Slinger Stone, Rivock, Silsden, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 07540 44730

Getting Here

The Slinger Stone carving

A real pain-in-the-arse to find this one, and even describing how to get there is troublesome—but I’ll try my best!  I think the best starting point would be from the track that runs through Rivock plantation.  Follow directions to reach the Ripple Stone carving, then walk 35-40 yards east to the ornate multiple-ringed stones of Rivock (067) and company.  Now comes the tricky bit.  From here walk, zigzag fashion (it’s the only way y’ can do it!) up the slope ever-so-slightly east of due south until you reach the top of the slope, where the land levels out.  If you walked in a dead straight line from the triple-ringed Rivock (66) carving, it is almost bang on 100 yards. Anyhow, now you’re on top of the slope, zigzag about and look for the large flat oval-shaped stone.  Take your time—you’re gonna need it!

Archaeology & History

Section of carving

Laid amongst the dense mass of cheap crappy pine trees that plagues some of our upland countryside depriving the land of necessary nutrients for animals, flowers and other trees, this impressive multiple cup-and-ringed marked rock lies sleeping.  It was rediscovered in 2017 by local hunter Chris Slinger during one of his many ventures through the undergrowth.  I’m informed that one of his compatriots reckons that he already knew about it some forty years prior to Chris claiming it—but as yet we have no way of knowing that for sure, so the name of the carving goes to Mr Slinger.  And it’s a beauty—one helluva beauty!

Main line & ring cluster
Scattered mass of rings

This large, flat, ovoid-shaped stone, roughly 10 feet by 7 feet across, is virtually covered from head to foot in large and not-so-large cup-and-rings at varying levels of erosion.  The carving appears to have been partitioned, so to speak, into two sections that are clearly defined by a carved line that runs the breadth of the stone.  On the top, larger section above this main line are about 30 cup-marks, with perhaps a dozen of them having rings around them—some complete, some incomplete—scattered about in the usual non-linear manner.  One or two of the cup-and-rings may have double-rings, but due to dark conditions in here none of us could be sure.  On one visit, a local lady (Liz of Fell Edge if I remember rightly) noticed that the largest cluster of cup-and-rings near one quarter of the stone seemed to be arranged in a similar form to the Swastika Stone, 1.9 miles northeast of here!

Main line, cups & rings
Cluster of cup & rings

On the lower smaller section of the carving, beneath the main line if you like, there’s not quite as much going on.  At least twelve cup-marks are apparent here, at least five of which have rings around them.  The main little bunch of these are pushed right up against the long carved line, seemingly communicating with other rings on the top-side of it. In some photos it looks as if, in this section of the stone, carved lines link the cup-and-rings on each side of the main dividing line (if y’ get mi drift).  There’s a lot going on here.  It’s a pretty complex carving as you can see: one of the best in the Rivock cluster and one that I’d like to spend more time with, if only to get a complete picture of what the carving looks like in full as we’ve not yet got to the outer edges of the stone itself, meaning that there may be more of it beneath the vegetation.

Stone-fondler Koot
Stone-fondler Sean

I was hoping to get some much better photos of this site and clear back more of the covering foliage, but as the carving is now all but covered in dense forestry, we may have seen the last of it for a few decades.  Even worse, there’s the great possibility that the carving will be destroyed when the forestry lads come to cut down the trees—through no fault of their own—as they’ll have no idea that it’s directly beneath their machinery.  It would be good if some local volunteers could perhaps completely clear and protect this stone to avert such a likely disaster a few decades from now.  A small metal fence with a little notice-board would do the trick!

Acknowledgements:  Firstly, to Chris Slinger for rediscovering the carving; then to the modern stone-fondlers Rod ‘Koot’ Chambers and Sean Dillon for beginning the cleaning process, and for their photographs in this site profile; and then to Sarah Walker, Sarah Jackson and Marianna, for helping to bring the entire stone into view.

© Paul BennettThe Northern Antiquarian

Tormain Hill (4), Ratho, Midlothian

Cup-Marked Stone:  OS Grid Reference – NT 12907 69674

Also Known as:

  1. Bonnington Mains
  2. Tormain ‘D’ (Allen 1882)

Getting Here

Tormain (4) stone

Take the same directions as if you’re visiting the impressive Tormain (1) carving. About ten yards before you reach it, just at the top of the hill itself, almost the first flat stone you come across is the one you’re after.  You’ll find it easily enough.

