Cup-Marked Stone (missing): OS Grid Reference – SE 16940 87301
Archaeology & History
A prehistoric carving that is missing and possibly destroyed since being rediscovered in 2001 by Barbara Brown (2008) and subsequently described in her book on North Yorkshire petroglyphs. She told it to be in “Thornton Steward field hedge bottom” and was a simple glyph, being a
“rectangular slab (with) single cup-mark located in hedge bottom part of old walling.”
When she revisited the site with her husband in 2006, the old hedge and wall had been removed, with “new hedging in place.” The carved stone may be buried within a pile of clearance stones adjacent to the hedgerow, but it has yet to be relocated. If anyone finds it, please let us know! It was one of several cup-marked stones that exist in the wider neighbourhood.
References:
Brown, Paul & Barbara, Prehistoric Rock Art in the Northern Dales, Tempus: Stroud 2008.
A profile of two seemingly trivial cup-marked stones is called for, out of memory for the carvings and also because they are now hidden in some vault somewhere, out of view in one of the Scottish museums I presume. In visiting the impressive Cairnpapple Hill the other day, I thought that the carvings should really be in situ, where they belong, and not in a box somewhere for the eyes of just a privileged few.
Cairnpapple Cist A
Two small, single, almost portable-sized stones—not unlike other cup-marked rocks found at sites like the Little Skirtful of Stones and elsewhere—were unearthed during the primary excavation of Cairnpapple by Stuart Piggott in the late-1940s. Although there are many stone-lined cremation pits and graves at Cairnpapple, only one of the tombs seemed to possess any carvings—and these were found only in the western walling in one of the larger of the two tombs that are now housed inside the modern covering tumulus, in what Piggott (1950) called ‘Cist A’. (Curiously in all sketches of the tomb, he didn’t show where the carvings were found, typical of some archaeologists of that period who saw little importance in these relics.)
Cist A capstone, with large cup
The giant stone roof or covering stone to Cist A also has a large worked cup-marking on its western side. There are also what seems to be other faint rectangular etchings on the same rock-face, but the age and nature of these elements need to be assessed with some caution.
References:
Cox, Adrian, Cairnpapple Hill, Historic Scotland: Edinburgh 2010.
From Burley train station, take the road uphill onto the moor edge, turning right at the top. Go on for a few hundred yards and park up round the sharp bend. Walk up the steep-ish path on the right-hand side of the rocky valley of Coldstone Beck. Once your on the level with the moors, veer to your right (west) on the footpath parallel with the walling. Barely 50 yards along, watch in the grasses and heather to your left (south). Keep looking and you’ll find it. (apologies for just a 6-figure grid-ref for this stone, but I paid little attention to its position when I was in walkabout mode)
Archaeology & History
A couple of hundred yards east of the Cold Stone monolith is another petroglyph that has evaded the diligent archaeologists of the region! But it’s easily missed if the daylight conditions aren’t too good. The most notable element on the stone is the large, possibly natural cup-marking on its top-right SW side. It’s that which initially gets your attention and, due to its initial singularity on the rock, you’d turn away and shake your head, muttering that well known petroglyphic mantra of “dunno.” But when the sun and air are clear or low on the horizon, other more faint etchings, almost lost in the worlds of erosion, catches the eye.
Carving faintly highlightedLooking straight down
At least four cups are visible on the stone, perhaps six, mainly near its middle and faintly highlighted in one of the images here. But there is also a pecked carved line here too, running across the shorter northern side of the stone. Near the bottom of this line there is the faint impression of a carved ring, but whether this is a trick of the light or real, I won’t hazard to guess. Not far away is the curiously shaped Chair Stone and its cup-marks. Others are in the vicinity.
This is another of the many unrecorded cup-and-ring carvings in the region—and one in a small cluster hereby. It was rediscovered several years ago on a Northern Antiquarian outing and, thankfully, remains in good condition. Encrusted by layers of gorgeous lichens, deep into the rock, it has hence proven difficult to explore the entirety of the exact design without tearing off the old lichen covering—which I’ve no intention of doing.
