Another carving that might take a bitta finding. Follow the same directions for reaching the Holden Buttock Stone, going past it towards the fence 100 yards away. Go through the gate and walk along the path for a couple of hundred yards. As you walk down, you’ll eventually see the cluster of rocks amidst which lives the Dump Stone carving. This, the Rough Holden cup-and-ring, is off the path (right) before you get to them in the grasses. Look around.
Archaeology & History
Rediscovered in June 2009 by Michala Potts and I, this little stone at first only appeared to possess a few cup-markings, but the more we looked at it, the more obvious it became that one of the cups had a nice ring surrounding it. Unfortunately this didn’t come out at all well in any of the photos we took, so we need to another visit here whe the sunlight’s right to get a decent image. Aswell as that, the drawing we did of the basic design appears to be missing what looks another blatant cup-marking near the centre of the rock, which did not seem at all obvious to the naked eye when we found it. (such are the delights of assessing cup&rings!)
Rough Holden cup-marksBasic sketch of the stone
The main cluster of cups occurs on the northern-edge of the stone, where a couple of them seem linked by linear features. There are also what may be a cup or three on the vertical edge of the rock, below these cups – but this needs looking at again the better lighting. The cup-and-ring is very faint, but once noticed it become increasingly obvious that it’s there, and most of the ring can be traced with ease by running one’s finger along the groove. Mikki reckons the ring runs all the way round the cup (she’s probably right), where as I could only work it out running 75% of the way round. The line which runs off above the ring seems to link up with what looks like another obvious cup-marking on the photo. We’ll have to check it out properly next time we’re up there!
A bit troublesome this one – and the 8-figure grid-ref might be slightly astray (though only by a little). Get to the TV-mast below Rivock Edge and notice the small path going along the top of the adjacent field, over the fence, heading north-ish into the meadows — not the path into the forest. Walk on the meadow path, over the wall and notice a rise in the ground ahead of you. Go past this mound for about 75 yards and keep your eyes peeled!
Archaeology & History
Close-up of cup-markings
Named by virtue of the shape of the stone, the Keighley volunteer Michala Potts of Bracken Bank found this carving on an exploratory amble yesterday (Friday, June 12, 2009). Previously unrecorded, this carving consists merely of cup-markings — four distinct ones on the northeasterly edge of the rock, with two other ‘possibles’ thereon. The cups have been pretty well-eroded by the elements and there are few distinguishing features which will make this of any real interest, unless you’re a real rock-art freak!
Follow the same directions for reaching the Wondjina Stone. Once here, walk to the edge of the cliffs less than 10 yards away and the second largest of the rocks is the one you’re after. (the Rivock Nose [1] and [3] carvings are the rocks either side of this one)
Archaeology & History
Possible cup-markings at Rivock Edge
I’ve gotta admit, I was slightly surprised to find this carving logged in both Hedges (1986) and Boughey & Vickerman’s (2003) surveys. Although we find the distinct appearence of cup-markings near the edge of the cliff at the northwestern end of Rivock Edge, these seem a little too close to being natural to be comfortably acknowledged in archaeo-texts without notes the contrary. I took a photo of them when we were up visiting the other day, but didn’t expect them to be in the books. Not only do they include this probably natural example, they also add another two rocks found along the cliff edges (Hedges 12 & 13; B&V 45 & 47). In the event that these carvings are deemed authentic, then those along the edge of the great Kirk cliffs above Steeton must also be added to the same pot.
In the photo here you can work out perhaps nine cup-marks near the edge of the cliff, which is what the textbooks say. Make your own mind up when your next looking at the Wondjina Stone and others nearby.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Feather, Stuart, ‘Mid-Wharfedale Cup-and-Ring Markings: Nos. 7 & 8, Rivock Edge,’ in Cartwright Hall Archaeology Group Bulletin, 6:8, 1961.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Follow the same directions to reach the nearby Wondjina Stone, but as you reach the trig-point at the top of Rivock Edge, note the smooth rounded boulder 50 yards ESE. That’s it!