Archaeology & History

This is a notable design by virtue of the Ordnance survey lads marking it with an unusually large benchmark, utilizing at least one of the prehistoric cup-marks on their much more modern symbol.  You can clearly see it in all the photos.  The stone itself may have had a section of it cut or split from a once larger piece, probably in the 19th century when a lot of quarrying was being undertaken round here.

This carving was first described, albeit briefly, in John Smith’s (1874) piece on the nearby Witch’s Stone, where he told:

Allen’s 1882 sketch

“there is a group of three cup-like hollows near the highest summit of the hill; this last has, however, been altered in our own day by the officials of the Government Ordnance Survey combining them into one figure, by drawing from cup to cup their well-known and characteristic mark of the Queen’s ‘broad arrow.’”

To be honest, there’s not much more that can be said of it.  A few years later when Romilly Allen (1882) surveyed all the Tormain stones, he simply wrote that,

“Stone D…lies 30 feet from stone A, and is the most northerly of the group; it is also the highest as regards level, and has an Ordnance bench mark cut on it…  Round the bench mark will be found four cups, varying in diameter from 1 to 2½ inches.”

Not all of the cup-marks on this stone are prehistoric, as is obvious when you look at them close-up.  Two, perhaps three of them are OK, with at least one of those that are attached to the Ordnance Survey mark widened and deepened when they came here in the 19th century.

References:

  1. Allen, J. Romilly, “Notes on some Undescribed Stones with Cup Markings in Scotland,” in Proceedings of the Society of Antiquaries Scotland, volume 16, 1882.
  2. Morris, Ronald W.B., “The Cup-and-Ring and Similar Early Sculptures of Scotland; Part 2 – The Rest of Scotland except Kintyre,” in Transactions of the Ancient Monuments Society, volume 16, 1969.
  3. Morris, Ronald W.B., “The Cup-and-Ring Marks and Similar Sculptures of Scotland: A Survey of the Southern Counties – part 2,” in Proceedings of the Society of Antiquaries, Scotland, volume 100, 1969.
  4. Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
  5. Royal Commission Ancient & Historical Monuments of Scotland, Inventory of Monuments and Constructions in the Counties of Midlothian and West Lothian, HMSO: Edinburgh 1929.
  6. Smith, John Alexander, “Notes of Rock Sculpturings of Cups and Concentric Rings, and ‘The Witch’s Stone’ on Tormain Hill; also of some Early Remains on the Kaimes Hill, near Ratho, Edinburghshire,” in Proceedings of the Society of Antiquaries Scotland, volume 10, 1874.

© Paul BennettThe Northern Antiquarian

Tormain Hill (7), Ratho, Midlothian

Cup-Marked Stone:  OS Grid Reference – NT 12905 69666

Also Known as:

  1. Tormain ‘G’ (Allen 1882)

Archaeology & History

Cup-mark at the top

Two or three yards from the impressive Tormain (1) carving you’ll see this elongated stone, cracked into three separate pieces.  Its sloping southeastern section is possessed of a single cup-marking, an inch or two across, which, if you found it anywhere else, you’d just shrug your shoulders and walk on by.  It’s only due to this stones proximity to the more impressive carvings that it’s received any attention (ordinarily I wouldn’t even have added this to the database).  It was first noticed when Romilly Allen (1882) visited the area.  The Royal Commission’s (1929) survey of Tormain Hill mentioned “a single cup on one boulder,” but didn’t specify which of the three examples up here they were referring to.

References:

  1. Allen, J. Romilly, “Notes on some Undescribed Stones with Cup Markings in Scotland,” in Proceedings of the Society of Antiquaries Scotland, volume 16, 1882.
  2. Royal Commission Ancient & Historical Monuments of Scotland, Inventory of Monuments and Constructions in the Counties of Midlothian and West Lothian, HMSO: Edinburgh 1929.

