Whether you take the A836 or A838 into Tongue (through truly beautiful wilderness), make sure you go into the village itself—and then keep going, south, along the tiny country road. Nearly 2½ miles along, note the small loch of Lochan na Cuilce on your right. A few hundred yards past this, on the other side of the road (barely visible at first) is Lochan Hakel. Walk around to the south-side of the loch until you find the Lochan Hakel 1 carving. Then look up at the rock right above you. That’s the one!
Archaeology & History
In James Simpson’s (1867) primary work on British petroglyphs, he mentions this site as being in the lands of “Ribigill, near Tongue”, although it is a little further to the south. He said that a certain “Mr Mitchell” had come across it in one of his many rambles in the hills (this was probably Arthur Mitchell, author of the 1880 book, The Past in the Present). Simpson told that he had:
“discovered cups and circles upon a large stone, about nine feet square, apparently lying in its original position, close to the edge of a loch, which contains the remains of an old castle… The surface of the stone shows eighteen or twenty round cup excavations, about an inch deep. There is a ring of ‘hollow around each cup.'”
Although there aren’t rings around every cup, a great number of clear and impressive rings exist around many of them and are, thankfully, still reasonably visible amidst the mass of lichens.
Around the same time as Mr Simpson’s description, James Horsburgh (1868) wrote about the carving, telling us:
The rock and its islandSome of the cup-and-rings
“On the edge of the precipitous bank of the loch, and exactly opposite the island, there is a large boulder with a flat top, and on this there are a number of cups and rings… This stone is not generally known. Old Ross, the gamekeeper at Tongue, first told me of it, and he and I scraped off the moss and exposed the whole. He thought it was for playing some game. On the left of the stone, on a bit separated by a crack, there is a sort of a figure which appears to have been formed by cutting away the stone around it and leaving it in relief, and also some artificial cutting on the right, a sort of circular groove.”
A better description of the carving came near the beginning of the 20th century, when the Scottish Royal Commission (1911) lads included the site in their inventory. They told:
From the rock, looking NThe carving from above
“At the S end of Lochan Hacoin, to the SE of the islet on the top of the bank, is a large earth-fast boulder, on the flat upper surface of which are a number of cup and ring marks placed irregularly over it. The total number of undoubted markings is thirty-four, of which those surrounded by a ring number eleven. No cup with a double ring round it is observable. The best defined cup-mark measures 3″ across by 1¼” deep, and the enclosing ring is 7″ in diameter. Eight of the markings are well defined; the others less noticeable. At the S end there is a boss or projection, roughly rectangular, measuring 12″ x 6″. A sketch of this stone, made about the year 1866 by Mr James Horsburgh, is preserved in the library of the Society of Antiquaries of Scotland.”
Does anyone know if this drawing still exists? Anyhow, whilst you’re stood here looking at this petroglyph, don’t forget to look at the other one on the rock below you closer to the loch-side.
Folklore
In Horsburgh’s essay on the prehistoric remains of the area, he said how local people told that the cup-and-rings “were made by the high heels of a fairy who lived in the castle” on the island of Grianan, just 40 or 50 yards away.
References:
Close-Brooks, Joanna, Exploring Scotland’s Heritage: The Highlands, HMSO: Edinburgh 1995.
o’ Reilly, Kevin, What to See Around the Kyle of Tongue, privately printed 1980.
Royal Commission on Ancient & Historical Monuments & Constructions of Scotland, Inventory of Monuments and Constructions in the County of Sutherland., HMSO: Edinburgh 1911.
Simpson, James, Archaic Sculpturings of Cups, Circles, etc., Upon Stones and Rocks in Scotland, England and other Countries, Edmonston & Douglas: Edinburgh 1867.
Acknowledgments: Huge thanks to Sarah MacLean for guiding me to this carving, and also for the kind use of her photos in this site profile. Cheers Sarah! And to Donna Murray again, for putting up with me whilst in the area! Also – Huge thanks for use of the 1st edition OS-map in this site profile, Reproduced with the kind permission of the National Library of Scotland.
From Crieff central, take the A85 road east out of town where the golf club is on your left. Park up and ask the helpful lads who work in the shop, who’ll direct you to the standing stones on the golf course. The cupmark is on the second stone along the row of stones from the direction you’ve approached from.
