Inside the once prominent prehistoric tumulus on the Cow Keeper’s Field (now destroyed), the northern antiquarians William Hornsby and John Laverick (1920) came across two small portable petroglyphs: the Cow Keeper’s Field 1 carving, plus this “peculiarly marked stone” as they put it, some “5ft south of the centre” where a cist, or stone-lined burial existed. Measuring 18in by 7in, the rock carving consists of at least one large cup-marking which is clearly evident on top of the stone, plus what seems to be another one next to it, half-covered. Along the side of the stone, a series of twelve roughly parallel lines have been carved out, running down to the bottom of the stone. Rock art researcher and writer Graeme Chappell (2017) tells us the carving is supposed to be “in storage in the Dorman museum in Middlesborough,” although no one has seen it in years. It would be worthwhile if fellow research students could visit the said museum to recover this and other portable cup-marked stones that were found in the area.
References:
Brown, Paul & Chappell, Graeme, Prehistoric Rock Art in the North York Moors, Tempus: Stroud 2005.
Chappell, Graeme, Personal communication, October 4, 2017.
Crawford, G.M., Bronze Age Burial Mounds in Cleveland, Cleveland County Council 1990.
Elgee, Frank, Early Man in North-East Yorkshire, John Bellows: Gloucester 1930.
Hornsby, William & Laverick, John D., “British Barrows round Boulby,” in Yorkshire Archaeological Journal, volume 25, 1920.
Along the A81 road from Port of Menteith to Aberfoyle, watch out for the small road in the trees running at an angle sharply uphill, nearly opposite Portend, up to Coldon and higher. Keep going, bearing right past Mondowie and stopping at the dirt-track 100 yards or so further up on the left. Walk up this dirt-track for ⅔ mile, and just before reaching the planted forestry, turn right along another dirt-track. Less than 200 yards along there’s a large sycamore tree, and about 20 yards below it (south) are several open flat rock surfaces. This is the most westerly of them.
Archaeology & History
…and again
On this small smooth rock surface we find an almost archetypal cup-and-ring stone, whose design consists of a double cup-and-ring and a faint cup-and-ring. The double-ring has several seemingly natural small fissures in the rock running at various angles into the central cup from the outside; and there are two faint ones running from the double-rings outwards to the cup-mark in the single-ring, framing the central cupmark in the middle. It may have been that these scratches on the rock gave rise to the position of the cupmark in this petroglyph. It’s difficult to see whether or not the single cup-and-ring was ever completed.
Canmore’s description of this petroglyph tells simply: “The larger of the two is 180mm in diameter and has two rings around a cup that is 70mm in diameter and 15mm deep. The smaller has one ring around a cup.”
Once you’ve seen this, have a look at the Over Glenny (6) carving, about 10 yards east of here.
Along the A81 road from Port of Menteith to Aberfoyle, watch out for the small road in the trees running at an angle sharply uphill, nearly opposite Portend, up to Coldon and higher. Keep going, bearing right past Mondowie and stopping at the dirt-track 100 yards or so further up on the left (and ignore the english fuckers up here who might say “you’re not allowed to park here”, as Scottish government regulation allows you to do so unless you block the road). Walk up this dirt-track for ⅔ mile, and just before reaching the planted forestry, turn right along another dirt-track. Less than 200 yards along there’s a large sycamore tree, and about 20 yards below it (south) is the carving you’re looking for.