© Paul BennettThe Northern Antiquarian

Tormain Hill (6), Ratho, Midlothian

Cup-Marked Stone (dubious):  OS Grid Reference – NT 12908 69669

Also Known as:

  1. Tormain ‘F’ (Allen 1882)

Archaeology & History

Tormain 6 (left of centre)

On the small rock right next to the plain Tormain (7) cup-marking is this, the least impressive and least likely candidate as an authentic cup-marked stone.  Its existence was first added to the Tormain Hill cluster by Romilly Allen (1882) following his visit here.  The carving has been maintained as the real deal, even by the Scottish Rock Art Project, but I have severe doubts as to the archaic nature of this marking.  It seems to be geophysical in nature and there are innumerable marks such as the one found here that I’ve dismissed on my countless petroglyphic excursions over the years.  I’d like to be wrong though. (the “carving” is so unimpressive that I didn’t even waste time taking a decent photo of it —so my apologies to those who wanted greater image clarity)  When the Royal Commission (1929) surveyed Tormain Hill, they mentioned “a single cup on one boulder,” but gave no indication which of the three single cup-marked stones they meant.

References:

  1. Allen, J. Romilly, “Notes on some Undescribed Stones with Cup Markings in Scotland,” in Proceedings of the Society of Antiquaries Scotland, volume 16, 1882.
  2. Royal Commission Ancient & Historical Monuments of Scotland, Inventory of Monuments and Constructions in the Counties of Midlothian and West Lothian, HMSO: Edinburgh 1929.

© Paul BennettThe Northern Antiquarian

Tormain Hill (3), Ratho, Midlothian

Cup-Marked Stone:  OS Grid Reference – NT 12906 69669 

Also Known as:

  1. Bonnington Mains
  2. Tormain Bullaun
  3. Tormain ‘C’ (Allen 1882)

Getting Here

Follow the same directions to get to the Tormain (1) carving, but take a few steps backwards from it and it’s on a small flat earthfast stone to your right (west).  You’ll see it.

Archaeology & History

Tormain bullaun stone

Just a stride or so away (north) from the dubious Tormain (2) cup-marking we find a much more likely prehistoric contender in front of us.  It’s notably different from the others on the hill in that it possesses a very large wide and deep ‘cup mark’ which, if it was found in Ireland, would undoubtedly be classed as a bullaun stone.  That was the first thing I exclaimed to myself when I clapped eyes on it!  A bullaun can be a man-made or natural hollow or basin cut into outcropping rock, boulders or small portable stones and used for various pragmatic and ritual purposes – many with traditions and folklore attached.  Sadly, no such folklore is remembered here.

There are four other smaller standard sized cup-marks, at various distances from the primary bullaun, one of which may be Nature’s handiwork.  They were illustrated by the great Romilly Allen (1882) when he first wrote about the carving.  One of the cups may have a faint carved line running from it, but this would require the attention of the computer imagery dudes to confirm or deny this.  It wasn’t seen by Allen, who simply said of it:

“The carvings on it consist of a bowl-shaped depression, 6 inches in diameter and 2 inches deep, and four cups near it varying in diameter from 1 to 1½ inches.”

Tormain 3 carving
Tormain 3 (with 1, 2 & 7 marked)

The fact that bullauns possess a number of practical uses implies the large ‘bowl’ may have been used in a pragmatic sense for something, with the proximity of the impressive Tormain (1) carving just yards away almost appealing for ceremonial association of one form or another.  We find similar bullaun/petroglyph associations at a number of other recognized rock art sites: the Mixing Stone in North Yorkshire being just one example.  Large bowl-shaped hollows have been used in some cultures like mortar and pestles to macerate herbs, used in medicines and paints, both of which may have been applicable here.

References:

  1. Allen, J. Romilly, “Notes on some Undescribed Stones with Cup Markings in Scotland,” in Proceedings of the Society of Antiquaries Scotland, volume 16, 1882.