Archaeology & History
Here’s another one of those petroglyphs only of interest to those with the madness in their bloodstream! Found within the ruins of the Ferntower megalithic ring is a distinct single cupmark on what John Coles (1911) called ‘Stone D’ in his survey:
The stone in questionCupmark, lower centre
“Stone D, a boulder of whinstone also containing seams of quartz, 5 feet 6 inches in length and breadth, and 2 feet 3 inches above ground. At some period the intention of blasting this block must have been considered, for there is the beginning of a jumper-hole near the centre of its upper surface. Close to this unmistakably modern hole there is one single genuine cup-mark about 1¼ inch in diameter.”
A note of this was also made when Aubrey Burl (1988) surveyed the site, who pointed out that in accordance with a characteristic found at other ‘four poster’ stone circles, the carving is “another example of a decorated stone on the eastern side” (my italics) of such a ring.
Folklore
Although we have nothing specifically relating to the carving, it’s worth noting that when we visited the stone circle, the groundsman told us that it had been a place where local people gathered at summer solstice.
From Ilkley town centre take the road up to White Wells (ask any local if y’ can’t find it), but instead of heading up the track to the wells, keep on the road and, after just over 200 yards, turn left up the Keighley Road. Half-a-mile up there’s a dirt-track on your right which leads to Silver Well Farm. Walk along here for about 150 yards, keeping your eyes peeled for a large rock in the heather about 50 yards up onto the moor. You’ll find it.
Archaeology & History
Located just 100 yards west of the old Roman road that effectively runs north-south through the middle of Rombalds Moor and which, when this carving was executed, was a prehistoric trackway, this is an impressive carving, all but unknown by many. On my last visit to this stone—maybe 10 years ago or more—it was a cloudy day. I know this from the fact that the design on the stone was difficult to see in its entirety. But not anymore! When the northern antiquarian Dave Whittaker came a-wandering this way a few years back, the stone so overgrown in vegetation that the design was very difficult to appreciate and, like any healthy curious antiquarian, he wanted to know what the full carving would look like. He enquired whether or not it was OK to uncover the stone from beneath its mass of heather to see the full image and, as far as we were concerned the idea was a good one. And so, following in the footsteps of Beckensall, Currie, Chappell, me and a few others, he got stuck in!
Cup-and-rings from above (photo by Dave Whittaker)Looking across the stone (photo by Dave Whittaker)
As you can see in Dave’s fine photos, the petroglyph is indeed a fine one. It comprises mainly of four cup-and-rings, two of which are incomplete The rings, as you can see, are very faint, whilst the cups, both in the rings and those outside of them, are notably deep; perhaps indicating that they were carved into many times over a long period.
One of the great petroglyphic pioneers, J.Romilly Allen (1882) seems to have been the earliest to record this carving. Allen’s early sketch (below) was obviously drawn on a shady day, as it misses several of of the rings that are clear to see when the the daylight is just right. It’s an easy mistake to make. He wrote:
J.R. Allen’s 1882 sketchHedge’s 1986 sketch
“One mile south-west of Ilkley is a road leading over the top of the Moor…very appropriately as Weary Hill. To the west of the road, and between it and the boundary-wall of Silver Well Farm, is a small boulder of gritstone with cup-markings on it. It lies at a level of 900 ft. above the sea, and it measures 8ft by 5ft. On its upper surface, which is nearly level, are carved ten cups, varying in diameter from 2 to 3 ins., one of them being surrounded by a single ring.”
The pseudonymous “A. Reader” (1891) also included the stone in his international overview of prehistoric carvings, but merely copied the notes of his predecessors. Nearly a hundred years later when archaeologist John Hedges (1986) did his survey of these moors, he described this carving simply as:
“Medium seized rock…in grass, heather and crowberry with c.ten cups, four with rings, two with grooves from rings, three depressions and series of probably natural lines running down to bottom edge.”
And as with the pseudonymous A. Reader (1891), Boughey & Vickerman’s (2003) also just copied Hedges’ earlier description.