Archaeology & History
It’s difficult keeping up with the carvings in this region to the north of the Lake of Menteith, as we find new unrecorded ones on every visit, maintaining the tradition of fellow rock art students Maarten van Hoek, Kaledon Naddair, George Currie, Jan Broewer and the rest—and we know that there’s more of them hidden away. This one doesn’t seem to be in the Canmore listings, but I put that down to the fact that they’ve got a grid-reference wrong somewhere, as it’s pretty plain to see. Although, to be honest, in the rather vague descriptions of other adjacent carvings (Over Glenny 5 and 7), this carving is in-between them, so you’d expect it to be listed. Anyway, that aside…
Looking down at the ringsClose-up of faint rings
This long flat exposed rock surface has two primary cup-and-rings upon it: one cup with a double-ring, and the other standard cup-and-ring; there are also two single cup-markings on the stone: one near the middle of the rock and the other on its lower-right side. The main element is the double-cup-and-ring, which appears to be incomplete—not only in terms of its design, but also, as you can see in the photos, seems unfinished. From the central double-ring, a faint carved line runs out from the centre and into the other faint, incomplete, single cup-and-ring.
Series of metal-sharpening groovesArty-farty sketch of the design
At the bottom of the stone (as with several others hereby) a curious set of deep scars have been cut into the edge of the rock. They’re unmistakable when you see them. They have probably been created by metal artifacts being sharpened along the bottom of the rock—many many times by the look of it. These deep cuts reminded me of the more famous Polisher Stone, down Avebury-way. They may be explained by the fact that, several centuries ago, a battle occurred here and some of the men gathered in the area before the attack. It would seem as if this and the other cup-and-ring stones were used to sharpen their blades before going into battle. Whether this was done because of some local lore which imbued these stones with some sort of magick, we do not know. Folklore here seems curiously scarce (english incomers destroyed local traditions, as writers were telling us in the 19th century), apart from the well-known one of the area being rife with fairies: Robert Kirk’s famous The Secret Commonwealth of Elves, Fauns and Faeries (1691) was written three miles west of here, at Aberfoyle.
Follow the same directions as if you’re visiting the James Stone monolith. From here, walk about 60 yards southeast and zigzag about in the heather until you find a small squarish-shaped earthfast rock, barely 6 inches above ground-level (might be hard to find when the heather’s fully grown). If you’ve got a petroglyphic nose, you’ll find it!
Archaeology & History
A simple faded cup-marked stone, roughly 2½ feet by 2 feet across, can be found about 65 feet southeast of the James Stone and 40 yards west of the Benty Gate prehistoric enclosure. Sadly when we visited the place a few days ago, the sky was grey and the conditions for good photos were poor.
Line of faint cups from centreExtra faint cup near centre left
At least five cup-marks have been etched onto the stone, with the main element being a row a three cups in a straight line from the centre of the stone to its SE edge. The central cup-mark has been carved where a natural crack in the rock, running from the edge of the stone, terminates. There also seemed to be a carved faded line running along the bottom edge of the stone—but it was unclear and another visit is needed in better light to see if there’s more on the stone.
Take the same directions as if you’re visiting the Cob Stone Field carving; but instead of going into the field on your right, walk down the track about 100 yards towards the large barn below. As you walk down keep your eyes peeled to the field on your left and, right up against the wall of the barn, you’ll see a large boulder resting quietly. That’s what yer after!
Archaeology & History
This large faded cup-marked rock whose western side has been split off in recent years, has a scatter of “up to 21 small shallow worn cups” on its upper surface. They can be difficult to see in some light, but they’re definitely there (as Ray Spencer’s photos clearly show), fading slowly into Nature’s winds and storms. A couple of ‘lines’ running down the edge of the stone are due to modern farm-workings.
Close-up of the cupsSketch of the design
Several other rocks in this and adjacent fields have what may be faded remains of other cup-markings, but without guidance from a geologist or a stone-mason, we can’t know for sure whether they’re authentic or not. It’s likely that there are other authentic carvings hiding in this area—they just need sniffing out!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Acknowledgements: Huge thanks to Ray Spencer for us of his photos in this site profile. Thanks Ray.
From Dollar, take the steep road up to Castle Campbell (ask a local if you get lost). When you’ve got into the building and paid your fiver, walk straight forward as if you’re heading to the front gardens, but stay within the castle by walking left on the inner-front section of the building, all the way along to the dark room in the far corner at the end of the path. Just before you walk into the end room, look at the ground rock beneath your feet.