Lichen Stone, from above
There are at least a dozen cup-markings etched onto the upper surface of this curved stone, with the majority of them clustering around its eastern side. It seems there’s only one cup-marking on the western section of the rock, with the majority of them carved near the middle of the rock and then moving to its eastern section. But the curious features are the interlinking carved lines which you can see have been highlighted on the top and sides of the stone. Initially you get the impression that they’re natural, but it becomes obvious the more you look at them that they’re an integral part of the carving. Some of the lines typically link-up with other cups, whilst a number of them have been carved along and down the vertical faces of the rock, primarily on the east and north-east edges. At least seven of them have been done and they all reach down to ground-level.
Cups & carved linesCarved lines highlighted
It seemed obvious that an even larger design was apparent on the rock, but the stone had been covered in an age of lichen (hence the name) which I didn’t want to disturb; and although no distinct cup-and-ring can be seen here, it looked as if one such motif might have been hiding beneath the lichen cover. But let’s leave the rock and lichen to their own quiet life and move on our way…. to the other carvings nearby, like the impressive Fraggle Rock, or the more basic Snake Stone. Then follow your nose and seek out the other carvings in these fields…
On the A81 road from Aberfoyle to Strathblane, about a mile south of Aberfoyle take the tiny right turn (keep your eyes peeled!) to Gartmore. At the end of the village, turn right at the T-junction. Just over a mile along the tiny road, just over the tiny road-bridge, turn right again up up the dead straight road to Drymen for nearly a mile and park up. A dirt-track is on your right: walk along here for ¾-mile (1.2km) and in a large field on your left a huge rock sits (no carvings on it). Keep walking on the track and where the field ends, a path to your left runs above a small burn. Naathen, 150 yards along here, look down at the waters and there’s a clump of large rocks. Check ’em out!
Archaeology & History
Morris’ old photo (from PSAS 1967)
This stone and others were mentioned in MacNair’s (1973) essay in the popular history guide to the region, after it had seemingly been rediscovered a few years earlier by Ron Morris (1967; 1969), who listed it in his petroglyph catalogues. It was originally located at the top of the slope above the burn, but was rolled down here shortly after Morris discovered the cup-and-rings on it. The farmer at the time had made a bore-hole into the rock with the intention of blowing it up, but Morris found it just in time and the stone managed to survive!
Faint CnR’s just visible
It’s a large rock with a decent ornate design that was clearly visible when Morris surveyed it (see photo, right). It comprises of, “a cup-and-two-rings, 18cm (7in) diameter, 6 cups-and-one-ring (2 of which are tangential) and at least 8 cups. All rings are complete. Greatest carving depth 2cm (¾in).” There also appears to be a line of four or five small cup-marks running in a short line by one of the lower cup-and-rings, but these are very faint indeed. The double cup-and-ring mentioned by Morris is the one at the top-centre in my photo, but the next cup-and-ring down may also be a double-ring. At the top-right of the photo is where two cup-and-rings are conjoined.
Since being rolled down the slope to the side of the burn, the carving’s much more in the shadows and is more difficult to work out. Sadly on the day when I visited here, Nature bestowed on me a wet and cloudy firmament, so the design was even more difficult to see, as my photos illustrate.
Morris (1981) told that “other stones in the immediate vicinity bear possible cup-marks,” and one of these may exist just a couple of stones away (Corrie 2), leaning up into the grasses: this is another rock that has been pushed down the slope and has curious natural cup-markings on it, with one or two that could be man-made, but we need a geomorphologist to have a look at it and tell us one way or the other.
References:
Edlin, Herbert L. (ed.), Queen Elizabeth Forest Park, HMSO Edinburgh 1973.
MacNair, A.S., “History,” in Edlin’s Queen Elizabeth Forest Park, HMSO 1973.
Morris, Ronald W.B., “Stirlingshire: Corrie Farm (Gartnabrodnaig) – Cup Marks,” in Discovery & Excavation, Scotland, 1967.
Morris, Ronald W.B., “The Cup-and-Ring and Similar Early Sculptures of Scotland; Part 2 – The Rest of Scotland except Kintyre,” in Transactions of the Ancient Monuments Society, volume 16, 1969.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
Cup-and-Ring Stone: OS Grid Reference – SK 231 691
Archaeology & History
Ball Cross 2 Carving (after Beckensall)
One of three carvings that were located inside the walling of the Ball Cross hillfort during excavations here in the early 1950s by J. Stanley. (1954) Each carving is distinctly unlike the other in design (see Ball Cross 1 and Ball Cross 3) and it’s highly probable that they were incorporated into the Iron Age structure with their original mythic functions—of neolithic or Bronze Age origin—disused. It is not unlikely that this and its compatriots were originally found in association with the nearby prehistoric tombs.