Seeking numeracy in Alan Davis 1988 sketchAnd from another angle (photo by Dave Whittaker)
The greatest analysis of this carving to date is by physicist and mathematician Alan Davis. He set out in 1983 to explore the possibility of there being a universal measurement used in neolithic times that was coded into our cup-and-rings—a theory first espoused by the great archaeo-astronomer Alexander Thom. (1968) He selected carvings from Rombalds Moor and Northumberland, including this one at Weary Hill (calling it the I/1 carving) to see if a ‘megalithic inch’ (MI) that was propounded by Thom had any foundation in fact. As a mathematician he was ideally qualified to examine this proposition. His 1983 paper found there to be “substantial support” for this prehistoric megalithic inch. However, in a subsequent 30-page analysis of the same carvings Davis (1988) found that some criteria in his initial investigation needed re-examining. In his updated report he told that “many of these deficiencies have now been remedied.”
His initial 1983 report concluded the Weary Hill carving possessed a deliberate mathematical code in accordance with Thom’s MI. However in the subsequent 1988 report, Davis found that the measurements were based on 5MI and 3 MI, but only in the cup-and-rings and not the single cups. Despite this, there remained an overall scepticism in terms of any deliberate universal use of the MI. My own take on this is a simple one: there was no deliberate use of any MI at carvings. Where we do find precise MIs, this is due simply to the average size of human hands, meaning that some obvious figurative correspondences will occur upon investigation. The more you think about it, the more obvious it becomes.
Anyhow, all this intriguing geometry aside: to those of you who take the time to check this out, have a bimble in the heather barely 100 yards west and you’ll find a few other carvings sleeping quietly, whose site profiles I’ve yet to do…
References:
Allen, J. Romilly, “Notice of Sculptured Rocks near Ilkley,” in Journal of the British Archaeological Association, volume 38, 1882.
Anonymous, Walks Around Cup and Ring Stones, ITIC: Bradford n.d. (1995)
Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Collyer, Robert & Turner, J. Horsfall, Ilkley, Ancient and Modern, William Walker: Otley 1885.
Davis, Alan, ‘The Metrology of Cup and Ring Carvings near Ilkley in Yorkshire,’ in Science and Archaeology, 25, 1983.
Davies, Alan, ‘The Metrology of Cup and Ring Carvings,’ in Ruggles, C., Records in Stone, Cambridge 1988.
Hedges, John (ed.), The Carved Rocks of Rombald’s Moor, WYMCC: Wakefield 1986.
Reader, A., Archaic Rock Inscriptions, privately printed: London 1891.
Thom, Alexander, “The Metrology and Geometry of Cup and Ring Marks,” in Systematics, volume 6, 1968.
Turner, J. Horsfall, Historical Notices of Shipley, Saltaire, Idle, Windhill, Wrose, Baildon, Hawksworth, Eccleshill, Calverley, Rawdon and Horsforth, Shipley Express: Idle 1901.
Various ways to get here, but probably the easiest is to start from Cow & Calf Rocks, walking up the steep slope onto the moor-edge. Paths veer left and right once you’re on the level, but you wanna head straight forward, west(-ish), for about 350 yards till you reach the stream. Cross over and then take the path that runs parallel with the stream, uphill. Nearly 200 yards up, where the moor begins to level out, you cross a path running east-west; keep going past this for about another 50 yards (as if you’re heading to the Backstone Circle) and you’ll notice some small sheep-paths leading you into the heather to your right and, some 40-50 yards into the heath you’ll see this large flat stone!
Archaeology & History
This carving seems to have been rediscovered in the 1950s by Michael Walker and Stuart Feather. They were amongst a small group of people who visited this and some other carvings in June 1956, when the first (known) sketch of the carving was done by Mr Walker. His sketch of the stone is somewhat more elaborate than the one in John Hedges’ (1986) later archaeological survey. Indeed, in some ways the two drawings seem to show little resemblance to each other. (not uncommon with these things!)