Archaeology & History
Named after the sea of cotton grasses, or niplets (Eriophorum angustifolium), amidst which it lives for several weeks of the year, the cups-marks that make up this design can be terribly difficult to work out even in the best of lighting. We have here a lichen-encrusted stone with perhaps as many as 25 cup-marks scattering, mainly, the top and westerly sloping face. Although some of the cups are quite noticeable, the vegetative growth and simple erosion has made an accurate visual impression of the original carving very difficult — as the images plainly tell! If I ever manage to capture the stone resting in a good mood, I’ll replace the photos I’ve got here!
Niplet Stone, looking SEBeautiful fusion of faded cups, lichen & great age…
Although I remember coming here and seeing this and the nearby carvings when I was a teenager, then a few years later on with Edna Whelan and Graeme Chappell, it seems that the first literary note of this carving after my own initial exploration was in the Ilkley Archaeology Group’s survey (Hedges 1986), where they make note of a flint that was found beside the stone. Boughey and Vickerman (2003) later include the same stone in their work, but with no additional information.
References:
Bennett, Paul, “The Prehistoric Rock Art and Megalithic Remains of Rivock & District (parts 1 & 2),” in Earth, 3-4, 1986.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
A wonderful site, though a bittova walk for city-minded folk. Head up the road from Riddlesden, Keighley, towards the southern edge of Rombalds Moor and keep going till you reach the road which surrounds the moor (called Silsden Road). At the T-junction in front of you is a path which takes you onto the fields and moor. Go over the stile and walk straight up the steepish field that follows the straight line of the forest, all the way to the top. Climb over the wall on your left when you reach the top of the tree-line, walk past the triangulation pillar for 100 yards or so till you hit the end of the walling before it drops back into the trees. The carving’s under your nose!
Archaeology & History
Rivock Edge’s ‘Wondjina’ carving
The name of this carving is based on a first impression I got of it when I came here as a young lad, still in my teens. The ‘Wondjina’ is a name given to primal aboriginal spirits whose images are etched and painted on rock surfaces in various parts of Australia (usually rock overhangs or in caves). Don’t ask me why, but that was the impression I first got of this stone — and it’s something that stays with me. Some archaeo’s won’t like the association such mythic ancestral beings may have upon people’s notions of cup-and-ring art, but they tend to be the ones who have little educational background regarding the animistic nature of rocks in traditional and peasant societies: ingredients that are integral to these ancient carvings, as research worldwide clearly shows.
The carving was first described by our old Yorkshire historian Arthur Raistrick (1936) in an early essay on Yorkshire rock carvings; and then again in a later article by Stuart Feather. (1961) The primary design is of a large single cup-and-ring at one end of the rock, with a series of seemingly unbroken lines reaching up (or perhaps moving away) from the cup-and-ring. A long central line runs through the middle of the Wondjina ‘being’, which initially seems to have been a series of cups linked by this line; though these cups (at least four of them) have eroded over time and are difficult to see without good sunlight. What seem to be several other very eroded cup-marks are also found on two of the other long lines. These can be made out in the photograph here.
Close-up of lines & cup-marks
Another carving is on the stone right next to this one (2ft away) and there are several other cup-marked stones to be found along the same ridge (carving numbers 058, 059, 060, etc). And for those of you into landscape archaeology, take the position of this carving into consideration. The view from here is quite superb and on clear days a number of prominent hills and important mythological landscape features stand out. To those of you who think such things unimportant or of little relevance in the mythography of our ancestors — you’ve a lot to learn! Otherwise, a visit to this carving and its associates is well worth a trek!
