Start at the Askwith Moor parking spot on Askwith Moor Road, then walk down the road (south) 300 yards till you reach the gate and track on the other side of the road, heading southeast. Following the track onto the moor and take the footpath on your right after 75 yards. Follow this along until you hit the gate & fence. Climb over this, then follow the same fence along (left) and down, and keep following the fence and walling all the way on until you reach the very bottom southwestern edge of Askwith Moor itself. Now, walk up the slope to your right and, near the top of this rise 200 yards or so away are 2 or 3 rocks close to each other. You’re here!
Archaeology & History
On the small, unnamed hill at the very far southwestern edge of Askwith Moor, within the unrecorded Lower Lanshaw enclosure is this previously unrecorded cup-marked stone that has been found thanks to further heather burning operations hereby. But it’s nowt much to shout about if you’re after big colourful designs. This is merely one of the many single cup-marked rocks scattering the Yorkshire uplands. The large pecked cup, nearly 2 inches in diameter, is found on the lower eastern end of a long, sloping stone. Along the same ridge are also faint remains of ancient walling.
A very faint cup-and-ring stone can be found just over the brow of the hill from here, about 30 yards northeast (at SE 16059 50875) in the northeastern edge of the Bronze Age enclosure walling.
Dead easy this. From Otley, take the north road over the River Wharfe and turn left following the signs to Askwith, where you’ll hit Weston village first. Once here, take the small left turn down to Weston Hall and the accompanying church. Go into the churchyard and check the graves!
Archaeology & History
This is a real curiosity. It’s found in the graveyard of All Saints church, Weston, where one of the graves has several small stones on it, with this small stone with the following cup-and-ring designs upon it. A plaque has been attached to it as a memorial to one ‘Susan Mary Dawson’. Strange…
Sid Jackson’s 1958 sketchCup-marked stone deliberately placed on a christian grave
It was first written about by Sidney Jackson (1957), but where it first came from and why it has been placed here in a christian setting is something of a mystery. It’s also odd inasmuch as although we know that there was some form of ritual or geomantic use of cup-and-rings in relation to neolithic and Bronze Age burials — that such a tradition has been performed by this particular family on this grave. It is obviously highly unlikely that this family had any knowledge whatsoever of burial traditions in relation to cup-and-ring art (please, shoot me down in flames if you know otherwise), so this re-use of this prehistoric stone is likely to be little other than fortuitous. But then, the occult history of some of the influential families in and around this region in relation to witchcraft, ancient kingship and esoteric practices, might indicate otherwise…
Does anyone know anything about the Dawson family history which might throw light on this modern use of a prehistoric tomb marker? It has all the hallmarks of once coming from a prehistoric cairn, but we know little of its history prior to 1957.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Jackson, Sidney, ‘Cup-and-Ring Boulder, Weston Churchyard,’ in Cartwright Hall Archaeology Group Bulletin, 2:16, 1957.
Nice n’ easy. Get to the Haystack Rock and walk on the path west (past the Three Cups Stone) and where the path swings round following the edge of the small Backstone valley, keep going for 150 yards or so. Keep your eyes out for the remains of walling in the Green Crag Settlement on your left. This flat stone is amidst the heather in and amongst the enclosure (hence the name). If you walk back and forth hereabouts for a short period, checking for flat stones amidst the heather about 20 yards off the path, you’ll find it!
Archaeology & History
Top-left section of CR-288
This is another one of those carvings which had been seen by a number of people, bimbling about across this part of the moor, before it saw the literary light of day in Hedges Carved Rocks book (1986). It’s a nicely-preserved design, usually covered over by much heather growth, but is worth the exploration if you like your cup&rings. The drawing of this stone however (in both Hedges and Boughey & Vickerman) does not convey the actuality of the carving, as we can see here. But that’s the case with many cup-and-rings: linear precision and the artisty of the carving are two very different things. As we can see here, one section of the stone has a defined ‘enclosure’ of cups etched upon the rock surface: something that is clearly missed in the archaeologist’s drawing. Check it out y’self and see what you think!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Follow the same directions for getting to the Idol Stone, then walk just 30 yards further up the path and it’s the big rock on your left-hand side. Y’ can’t miss it!