Walker’s 1956 sketchHedges’ 1986 sketch
Walker shows nine cup-and-rings in various states of completion, with several clusters of singular cups at different places on the rock—more than forty in all, some of which are connected to each other by short lines. This is in contrast with the later archaeological description, which saw far fewer of the primary symbols. When John Hedges (1986) described the carving in his inventory, he informed the reader:
“Fairly smooth, medium sized grit rock standing up in heather, crowberry and grass, sloping SW to NE with the hill, its almost triangular flat top covered with carvings, some very clear, interesting patterns. About thirty-five cups, seven surrounding a small ring with cups on the circumference and at centre. Two long grooves with a cup at one end, running down to the edge of the rock. ‘Peck’ marks noticeable in one groove and in one ring round a cup. Three other grooves going half round cups, or leading from a cup. Slice of rock apparently removed.”
Boughey & Vickerman (2003) added nothing new in their later survey.
Although we have an uninterrupted open view of the landscape to the north and west from here, it might not have been like this when the carving was done 4-5000 years ago. The scattered woodland covering these heaths may have impeded the views. However, immediately west of this carving are the broken remains of a small Bronze Age settlement, some of whose walling is traceable some 100-150 yards away and any tree cover that may have been here may have been cut back. We may never know for sure…
References:
Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Hedges, John (ed.), The Carved Rocks of Rombald’s Moor, WYMCC: Wakefield 1986.
Jackson, S. & Walker, Michael J., “Ilkley Boulders Tour,” in Cartwright Hall Archaeology Group Bulletin, 2:1, 1956.
Follow the directions to reach the impressive Woofa Bank prehistoric enclosure. You need to find the walling that constitutes the enclosure itself and walk along to its eastern side where you’ll reach an ‘opening’, as if it may once have been an entrance at that side of the enclosure. A reasonably large sloping rock is on one side of this ‘entrance’. You can’t really miss it!
Archaeology & History
Unlike many of the other petroglyphs found within the Woofa Bank enclosure, the design on this one is faint — very faint indeed (much like the recently uncovered triple-ring petroglyph by the Thimble Stones). Comprising simply of a small cluster of cup-marks, you’ll struggle to see this one — unlike its compatriot on the western wall of the enclosure.
Looking down on the rockSome very faint cupmarks
It consists of a single cup-mark on the northern edge of the stone, whilst on the sloping southern part of the rock are a number of very faint cups, eroded by them there millenia of Nature’s wind and weathering. One or two of the cups are just visible in good lighting, but what are almost certainly a few more can be seen when the rock is wet and in low daylight hours. It’s a design that’s probably only of interest to the hardcore petroglyph fanatics, but without doubt this is yet another carving within this obviously important prehistoric enclosure.
In the middle of Bridge of Earn village, take the Heughfield Road until, ⅓-mile on you hit the T-junction. Turn left along Forgandenny Road and go along the curvaceous road for just over a mile where you need to keep your eyes peeled for the small left turn that takes you up the dead straight road. At the top, turn left at the junction and go ⅔-mile, turning right at the next junction until after 400 yards you reach the houses on your right. Go up the footpath opposite the houses (south) until, after nearly 400 yards, it splits. Bear right and zigzag up the track for nearly a mile till you reach a large opening in the forest. 40 yards up the slope to your left is the stone—at last!
Archaeology & History
After the trail to get here, you might not be overly impressed by what you see – and it’s nothing special to look at to be honest. But its location is a good one: reasonably high up on a sloping plateau which would have given good views were it not for the surrounding forestry plantations. The only literary description of the site was the brief one in Discovery & Excavation Scotland, shortly after being rediscovered. Mrs Johnson (1960) wrote:
Close-up of the carving
“A cup-marked stone was found by Mr. J. R. Morrison on the N side of West Dron hill. The stone measures approx. 4ft long by 1ft 9in broad.
There are 17 cup-marks: five of which have channels, and two of which are joined in the form of a dumb-bell. The stone lies with its longer axis NE-SW, and its broad face uppermost.”
Its seeming isolation is a peculiarity that I don’t buy. Other carvings are going to be in the locale, probably on the same north- or north-east facing ridges – but due to the dense forestry, any other petroglyphs will remain hidden for quite some time…
References:
Johnson, M., “Dron, Perthshire,” in Discovery & Excavation Scotland, SRG 1960.
Acknowledgements: Huge thanks to Theresa Hughes for the use of her photos of this carving.