Ball Cross 2 Carving (photo by Dean Thom)
The broken piece of rock consists of a broken section of an almost archetypal ‘cup-and-ring’—although with this design, no central ‘cup’ occurs: a pattern found at several other multiple-ring stones, like the Grey Stone near Leeds. Although Stan Beckensall (1999) described this to have “8 concentric rings”, his drawing and the photo here by Dean Thom, clearly show only seven such ‘rings’. The carving presently lives in a protective box in Sheffield Museum (though beware the listing they give of the designs, as some are incorrect).
References:
Barnatt, John & Reeder, Phil, “Prehistoric Rock Art in the Peak District,” in Derbyshire Archaeological Journal, 102, 1982.
Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
Beckensall, Stan, Circles in Stone: A British Prehistoric Mystery, Tempus: Stroud 2006.
Cooper, Ali, Archaeology Walks in the Peak District, Sigma: Wilmslow 2010.
Morgan, Victorian & Paul, Rock Around the Peak, Sigma: Wilmslow 2001.
Stanley, J., “An Iron Age fort at Ball Cross Farm, Bakewell,” in Derbyshire Archaeological Journal, volume 74, 1954.
Acknowledgements: HUGE thanks to Dean Thom for the use of his photo, plus helpful references on this site.
This is another carving (one of three here) that was removed from its landscape setting when found during excavations of the Iron Age hillfort of Ball Cross in the 1950s, and then placed into a box in Sheffield Museum, decontextualizing it and leaving future researchers slightly in the dark as to its possible nature. In removing the carving from its site, the stone was left with additional scratches and grooves slightly damaging the stone. Not good!
Ball Cross Carving (after Beckensall)Ball Cross Carving (after A. Cooper)
Although unlike the Ball Cross 2 and 3 carvings, the design here is structurally very similar to that found east of Gardoms Edge, with this one comprising of a large unbroken carved oval, with at least twelve cup-marks inside. Or as Beckensall (1999) described, it “has 12 cups inside a flattened ring.” Again, like the Gardoms Edge carving, a single cup-mark was etched outside of the enclosed ring. It was found with its companion carvings built into the main walled structure of the hillfort. It’s unlikely that the stones date from the same age as the hillfort: more probable that they were re-used in the structure, with their mythic nature perhaps already long forgotten…
References:
Barnatt, John & Reeder, Phil, “Prehistoric Rock Art in the Peak District,” in Derbyshire Archaeological Journal, 102, 1982.
Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
Beckensall, Stan, Circles in Stone: A British Prehistoric Mystery, Tempus: Stroud 2006.
Cooper, Ali, Archaeology Walks in the Peak District, Sigma: Wilmslow 2010.
Morgan, Victorian & Paul, Rock Around the Peak, Sigma: Wilmslow 2001.
Stanley, J., “An Iron Age fort at Ball Cross Farm, Bakewell,” in Derbyshire Archaeological Journal, volume 74, 1954.
Acknowledgements: HUGE thanks to Dean Thom for the use of his photo, plus helpful data on this site.
Cup-and-Ring Stone: OS Grid Reference – SK 2752 7328
Archaeology & History
Gardoms Edge 2 carving, in Sheffield Museum (photo – Dean Thom)
This carving is one of two cup-and-ring stones that were removed from this area and transported to Sheffield Museum, decontextualizing them from their landscape presence (this should not be done unless very severe damage is happening, or their destruction is imminent). It’s quite an intriguing carving, similar in design to one found not far away at Great Hucklow, the Middleton Moor 479 carving, etc. Like many Pennine cup-and-ring stones, it was located in a prehistoric cairn field (or necropolis), with hut circles not far away too, and really should have remained in situ for the benefit of future researchers.
Gardoms Edge carving (after Beckensall 1999)
The carving was cut into one end of a small rock and comprises of a singular unbroken, large oval, within which are enclosed thirteen or fourteen cups, plus a single cup on the outside of the ring. Lunar associations may be invoked by the 13 cups, enclosed within one cycle of the year. But I’m speculating of course. It’s probable that other carvings in the area remained undiscovered.
References:
Barnatt, John & Reeder, Phil, “Prehistoric Rock Art in the Peak District,” in Derbyshire Archaeological Journal, 102, 1982.