Archaeology & History
Main section of cup-marks
This nice big boulder can be quite a temperamental chap, depending on how the light plays with the rock surface. I’ve got some photos of this old stone where you can see next to nowt on it; where as others show clearly aspects of the design that aren’t on the archaeo-images. But such is the nature of cup-and-rings I s’ppose!
Unlike its rather linear companion a few yards away, this great boulder has the more typical scattering of faded cups, lines and at least one cup-and-ring, etched with seemingly little purpose or structural design. But as we know, the very notion of structural design in forms consistent to modern mind-sets were anathema to the neolithic people who were etching these patterns on rocks. Indeed, even the notions of these images as ‘art’ as defined in modern times, has no relationship to the intrinsic reality of either cup-and-rings or reality per se, as experienced by our ancestors. And I think we find an explicit affirmation of this in the Cluster Stone here.
Close-up of cup-and-ring
Natural cuts in the rock have been heightened, for whatever reason, so that today the division between Nature’s marks and the mark of humans have become ambiguous as time has worn the features. The clustering of cup-marks on certain parts of the rock was surely indicative of (what we would term) separate events/forms, whose mythic relationship were, however, intrinscially related. This may be representative of a landscape map, or a series of events – but each would relate to one and other. But, of course, we truly don’t know, so think I’d best shut up!
Cluster Stone design (after Hedges 1986)
The carving itself, as we can see today, has perhaps as many as 40 cup-marks on it (Boughey & Vickerman safely vouch for 26), with five or six lines running across the surface, some of which have been modified by ancient peoples. The cup-and-ring on the stone is quite distinct. Neolithic or Bronze Age walling runs just a few yards away from here, but the precise line it takes has not been accurately assessed.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Follow the same directions to reach the Pancake Stone. Then walk eastwards along the footpath on the moorland edge. After about 400 yards, keep your eye out to your right on the moorland proper where you’ll see this large boulder, seemingly isolated, of similar shape to the Haystack Rock, but a bit smaller. That’s it! If you end up near the stream (Rushy Beck) you’ve gone way past it.
Archaeology & History
Four of the cups on this lichen-rich surfaceLittle Haystack (after Hedges 1986)
Found in the middle of the Green Crag Slack Plain, this large Haystack-Rock-shaped boulder stands out. It sits amidst a cairn-field with other neolithic remains nearby. The carving itself aint that impressive, and some parts of it seem almost dubious. But both Hedges, Boughey and Vickerman include it in their surveys, describing the cup-marks and curious lines on its northeastern surface. It’s nowt special to be honest. You’d expect a bit more from the size of this old stone; but as those folk who know their rock art well will tell you, size aint everything when it comes the splattering of cups on a rock’s surface. We have four distinct cups pretty close to each other (as the photo shows), with another possible cup-and-ring and accompanying lines nearby.
The stone’s worth looking at though. It stands out amidst the mass of single- and double-tombs scattered across the moorland plain — sitting amidst a veritable necropolis no less.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Go to the Cliffe Castle Museum on the outskirts of Keighley town centre (dead easy to find with car park to rear) and explore the museum! You’ll find it eventually!
