside.  Seven or eight cups, two particularly sharp.”  There’s a possible line running between two of the cups, visible when lighting conditions are right — though we aint sure whether it’s artificial or not.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.

© Paul Bennett, The Northern Antiquarian


Askwith Moor (521), North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 17162 50530

Also Known as:

  1. Round Rock

Getting Here

To find this, head for the line of old grouse-butts which run north-south, a few hundred yards west of the Askwith Moor Road. Just before y’ get to the one nearest the bottom of the line, frobble about a bit.  If by any chance you end up at the Woman Stone carving, walk back up the slope until you’re on the level.  Not far ahead of you are the upright stone remains of a grouse-butt.  This carving is just a few yards away.  You’ll find it.

Archaeology & History

Image © Richard Stroud

This was another carving found on one of the many forays of Mr Chappell and I when we were young, sometime in 1993.   A short while after, Graeme wrote to Edward Vickerman to inform him of the find, which ended up in their rock art survey a decade later.

It’s another one of those simple designs: what seems like at least 5 cup-markings on a small rounded rock, with two of them linked together by a groove — possibly natural, possibly man-made — though there may in fact be seven or more cups etched onto its upper surface.  It’s difficult to tell.  It gives you the impression that its present position isn’t its original one and is suggested by Boughey & Vickerman (2003) to have been “moved from pipeline?” close by.  It may even have been dug out and cast here, possibly once being a part of a cairn.  In the Boughey & Vickerman survey they give its OS-coordinate as SE 17163 50527 – and describe it as a “medium-sized, free-standing rock of fine grit. Five cups, some perhaps natural.”  When Richard Stroud and I visited the site, he found the GPS coordinate was SE 17162 50530; and we have to say that instead of describing it as a free-standing rock, it’s a movable stone (though it’d take a bit of effort), that may once have been part of a larger monument.

References:

  1. Bennett, Paul & Chappell, Graeme, Personal Communication, 1993.
  2. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.

© Paul Bennett, The Northern Antiquarian