References:
Bennett, Paul, ‘The Prehistoric Rock Art and Megalithic Remains of Rivock & District (2 parts),’ in Earth, 3-4, 1986.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Feather, Stuart, ‘Mid-Wharfedale Cup-and-Ring Markings: Nos. 7 & 8, Rivock Edge,’ in Cartwright Hall Archaeology Group Bulletin, 6:8, 1961.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Raistrick, Arthur, “‘Cup-and-Ring’ Marked Rocks of West Yorkshire,’ in Yorkshire Archaeology Journal, 32, 1936.
From East Riddlesden, go up the road (over the swing-bridge) that takes you onto the moor-edge (ask a local if you have trouble). Go all the way up till you hit the road which encircles the moor (it’s called the Silsden Road where you hit it). Turn left for several hundred yards till you see the microwave tower just on the hillock to your right on Pinfold Hill (not the larger TV towers just below the forest). Walk up there, then follow the edge of the walling till you hit the old Pinus sylvestris trees of Robin Hood’s Wood where 2 walls meet. Go over the gate and walk to your right for about 200 yards, following the line of the walling. You’re there!
Archaeology & History
Cluster of cups on western edge
A newly-discovered cup-marked stone, located for the first time on Tuesday, June 9, 2009, by Michala Potts, who was out on an amble with some long-haired halfwit whizzing about getting excited about stupid cup-markings on stones, dragging her back and forth and leaving her in the middle of a bog! On one occasion when this ‘ere fruitbat wandered off (again!), leaving her alone in the middle of the hills, she decided to check out some rocks a bit further up the slope where she’d been left alone. And there, along the edge of some walling, right on the edge of the much-denuded Robin Hood’s Wood, a short distance west of Rivock, a curious stone popped out and caught her attention!
Was this a cup-marking she saw before her!? It certainly was! But she didn’t call out to this halfwit who’d left her to her own devices. She let him just wander off to his sad heart’s content, whilst she got into the nitty-gritty of checking the stone out, uncovering the essentials of the carving while he bimbled off like a freak! And what a nice carving it was she found…
Baldwin Stone – looking westFirst sketch of the stone
Although no accurate measurements were made of the stone (it was bigger than 10-inch!), at least 17 cup-markings were counted here: one singular and very well-preserved cup, alone on its southern edge, right by the walling. But the main feature of the design is a cluster of cup-marks (at least 11) on the western side of the rock — one part of this cluster having the appearance of the figure 5 on a dice! Several other well-defined cups occur on the central and more northern end of the rock.
Eventually, her sad stone-wandering fella returned, forlorn, having found no new carvings of his own (poor soul!). And so she took his poor little hand, and took him to see the little prehistoric treasure she’s uncovered — and her sad little man got all smiley and … well, you know what they’re like!
Additionally however, for the archaeo’s amongst you: if you come wandering up here to check this carving out, you’ll notice the remains of many large upright stones in a lot of the old stone walls round here. Many of these are the remains of Iron Age walling.
Go up the long winding Ilkley-Langbar country moorland road. A coupla miles along there’s a sharp bend in the road, left, with a dirt-track here that takes you onto the moors. Walk up here to the shooting house just east of Black Hill in the Middleton Moor enclosure and, once there, walk up the steepish slope to the left (west). Once on the level, head to the wall and about halfway along, look around. If the heather’s long and deep you’ll be lucky to find it. Good luck!
Archaeology & History
Photo by Richard StroudSketch of the carving
The carving was first discovered by Richard Stroud and I in April, 2005, amidst one of several exploratory outings to records known sites and, aswell, to keep our eyes peeled in the hope that we might find some new ones! This was the first we came across; but when we found it, just one faint cup seemed noticeable on the southern edge of the small rounded stone; but after fifteen minutes of carefully rolling back the vegetation, this very well-preserved carving was eventually unveiled before us. It’s in quite excellent condition! The most notable part of the design are the two deep cup-markings, with the topmost cup looking half-surrounded by smaller cups on its southern edge.
There is also a well-preserved, though overgrown burial cairn (probably for one person) just a few yards west of this stone. This is just about impossible to see unless the heather’s been burnt back.