Archaeology & History
Comet Stone, Cliffe Castle Museum, Keighley
This lovely-looking carving has been on a bit of walkabout over the last hundred years or so! We’re not quite sure exactly where it first lived, but old records tell that it was found upon the Grubstones Ridge, which is a small section of the moor around and/or between the Great Skirtful of Stones giant cairn and the curious Roms Law, or Grubstones Circle, both on the very tops of Burley Moor (most folk call think of it as just another section of Ilkley Moor). Here it lived (approx grid reference SE 138 446) for several thousand years until, many centuries later, in the mid-19th century, one of them there christian chaps came along – y’ know the sorts. He was the reverend J.A. Busfield and came to live upon the heathen edge of our Rombald’s Moor at a great house called Upwood. Like many of these weird people, he took a bit of a shine to our ancient relics and, amidst one of his sojourns to the Grubstones one day, came upon this multiple-ringed stone lying amidst the heather, close to the old circle of Roms Law. Liking it so much, he thought he’d have it as an ornament in the grounds of his hall at Upwood, on the southern edges of the moor overlooking Riddlesden and Keighley — and there it stayed, living quite comfortably, until 1925.
It then spent nearly fifty years living enclosed in the huge abode of Keighley Museum until, in 1971, it was presented by a certain Mr. R.W. Robinson of the same establishment, to Keighley Council, who thought in their weird ways to lean “it against a pile of rocks on the pavement of Bow Street, near Keighley Bus Station, with a small plaque,” telling of its tale and of other cup-and-rings nearby. And there it stayed until more recent years, when it was returned back to the Cliffe Castle Museum – safe, quiet and looked after each night!
Drawing of the carvingCowling’s early drawing
It’s a lovely, almost archetypal carving: a simple cup surrounded by four complete rings, with a ‘tail’ coming off the edge, similar to the image of a comet flying through the skies – which is, perhaps, what this carving represented. Of course, it could have been something completely different!
The region where this stone was located was an important area for the dead in ancient times – a motif that’s common to many cup-and-rings – and it seems probable that the stone itself was once part of a tomb, though we seem to have no record substantiating this. The carving was highlighted by William Cudworth as being in Upwood on a map dated 1847-51. The next description of it was by Arthur Raistrick in 1936. John Hedges (1986) listed it as stone-216 in his survey; then Boughey & Vickerman (2003) re-list it as stone 351.
NOTE – Don’t confuse this carving with another that is held in the same museum here, the Cliffe Castle or Baildon Moor 144 carving. Well worth having a look at!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Cowling, Eric T., Rombald’s Way, Otley 1946.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Raistrick, Arthur, ‘Cup-and-Ring Marked Rocks of West Yorkshire,’ in YAJ, 1936.
Cup-and-Ring Stone (lost): OS Grid Reference – SE 142 396
Archaeology & History
Listed in Boughey & Vickerman’s (2003) survey as ‘stone 186,’ I first came across a reference to this carving when I was young, in a short article by Sidney Jackson (1964) in his Cartwright Hall archaeology journal. A letter was sent to Mr Jackson in 1963 by a Mr Bernard Stubbs of Baildon, who wrote:
“This morning I visited Hope Farm, Baildon, where Mr Jim Bell, the farmer, told me of a cup-and-ring boulder which he had discovered while digging a hole to bury a sheep, in the polt of land at the rear of the farmhouse… He stated that the hole was covered with cup-and-ring markings. Unfortunately, the hole has been filled and concreted over.”
And no one has seen it since then! Damn! Recently we discovered a cup-marked stone carved on a now-upright stone in old walling in one of the fields immediately west of the farm, but it’s obviously a different one from that described in Mr Stubbs’ letter. There are several other carvings in this region that are not in the official records, but this particular ‘lost’ stone remains lost for the time being!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Jackson, Sidney, ‘New Cup-and-Ring Boulder,’ in Cartwright Hall Archaeology Group Bulletin, 9:1, 1964.