Cup-Marked Stone: OS Grid Reference – NS 8551 8819
Archaeology & History
Looking down on C-7c
Near the northwestern end of the small geological ridge that runs to the west of Castleton farmhouse, close to an awesome nine-ringed carving, we find this more simplified triple-ringed petroglyph. And although the carving is easy enough to describe, its labelling (as ‘Castleton 7c’) is rather troublesome. As with other carvings in this locale, the name of the stone is based on a survey done by Maarten van Hoek in the mid-1990s. But van Hoek’s sketch of Castleton 7c and the one shown in our photos, whilst very similar, possess attributes that aren’t on van Hoek’s drawing. Now this isn’t too odd, as many petroglyphs look different when lighting conditions change; to the point where some features you can see one day are almost invisible the next. But this carving has attributes that are very difficult to miss – and van Hoek’s detailing tended to be good. But, all this aside: until we can verify with certainty one way or the other and despite my suspicions that this isn’t what van Hoek described, I’m still entering this carving as Castleton 7c. So – now that bit’s out of the way…!
When we visited the site two years ago the day was dark and overcast, so we didn’t really have good conditions for seeing any faint carvings. But this wasn’t faint, thankfully. It was completely buried beneath soil and gorse bushes, but thankfully Paul Hornby managed to unearth the one you can see in the photos. If it is the Castleton 7c petroglyph, it was rediscovered by van Hoek on one of his ventures here in 1985.
Carving showing wavy lines on right…and from another angle
When we visited the site we only managed to uncover a small section of the stone, as the roots of the surrounding gorse prevented us from seeing more. (it’s tough stuff unless you’ve got the right gardening equipment!) The section we uncovered consisted of a cup-and-triple-ring. This is consistent with van Hoek’s sketch and description; but we also found there were two very notable ‘arcs’ on the outer edge of the rings—nearly opposite each other—as if another, fourth ring had been started. You can’t really miss these elements – and even in the poor lighting conditions we had, these outer arcs are very evident on a number of photos – especially when they are expanded to full-scale. However, as I mentioned, we were unable to uncover all the rock; but when van Hoek was here there was far less herbage. What he saw on this carving was as follows:
“Deturfing part of this ridge revealed a fine cup with three rings with a broadly pecked tail; one solo cup; one large oval ring with small central cup; and a faint cup with two rings, the outer one incomplete. The rock slopes 12º ENE.”
Crap drawing done in crap lightingvan Hoek’s 1996 sketch
The “broadly pecked tail” he mentions is also not really clear in any of the 60 photos we took. There is a faint line that runs through the three rings, into the central cup and out the other side: a single curving line no less. It’s certainly visible, but it’s far from broad. But there are a number of other lines coming out of the rings. These maybe just natural scratch marks, or even scratches acquired from farming activity. It’s difficult to say. In the poor light that we had, there as looked to be a single cupmark a few inches away from the rings, but this isn’t consistent with the position of the cupmark on van Hoek’s sketch.
There’s a simple solution to all this: we need to revisit the site and expose more of the rock. At least that will tell us once and for all whether this is the same as van Hoek’s stone, or whether we’ve found yet another new carving. Watch this space, as they say! 😉
References:
van Hoek, Martin A.M., “Prehistoric Rock Art around Castleton Farm, Airth, Central Scotland,” in Forth Naturalist & Historian, volume 19, 1996.
Table Stone carving (photo by Jonathan Warrenberg)
From Ilkley walk up to the White Wells and follow the footpath behind it up to the cliffs, up the stone steps and onto the moor itself. Once you’ve climbed the steps, walk uphill onto the moor for 100 yards, then turn right up a small path for another 80 yards until you reach the large Coronation Cairn with its faint cup-and-ring stone. From here there are two paths heading west: take the higher of the two for just 30 yards where a small group of rocks are by the path-side on your right. The curiously-shaped ‘upright’ one is the stone in question. You’ll see it.
Archaeology & History
Found high up on top of an oddly-shaped stone, somewhat like an anvil or small table (hence the name, courtesy of Jonathan Warrenberg), is carved a slightly worn, incomplete cup-and-double-ring. This aspect of the design is the one that stands out the most; but you’ll also see a cup-and-half-ring there too.