Archaeology & History
My first and only visit to the superb half-restored ruins of Castle Campbell was in the company of the author Marion Woolley. It was a damn good day and the castle here is really worth checking out! But as Marion and I wandered the grounds and internal remains, my eyes caught sight of what looked like a cluster of cup-markings, never previously recorded, on a section of earthfast rock over which a section of the Castle had been built.
A distinct arc of at least four cup-marks was accompanied with outlying single cups on either side of it. Beneath the gravel it seemed that more were waiting to be be unearthed—but we left them alone. As you can see in the photo here, the cup-marks seem typical of those we find in their thousands across northern Britain. However, the rock hereby is volcanic and conglomerate and may be the result of such natural processes. I’m truly not sure. A local archaeologist in Stirling thought the carving looked authentic – but we need to return here and brush off the rest of the gravel to see in greater detail the extent of the cups. There seemed to be more of them hiding at the edges.
If anyone finds out more about this, or gets some better photos, or ascertains this as a simple geophysical artifact, please lemme know.
The stone is situated on the north-facing slope of Carrot Hill (almost equidistant with neighbouring Dodd Hill actually) at 225 m OD. Use of a GPS and the co-ordinates above are very definitely recommended for finding this stone which lies flat on a heather covered hillside. You most likely won’t locate it without them. There is ample car parking space at the popular viewpoint car park on Carrot Hill (NO 464 408), walk to the summit trig point and follow your GPS from there.
Archaeology & History
This cup-marked stone was first noticed in February 2012. Remarkably, this stone seems to have been previously unrecorded despite lying just metres from a small path through the heather.
There are at least 15 cup marks on this sandstone boulder which was measured to be 1.2 x 0.7 x 0.2 m in size. There is no evidence of any rings around any of the cups.
The closest known examples of more rock art are just over four kilometers away to the west at Huntingfaulds where there is a cup and ring marked boulder.
Cup-and-Ring Stone (destroyed): OS Grid Reference – NO 379 204
Archaeology & History
J.R. Allen’s 1882 sketch
Here’s another old carving that has succumbed to the lack of animistic respect endemic in modern culture. Ronald Morris (1981) reported that this carved rounded boulder was “dynamited by the farmer and (is) now no longer extant.” First described in 1882 and later included in the Fife Inventory (1935), the large smooth rock used to lay within a nice copse of dense gorse, measuring 2½m x 1¾m across and about 1m high from ground level.
It was uncovered in 1872 and mentioned briefly for the first time in Arthur Mitchell’s (1874) fine essay on the antiquities of Cromar, where he told that “Dr. Batty Tuke tells me there is a cup stone on a moor forming part of Lochmalonie farm, in the parish of Logie, Fifeshire.” His notes were followed up by the great Romilly Allen (1882), whose sketch is all that remains of this ancient site. The carving was subsequently included in one of Ron Morris’s (1981) survey of Scottish petroglyphs, describing it simply as,
“2 cups-and-one-complete ring (one mostly weathered off), diameters 10cm (4in) and 27 cups (carving depth and angle of slope not now known.”
Its isolation from any other known petroglyphs is a little odd and there is every possibility is accompanied a prehistoric burial of some sort; although from the attitude of the farmer, all trace of that would have gone too. On a more positive note, when Batty Tuke spoke with Romilly Allen about this carving, he told that he has “frequently noticed well-marked cups on dry stone dykes in the Glenduckie area.” Petroglyph explorers amongst you might want to spend some time meandering in this neck o’ the woods….
Morris, Ronald W.B., “Fife: Loch Maloney – Cup Marks,” in Discovery & Excavation, Scotland, 1967.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
Royal Commission on Ancient & Historical Monuments, Scotland, Eleventh Report with Inventory of Monuments and Constructions in the Counties of Fife, Kinross and Clackmannan, HMSO: Edinburgh 1935.