© Paul BennettThe Northern Antiquarian

Tormain Hill (1), Ratho, Midlothian

Cup-and-Ring Stone:  OS Grid Reference – NT 12910 69668

Also Known as:

  1. Tormain ‘A’ (Allen 1882)

Getting Here

Tormain Hill (1) carving

Best approached from Ratho village, head up Main Street towards Bonnington Mains.  Shortly after the last road in the village (Halicroft Park, on the right) a small line of trees appears on the left and about 250 yards on a footpath takes you therein.  Follow this for 250 yards (it runs parallel to the road) and the path then slopes uphill alongside the field.  Go all the way to the top (roughly 500 yards) where the small copse of trees crowns the summit.  On the ground there are a number of both small and medium-sized flat earthfast stones.  You need to walk to the one at the end, just where the hill begins to slope back down.  You’ll find it!

Archaeology & History

Tormain Hill, or the hill of stones (Harris 1996), has an interesting cluster of petroglyphs on its top, with this one in particular being the most impressive.  It’s the southernmost stone in what’s been designated as a cluster of eight carvings—although we need to be slightly sceptical of one or two of them.  Not this one though!

Regarded by Ron Morris (1981) as being “one of the best cup-and-ring designs in Scotland”, it was first mentioned by John Smith (1874) who visited the site with the local farmer James Melvin, who’d discovered the carving some years earlier.  Initially he only noticed cup-markings, but when he visited the place with the pioneering rock art researcher Sir James Simpson, upon “removing the shallow soil or turf from the rock on the summit of Tormain Hill” this impressive multiple-ringed design came to light: “one cup (and) four concentric circles .”

A few years later another rock art pioneer, J. Romilly Allen (1882) visited Tormain and found quite a bit more upon this hill.  This particular carving, he told,

Allen’s 1882 sketch
Tormain ‘A’ site (Allen 1882)

“is much the finest and most remarkable in every way. It is the most southerly of the whole group, and is a piece of natural rock projecting from the side of the hill about 9 inches above the turf, and measures 4 feet 3 inches long by 2 feet 3 inches wide. Its upper surface is flat, of oval shape, and slopes slightly towards the hill.  It is intersected by two parallel cracks of natural formation. The sculptures consist of twenty cups varying in diameter from three quarters of an inch to 2 inches in diameter. Seven of the cups are surrounded by a single ring, and one by four concentric circles. These latter are not complete, but form loops round terminal cups. Three of the cups with single rings are arranged in the form of a triangle. In addition to the cups and rings are two long grooves, one cutting off the corner of the stone, and the other parallel to one of the natural cracks.”

Beckensall’s 1986 version

More then forty years later the Royal Commission (1929) dudes visited the Tormain stones.  It had become so overgrown by then that only two of the eight carved stones were visible: “but a search beneath the turf revealed the other sculpturings,” they told.  It would seem that they chose a bit of a grey day when they came here as they told how the carving appeared “so much worn that the concentric rings are, in particular, difficult to follow.”  So they did a rubbing of the stone—a common practice of rock art students over the last century or two.  In doing so they were able to discern the following:

“The boulder is fractured in two places by natural agencies, but it shows traces of twenty cup-marks, varying from little more than half-an-inch to fully two inches in diameter, and there are two separate gutters.  Seven at least of the cups are surrounded by single rings, and in two instances the rings are connected by shallow gutters to simple cup-marks.  The largest cup-mark on the stone is encircled by one complete ring with three additional concentric arcs linking up four of the other rings.  Another group consists of three cups, each surrounded by a ring, which are closely set in the form of a triangle, with three other smaller cup-marks in close proximity.”

Impressive stuff!  In more recent times the site has gained the attention of fellow rock art explorers like Kaledon Naddair, Stan Beckensall and others—but we’re still none the wiser what it means!

Its position in the landscape was probably an important element.  Pinus sylvestris (the ley-hunter’s favourite tree) grows spaciously, as it is wont, atop of the hill and, in bygone centuries, would have been much more prevalent before farming enveloped the land hereabouts. It was likely clear of trees on top of Tormain when the stone was carved, giving uninterrupted 360° views of the hills, high and low, as far as the eye can see.  The legendary prehistoric Cairnpapple Hill stood out due west from the carving and other notable hilltops in the Pentlands would have had mythic relevance.  Sadly, all oral tradition has long long faded and so whatever narratives that were told here have long ago been lost.  It strikes me as a tribal gathering place: a moot hill perhaps.  The bullaun stone adjacent to this fine carving would be a receptacle for paints, herbs, elixirs to be macerated and used by the people….