Cursus (destroyed): OS Grid Reference – TF 125 078
Archaeology & History
Much of this site has unfortunately been completely destroyed. Thought by Colin Burgess (2001) to be one of the earliest cursus monuments, it was Paul Devereux (1989) who gave the clearest early description of this site,* telling:
“This site is to be found…between the village of Maxey and the River Welland, south of Market Deeping. When discovered by aerial photography the cursus was already partially destroyed… The northwest segment ‘starts’ almost on the banks of the Welland and goes southeast on a straight course to an obliterated point where a change of alignment occurred, and the cursus continues in a different direction. The total known length is 1930 yards (1.77km), and the width averages 190 feet (58 metres). The ditches themselves display subtly different orientations, but are in straight sections. The investigations of F. Pryor suggests that the northwest length of the cursus was constructed long after the southeast portion, when the latter’s ditches had become silted up (banks do not seem to have been present). The southernmost ditch of the southeastern section bisects two circular sites. Site A is particularly interesting. It occurs just east of the…change in direction, or junction of the two cursuses if such was the case.”
And such is the case, as recent discoveries have found. But before this was known for sure, Devereux wrote, that “a segment of cursus ditch emerges from this vaguely henge-like site, 450 feet in diameter, in the direction of the nearby church” of St. Peter.
The “henge-like site” described here has been defined by Oswald, Dyer and Barber (2001) as one of the enigmatic ’causewayed enclosure’ monuments – out of which emerges the other seperate alignment, the Etton Cursus, heading southeast.
References:
Burgess, Colin, The Age of Stonehenge, Phoenix: London 2001.
Loveday, Colin, Inscribed Across the Landscape, Tempus: Stroud 2006.
Oswald, A., Dyer, C. & Barber, M., The Creation of Monuments, EH: Swindon 2001.
Pennick, N. & Devereux. P., Lines on the Landscape, Hale: London 1989.
Pryor, Francis, Britain BC, Harper-Collins: London 2003.
* The OS-reference for this site is of the northwestern end of the cursus. The southeastern terminal is at TF139063.
Although very little of this cursus can be discerned on the ground, the scar of the monument is clearly visible from the air (as the GoogleEarth image shows, below). In 1989 the great archaeo-geomancer, Paul Devereux, visited the place hoping to see the monument, but said that no remains were visible at ground level, although noted how its western end is marked by the Long Bredy burial mound. Sitting amidst a mass of later neolithic and Bronze Age ceremonial remains, this old cursus aligned SE to NW. Devereux told how,
“the extended axis of the cursus…to the east, goes through a group of round barrows on the crest of a ridge on Black Down about a mile away. If diagrammatic material published by an investigating archaeologist is accurate, the alignment continues to the Nine Stones circle…immediately by the roadside a short distance west of Winterbourne Abbas.”
The monument has been measured at be at least 130 yards (100m) long and 28 yards in diameter at its greatest point.
References:
Pennick, Nigel & Devereux, Paul, Lines on the Landscape, Robert Hale: London 1989.
We were fortunate & taken here by the renowned local megalith authority, Pete Glastonbury – but without Pete’s help you might be ambling here & there for quite a while. It’s on the eastern side of The Ridgeway, down the slope past the stone known as The Polisher, across the flatland sea of many rocks until it begins rising again a few hundred yards east. Where a long straight embankment rises up a few feet (a boundary line), the rock’s just a few yards above it. Walk around!
Archaeology & History
Lacaille’s 1962 sketch of the Fyfield carving
Archaeologist A.D. Lacaille (1962) appears to have been the first person to have written about this little-known site, describing it as being “between the south-western corner of Totterdown Wood and Delling Cottage.” Here is what he described as,
“a cluster of unmistakably artificial and mostly well-preserved cup-markings on the smooth south-easterly sloping surface of a recumbent sarsen.”