Cup-and-Ring Stone (destroyed?): OS Grid Reference – SE 129 379
Archaeology & History
Over the years, many of us have looked for this site but without any success. If it hasn’t actually been destroyed, it could be in someone’s garden wall, probably without them even knowing about it. Indeed, even the grid reference given here is only an approximation (mine differs from the one cited by Boughey & Vickerman, who put the carving closer to SE 126 381) and the stone could have been a few hundred yards either side of here. The main description of it comes from a letter written by a Mr T.P. Noble in 1964, which was cited in Sidney Jackson’s article ‘Hirst Wood Cup-and-Ring Boulder,’ in Bradford’s Cartwright Hall archaeology journal, where Mr Noble wrote:
“Mr Cooper, who built these houses (Hirst Wood housing estate) about 1935, once told me that there was a perfect example of a cup-and-ring stone here, but later, when he came to search for it, he couldn’t find it. It appears it must have been removed and possibly broken-up when the foundations of the houses were excavated.”
Of course, as we don’t know the exact whereabouts of the carving, nor have we been left with an illustration of the stone, it’s difficult to say whether the description given by the great archaeologist Sir Mortimer Wheeler in 1958, is referring to the same carving. Wheeler told us that one day in his childhood when he was out walking with his father, R.M. Wheeler, they came across a seemingly unknown prehistoric carving, saying,
“On one memorable day in the woods beyond Saltaire, we found an unrecorded cup-marked stone (later, I believe, recorded by my father in a British Association Handbook)” – that work being the Handbook to Bradford and Neighbourhood (1900), edited by R.M. Wheeler.
Naathen…if there are any people from the Hirst Wood area reading this and who might know of an old carved rock stuck in some old garden walls nearby, let us know. You’ll be credited as the person who re-discovered this long lost carving – and we can get the story in the local newspaper.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Jackson, Sidney, ‘Hirst Wood Cup-and-Ring Boulder,’ in the Cartwright Hall Archaeology Group Bulletin, 9:2, February 1964.
Various ways to get here, but I suppose the easist is by walking along the path just above the woods from the main A61 road, where there’s the junction turn-off to Wike. You have to walk perhaps 1000 yards until eventually, a couple of hundred yards up the slope to your left (south) you’ll see the boulder stuck in the field. You’re there!
Archaeology & History
The Grey Stone, Harewood
Described first by Cowling & Hartley in 1960, this multiple-ringed carving gives the distinct impression that it aint quite as old as our more traditional cup-and-rings on the moors west and north of here – but I s’ppose we’ll never know for sure. There isn’t a central cup to this concentric-ringed carving, which is quite unusual, and which is why I get the impression that it’s from a later archaeological period. However, saying that, there are several other faint cup-markings on the southwest and east-faces of the boulder (which I forgot to photograph when I was there – idiot that I am!). Boughey and Vickerman (2003) illustrate as many as 18 other cup-marks on the rock surface – which they list as stone 399 in their survey.
Although there seems to be no folklore attached to this isolated carving, rock-art authority Graeme Chappell noted how “the midwinter full moon set behind Almscliffe Crags at its extreme northerly setting point in Bronze Age times” from this Grey Stone.
The archaeologist S.A. Moorhouse (1981) also pointed out how some of the many Grey Stones (which usually means ‘a boundary stone’, sometimes very ancient ones) found in northern England, derive their name from the word har, which “can also mean ‘grey, hoar,’ used to describe natural boulders, possibly with cup-and-ring markings” – just as we have here!
References:
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Cowling, E.T. & Hartley, C.E., ‘A Ring-Marked Rock: The Grey Stone,’ in YAJ 1960.
Moorhouse, S.A., ‘Boundaries,’ in Faull & Moorhouse’s West Yorkshire: An Archaeological Survey, volume 2, 1981.
Best visited in winter and spring – thereafter the vegetation can hide it a little – but even then, it’s not too hard to find. Start from the Cow & Calf Hotel and walk across the road onto the moor, and head over as if you’re gonna walk above the Cow & Calf Rocks, onto the moorland proper. When you’ve gone a few hundred yards, walk up the slope (there are several footpaths – you can take your choice). Once on the ridge on top of the moor proper, you’ll see the Haystack Rock: it’s on the same ridge, right near where the moor drops down the slope about 250 yards west of here, just about next to the footpath that runs along the edge. Look around!