Check it out.  Have a feel of the place.  But spend a few hours here and listen to the wind…

References:

  1. Allen, J. Romilly, “Notes on some Undescribed Stones with Cup Markings in Scotland,” in Proceedings of the Society of Antiquaries Scotland, volume 16, 1882.
  2. Beckensall, Stan, Rock Carvings of Northern Britain, Shire: Princess Risborough 1986.
  3. Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
  4. Feachem, Richard, Guide to Prehistoric Scotland, Batsford 1977.
  5. Hadingham Evan, Ancient Carvings in Britain: A Mystery, Garnstone: London 1974.
  6. Harris, Stuart, The Place-Names of Edinburgh: Their Origins and History, Gordon Wright: Edinburgh 1996.
  7. MacLean, Adam, The Standing Stones of the Lothians, Megalithic Research Publications: Edinburgh 1977.
  8. Morris, Ronald W.B., “The Cup-and-Ring and Similar Early Sculptures of Scotland; Part 2 – The Rest of Scotland except Kintyre,” in Transactions of the Ancient Monuments Society, volume 16, 1969.
  9. Morris, Ronald W.B., “The Cup-and-Ring Marks and Similar Sculptures of Scotland: A Survey of the Southern Counties – part 2,” in Proceedings of the Society of Antiquaries, Scotland, volume 100, 1969.
  10. Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
  11. Royal Commission Ancient & Historical Monuments of Scotland, Inventory of Monuments and Constructions in the Counties of Midlothian and West Lothian, HMSO: Edinburgh 1929.
  12. Smith, John Alexander, “Notes of Rock Sculpturings of Cups and Concentric Rings, and ‘The Witch’s Stone’ on Tormain Hill; also of some Early Remains on the Kaimes Hill, near Ratho, Edinburghshire,” in Proceedings of the Society of Antiquaries Scotland, volume 10, 1874.

© Paul BennettThe Northern Antiquarian

Tormain Hill (2), Ratho, Midlothian

Cup-Marked Stone:  OS Grid Reference – NT 12907 69668 

Also Known as:

  1. Tormain B (Allen 1882)

Archaeology & History

Found just a few strides away from the most impressive cup-and-ring stone at Tormain, is this quite un-impressive example and can easily be ignored.  This simple cup-marked stone, first mentioned in Romilly Allen’s (1882) survey as “Stone B”,

“…lies 10 feet 3 inches to the north of stone A, and measures 4 feet by 2 feet 3 inches.  It has a single cup cut on it.”

Tormain 2 “carving”
Tormain 2 “carving”

Despite this being included in archaeological surveys as prehistoric, I’m unsure regarding the archaic authenticity of this single cup-mark and wonder whether it was just the result of idle dabblings by one of the quarrymen here in the 19th century.  The lack of erosion leads me to suspect this.  It has the appearance of cup-marks that have been carved by students at several different places in Britain (South Yorkshire, West Yorkshire, Perthshire, Renfrewshire, etc) over the last forty years.  I’m quite happy to be wrong though!  When the Royal Commission  (1929) survey mentioned “a single cup on one boulder,” this may have been the one they were referring to.

References:

  1. Allen, J. Romilly, “Notes on some Undescribed Stones with Cup Markings in Scotland,” in Proceedings of the Society of Antiquaries Scotland, volume 16, 1882.
  2. Royal Commission Ancient & Historical Monuments of Scotland, Inventory of Monuments and Constructions in the Counties of Midlothian and West Lothian, HMSO: Edinburgh 1929.

© Paul BennettThe Northern Antiquarian

Castleton (4d), Cowie, Stirlingshire

Cup-and-Ring Stone:  OS Grid Reference – NS 85538 88150

Getting Here

The Castleton (4d) carving

If you start from the Castleton (2) carving, in the first small birch copse closest to the road, walk to its southeast side where there’s a small break before the next small birch copse begins which runs along the raised rocky crag to the southeast.  Walk along the back lower east-side of these birches for about 100 yards until you reach a break in the copse (the next lot of trees are another 30-40 yards further on) and from here walk up the slope onto the first flat piece of rock on the crag itself.  Zigzag hereabouts until you’re about two or three yards from the edge.