And from the photos accompanying Lacaille’s article, it obviously looked a decent carving as well — and so it has transpired. Lacaille (1963) briefly mentioned the carving again a year later in his lengthier essay on the nearby Polisher Stone up the slope a few hundred yards away. But then Wiltshire’s only known cup-marked stone was all-but ignored by archaeologists and left in the literary wilderness until, years later when rock art became a fad in such circles, regional archaeologists Pete Fowler & Ian Blackwell (1998) described the carving as “a cluster of several round depressions…each about two inches across”; though incorrectly ascribed it as the “southernmost example” of cup-marked stones outside of Cornwall.¹ Another rock-art student known as Mr Hobson, following his excursion to the site with the regional authority Pete Glastonbury, wrote:
“The cups themselves are very smoothed out, and fit the bill from the drawing. The horseshoe is very evident, as is the ‘slug’ mark, possibly a half-finished groove from one of the cups near the horseshoe. There are also some angular, yet serpentine (?) grooves at turf level on the south side of the stone. These look like they might be enhanced natural marks in places.”
The rock itself isn’t in its original position, having been moved from another point very close by (probably only yards away). It is sited on the edge of an old boundary line — which made me wonder whether the ‘U’- or ‘C’-shaped ingredient in the carving was a later addition, perhaps of one of the old land-owners hereabouts. The cups however, seem typical of the thousands that we find in northern Britain.
The isolation of this carving is rather anomalous. Others should be in the area but archaeo-records are silent (though the majority of Wessex archaeologists are academically illiterate when it comes to identifying such carvings). The carving may simply be the product of nomadic northerners, showing what their tribes do ‘up North’, so to speak. However, considering the tough nature of southern sarsen stones, it’d have taken ages to etch just this one stone. You can visualise it quite easily: southern tribal folk looking on, somewhat perplexed, as a northern traveller tried to convey what they etch on their stones in the northern lands, only to struggle like hell with cup-marks they’d do with ease on the softer rocks of their homelands. Wessex tribes-folk may have watched, seen the trouble their traveller had over such inane and (perhaps) meaningless carvings, and didn’t see the mythic point s/he was trying to convey…
Curious ‘U’ or ‘C’-shaped feature
Or maybe not!
The lesson with rock-art tends to be simple: where there’s one carving, others are nearby. The rule aint 100% of course — but when we were here the other day I was wanting to dart here, there and everywhere to check the many thousands of outcrop rocks that scatter this entire area. Us rock-art nuts tend to do things like that. It’s a madness that afflicts…
There were one or two stones with ‘possible’ single cup-markings on them, but I wasn’t going to start adding them to any catalogues. They were far too questionable. I was wanting something a bit more decent than that. And then, when Mikki, June, Pete, Geoff and I got to the collapsed long barrow known as the Devil’s Den a few hundred yards further down this rock-strewn sea of a valley, there was something with a bit more potential that we came across…
Folklore
In recent years this cup-marked stone has already attracted imaginative notions, with little foundation. Archaeologists Fowler & Blackwell (1998), in their otherwise fine book, think this carving was related to goddess worship, describing how,
“On Dillion Down…the Great Mother’s help was permanently invoked by patiently indenting a special stone with symbols of her potency.”
Adding that this “was a new idea brought in from the North, and Fyfield was the only place to have such a stone.” Weird! I could’ve sworn there were plenty of other rocks between here and there!
References:
Fowler, Peter J., Landscape Plotted and Pieced: Landscape History and Local Archaeology in Fyfield and Overton, Society of Antiquaries London 2000.
Fowler, Peter & Blackwell, Ian, The Landscape of Lettice Sweetapple, Tempus: Stroud 1998.
Lacaille, A.D., ‘A Cup-Marked Sarsen near Marlborough, Wiltshire,’ in Archaeological Newsletter 7:6, 1962.
¹ Along with the cup-markings atop of Devil’s Den a few hundred yards to the south, across in Somerset we had the Pool Farm example; there are a number of examples in Dorset, including the Badbury Rings carving; plus others in Devon, etc.