Barnatt, John & Robinson, F., “Prehistoric Rock Art in Ashover School and Further New Discoveries Elsewhere in the Peak District,” in Derbyshire Archaeological Journal, 123, 2003.
Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
Beckensall, Stan, Circles in Stone: A British Prehistoric Mystery, Tempus: Stroud 2006.
Acknowledgements: HUGE thanks to Dean Thom for the use of his photo here.
Mike Short tells: Walk ENE along Thornhill Drive (no vehicular access) to gate across road at the last house on the Drive and continue on for approx 475m where road starts to narrow slightly, becomes a little steeper and gently turns to E. Thornhill Drive is now cut into the hillside at this point with an upwards sloping bank on the S side of the path. After approx 25m further on at approx SE 20375 37950 look out on the S side of the path for a pile of boulders sitting on bedrock on top of the bank and a large rectangular tabular rock on the side of the bank. Ascend the bank and from the boulder pile the panel is approx 22m 200º(T) in the middle of an ephemeral E-W path more defined to W.
Archaeology & History
The profile (and ‘How to Get There’) for this recently discovered cup-marked stone was forwarded to me by fellow rock art explorer, Mike Short. The carving is another basic design found in Calverley Woods, between Leeds and Bradford, nearly halfway between the missing petroglyphs of West Woods 2 and Sidney Jackson’s Calverley Woods Stone. Rediscovered by Lisa Volichenko some time ago, Mike described the new carving here as follows:
Sketch of the carving (courtesy Mike Short)Cup-Marked Stone nr centre (courtesy Mike Short)
“Panel is carved on W sloping face of a sub-triangular earthfast coarse-grained sandstone boulder 0.81m X 0.50m X 0.38m, the longest axis lying almost exactly N-S. Carving consists of 3 cups, the most N of which is elliptical approx 65mm X 55mm; the central cup is elliptical approx 50mm X 40mm and the most S is circular diameter approx 40mm. On the N edge of the W face is a shallow elliptical depression thought to be of natural origin. There is an area of damage along the ‘crest’ of the boulder close to its S end.
“Carved rock is the most E of five rocks, measuring between 0.70m and 1.15m in length, in very close proximity forming an arc, 3 of which are in the footpath and one of which is resting on a large slab of rock almost completely covered by soil and vegetation.”
And so the small number of cup-marked stones in this woodland slowly grows. One wonders how many more are hidden beneath the roots of the trees—and are all of the lines and cups atop of the great Hanging Stone, a short distant away, all Nature’s handiwork…?
Acknowledgements: Huge thanks for Mike Short for the data, photos and sketch of this carving.
Take the A59 road from Harrogate and Skipton and at the very top of the moors near the Gill Head Enclosures, take the small Kex Ghyll road up past the disused quarry works north for a mile or so. At the junction go left, past the Outdoor Centre, thru West End up Whit Moor Road, then go left down to Brays Cross Farm and over the ford. Note the clump of trees on the moors to the west and take the path there. Once here, a large outcrop of rocks will be seen about 150 yards on the moor to the west. That’s the spot! Otherwise, follow the directions of the legendary wandering Teddy!
Archaeology & History
This dramatic looking outcrop of rocks rising out of the ground a half-mile due west of Bray farmhouse has long been known as the rocks of the ravens: oracular birds of ill-omen in all peasant traditions, yet carrier birds of shamans in their Underworld ventures, from accounts in Russia and Scandinavia, through the Scottish highlands and into Yorkshire’s northern hills, as folklore records show. Whether such mythical figures used the Raven Stones here for such magick, we have no firm accounts; but the existence of the many cup-markings on this particular rock (and others in the outcrop) show that animistic traditions of some form or another occurred here in prehistoric times at the very least.
Looking across the stoneLooking down on the cups (after QDanT)
Records of this place as an archaeological spot are scant indeed. It is passed with barely a mention by those Victorian antiquarian giants, Bogg, Grainge and Speight. The rock art students Boughey & Vickerman (2003) give the wrong grid reference here, but added the site to their inventory, saying only that it is “long, low, exposed bedrock. 22-25 cups; some very weathered and smooth.” A series of channels runs down the slope of the stone, but there are probably natural. However, a cup-and-line does occur on the eastern side of the carving.
References:
Armstrong, Edward A., The Folklore of Birds, Collins: London 1958.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