Archaeology & History

Single cup-and-ring

Once this rock surface is covered again by Nature’s carpet, you’ll struggle to find it.  Unlike many of its more ornate neighbours, this seems to be a lonely solitary cup-and-ring design, cut near the edge of a large level piece of otherwise blank rock.  Numerous geological nicks and scratches scatter the same surface, but the carved element is easy enough to see, as the photos here show.  It was rediscovered in the 1980s by Morris & van Hoek (1986) who described it simply as “a single cup and one ring, 8cm in diameter on horizontal rock.”  There may well be additional elements to this design beneath the soil.

References:

  1. Morris, Ronald W.B. & van Hoek, Maarten, “Stirling District: Castleton 4d; Castleton 5e,” in Discovery & Excavation, Scotland, 1986.

Acknowledgments:  Massive thanks to Thomas Cleland for helping to make this site visible again.

© Paul BennettThe Northern Antiquarian

Castleton (7e), Cowie, Stirlingshire

Cup-and-Ring Stone:  OS Grid Reference – NS 85516 88205

Getting Here

Tom Cleland’s new find

Start from the Castleton (2) carving, in the first small birch copse closest to the road and walk to its southeast side where there’s a small break in the trees before the next small birch copse begins, which runs along the raised rocky crag to the southeast.  Walk to the front or western side of the trees there and along the very edge of the low crag.  About thirty yards along, right on the edge of where the rocks begin, look for the smooth sloping earthfast boulder (about 20 yards before the mighty nine-ringer of Castleton 7).  Rummage around and you’ll find it.

Archaeology & History

Castleton (7e) carving

This newly recorded petroglyph was rediscovered by Thomas Cleland on August 6, 2025.  Initially it was thought to consist of just a single cup-and-ring with an opening from which a carved line ran outwards; but, once wet, there seemed to be the beginning of an outer second-ring on its left-side.  You can see it clearly in the photos.  And, the more we looked, the more it seemed there were one or two other very faded elements.

Above the main cup-and-ring is a faint, shallow cup-marking and surrounding this appears to be an incomplete dumb-bell-shaped ‘ring’ that you can only just make out in the photos.  It’s very faded and would seem to pre-date the primary design by some considerable time (unless, of course, it was merely ‘outlined’, so to speak and never completed).

Cup & ring & faint ‘bell’
Cup & ring & faint ‘bell’

Both Tom and I are convinced that there’s more to this carving than is presently visible.  The rock is covered in deeply compacted soil and it would require a lot of work to uncover the rest of it.  A job for the future maybe…..

Note to self:  This carving and all the others in the Castleton complex need to be fully re-catalogued as their indexing is haphazard through various academic tomes and websites.

Acknowledgements:  Massive thanks to Thomas Cleland for locating this carving, for the first time in millenia. 🙂

© Paul BennettThe Northern Antiquarian

Castleton (10b), Cowie, Stirlingshire

Cup-Marked Stone:  OS Grid Reference – NS 85905 88368

Getting Here

Castleton 10b cup-marks

Follow the directions as if you’re visiting the impressive multi-ringed design of the Castleton (10) carving.  Once there, walk south-east along the geological ridge for 45 yards where the small cliff drops down to the field.  Just where this drop occurs, on a lower horizontal level of the rock face (only a small section) you’ll notice two distinct “cups”.  You can’t really miss it!

Archaeology & History

This very basic cup-marked stone was, until recently, covered in dense gorse, making access to the site almost impossible.  But following a fire that happened here not too long ago, the smoldering remains needed to be cleared and, once the job was done, we were able to see the two distinct ‘cups’ that were first described in Maarten van Hoek’s (1996) survey.  But the cups that he described are, most likely, little more than Nature’s handiwork.  I’m somewhat skeptical of them as being the real deal.  In the same survey, he added another site, which are just natural bowls in the rock just over 100 yards southwest of here as being cup-marks — which they’re not!

 References:

  1. van Hoek, M.A.M.,”Prehistoric Rock Art around Castleton Farm, Airth,” in Forth Naturalist & Historian, volume 19, 1996.

© Paul BennettThe Northern Antiquarian