The carving seems to have been described for the first time in John Hedges (1986) survey (though I may be wrong), who described an additional feature to the design, saying:
“Small grit rock in possible cairn material, cut all round as if one pedestal, top surface triangular, sloping slightly SW to NE, overlooking Wharfe Valley, in grass and crowberry. Large cup with two vestigial rings, second large cup with vestigial ring. Possible third ring of corner edge (hewn off). Recent carving of initials spoils original carving.”
John Hedges 1986 sketchLooking from above (photo – Jonathan Warrenberg)
His description of the stone being “in possible cairn material” doesn’t seem true – although a number of petroglyphs are associated with cairns of varying sizes. Several other carvings can be found close to this one.
In Boughey & Vickerman’s (2003) later survey, they copy Mr Hedges earlier description, but with less detail.
The view from this stone is quite impressive. Even with the minor tree cover that would have existed when this carving was done, you’d still have clear views up and down the winding wooded valley that was carved by the River Wharfe. The moors to the north at Denton and Middleton with their own petroglyphic abundance could be chanted at with ease from here when the winds sleep. Tis a good spot to sit… if you’re lucky enough to get some silence…
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Acknowledgments: Huge thanks to Jonathan Warrenberg for the use of his photos in this site profile – and also due credit for giving the stone its modern title. 🙂
Out of Aberfeldy, take the A826 road as if you’re going up Glen Cochill. Not far up, just where the housing of Aberfeldy itself ends and the green fields open up either side of you, keep on the road for a half-mile where you meet a small copse of trees on your left, with a dirt-track that runs down the slope. Go along the track for 0.8 miles (1.3km), past the Ursa Major Stone and where the track splits, go left past the Quartz Stone and follow the track through the farmyard. It’s somewhere there – or is supposed to be!
Archaeology & History
On our visit here, we couldn’t locate the cup-and-ring stone that’s described in Sonia Yellowlee’s (2004) regional rock art survey. She described it, as archaeologists always do, in the briefest manner, telling us simply:
“Leaning against a pile of rubble in the farmyard there is a split boulder bearing eighteen cupmarks, one of which is ringed.”
It may have been destroyed, as we were told by a couple of locals that there used to be “a real miserable sod” living there. When we visited the place and tried to ask the present farm owner, sadly he wasn’t to be found. If any rock art explorer manages to locate this seemingly lost cup-and-ring, please let us know – and mebbe send us some photos so that we can add them to this site profile. 😉
References:
Yellowlees, Sonia, Cupmarked Stones in Strathtay, RCHAMS 2004.
Acknowledgements: Big thanks to the crew – this time being Neens Harris, Paul Hornby & Frank Mercer. And the stunning resource of Scotland’s 1st edition OS-maps is Reproduced with the kind permission of the National Library of Scotland.
Out of Aberfeldy, take the A826 road as if you’re going up Glen Cochill. Not far up, just where the housing of Aberfeldy itself ends and the green fields open up either side of you, keep on the road for a half-mile where you meet a small copse of trees on your left, with a dirt-track that runs down the slope. Go down here and follow the slightly meandering track for 0.8 miles (1.3km), a short distance past the Ursa Major Stone where the track splits. Take the track to the left and there, less than 100 yards on you’ll hit a large boulder on your left. That’s it!
Archaeology & History
Not previously recorded, this simple cup-marked stone will probably only be of interest to petroglyph aficionados, or those folk who are into ‘energies’ at sites. This latter aspect is due entirely to the carving being etched onto a huge rock, much of which is composed of quartz—which isn’t too unusual in this part of the world. But that aside…
Looking down at the cupsThe cupmarks highlighted
It is one in a group of carvings within a few hundred yards of each other, with its nearest neighbour 20 yards to the north. That one’s covered in cups—but on this large Quartz Stone, only two of them exist, on the top near the centre. Just a couple of inches across and half-an-inch deep, they’re pretty clear once you see them. The raised piece of ground behind the stone is artificial and has variously been described by antiquarians and archaeologist alike, as either a prehistoric dun, or a stone circle. Whatever it may be, some of it is certainly man-made. Check it out – and mebbe ask the friendly fat fella who lives nearby and what he thinks.