Archaeology & History
Unlike some folk who’ve seen this old stone, I find this carving superb. Its one of my favourites up here! Its alternative name – the Planet Stone – perhaps lends you to expect something more, but this is down to the astronomer who thought this was some type of heavenly image (which is most unlikely). I prefer to call it the ‘Map Stone’ because the correlates this carving has with indigenous aboriginal cup-and-rings is impressive and — to Aborigines anyway — would have all the hallmarks of a map. But not a ‘map’ in the traditional sense of modern humans. The incidence of cups and rings linked by curvaceous lines, typifies routes between water-holes or settlement spots made by ancestral beings — which is just what we find at this carving here. These ancestral beings need to be seen in a quite mythic sense: they may be creation deities (giants, gods, etc), animal spirits, the routes of shaman spirits, or other expressions of homo-religiosus.
Map Stone (note the carved line along the very edge of the rock)…and again from another angle
In the Map Stone here, we see that the very edge of the rock (fig.2 & 3) is ‘encircled’, perhaps (and I say perhaps) symbolic of the edge of the world. The lines and rings upon the top of the rock may symbolize journeys to and from important places. Another impression I get of this carving, with the “map” idea, is that the large pecked diamond-shaped ‘cup’ near the middle of the carving is a large body of water around which the archaic routeways passed. The next time anyone visits this stone, have a look at it with this idea in mind. Its simple, straightforward and makes sense (mind you – that doesn’t mean to say it’s right!).
The first account I’ve found of this comes from the pen of J. Romilly Allen (1882), where this stone “measuring 5ft 3in by 5ft, and 1ft 9in high” was described thus:
“On its upper surface, which is nearly horizontal, are carved thirteen cups, varying in diameter from 2 to 2½ in, eleven of which are surrounded by rings. There is also an elaborate arrangment of connecting grooves.”
Although we can only work our nine cup-and-rings here today, Mr Allen seemed suitably impressed with this old carving. Stan Beckensall (1999) seemed to have a good feel of this design too, describing it thus:
“Two thirds of the surface of this earthfast sandstone have been used in a design that partly encloses the marked part of the rock with long curvilinear grooves along its edge, and the inner grooves link single rings around cups. The effect is one of inter-connection and fluidity.”
The Map, or Planets Stone (after Hedges 1986)
The Map Stone was also looked at to examine the potential for Alexander Thom’s proposal of a megalithic inch: a unit of measure speculated to have been used in neolithic and Bronze Age times for the carving of cup-and-ring stones. Using nine other carvings on these moor as samples, Alan Davies (1983, 1988) explored this hypothesis and gave the idea his approval. However the selectivity of his data, not only in the carvings chosen, throws considerable doubt on the idea. Unfortunately the idea doesn’t hold water. The ‘geometry’ in the size of cup-and-rings relates more to the biometrics of the human hand and not early scientific geometry, sadly….
References:
Allen, J.R., ‘Prehistoric Rock Sculptures of Ilkley,’ in Journal British Arch. Assoc., 35, 1879.
Allen, J.R., ‘Notice of Sculptured Rocks near Ilkley, with some Remarks on Rocking Stones,’ in Journal British Arch. Assoc., 38, 1882.
Allen, J.R., ‘Cup and Ring Sculptures on Ilkley Moor,’ in Reliquary Illus. Archaeology, 2, 1896.
Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Exeter 2003.
Collyer, Robert & Turner, J.H., Ilkley: Ancient and Modern, William Walker: Otley 1885.
Cowling, E.T., Rombald’s Way, William Walker: Otley 1946.
Davis, Alan, ‘The Metrology of Cup & Ring Carvings near Ilkley in Yorkshire,’ Science Journal 25, 1983.
Davies, Alan, ‘The Metrology of Cup and Ring Carvings,’ in Ruggles, C., Records in Stone, Cambridge 1988.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Alan Davies’ image of the carving – with carved ‘lake’ near centre
