Same direction as for cup-and-ring carving 581. This small pyramidal stone (easily missed if you aint careful) is literally a yard or away.
Archaeology & History
The first description of this little stone was by Boughey & Vickerman (2003). Found amidst the cairnfield first mentioned by Cowling (1937), he missed this in his early days — but it’s easily done! All we have here on the very top of the stone is a “cup with a gapped ring”, fading away beneath elements and poor light conditions.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Cowling, Eric T., “Cup and Ring Markings to the North of Otley,” in Yorkshire Archaeological Journal, part 131, 33:3, 1937.
From Askwith village go up the Moor Lane and at the crossroads go straight across, down and along Snowden Carr Road until the road levels out and, watch carefully, for a small crag of rocks in the fields above on your left. Keep a keen eye out for the gate into the field immediately below these rock, right by the roadside (it’s easily missed). This carving is the large rock sticking out on the slope in front of you thru the gate (carving 613 is lower down to the right).
Archaeology & History
When seen in the right light, this carving’s a beauty! What you could call, an archetypal cup-and-ring stone. But the toll of time has played its part — on the uppermost section of the rock in particular. It seems as if the top, higher section of the boulder has always been exposed to the elements, whereas the slightly lower part of the rock has only been unearthed and exposed to the elements in more recent decades — perhaps by Stuart Feather, who made notes of some carvings in this region in 1973. This assumption is especially apparent when we look at the excellent, well-preserved multiple ringed design near the southern edge of the stone…and from where the carving gets its title, the Naked Jogger Stone.
Faint cup-and-ringsBoughey & Vickerman’s sketch
But let’s deal with the uppermost section of the stone first. There are various natural undulations and cracks over its surface and, at first sight, they can interfere or confuse some of the man-made carved aspects to this stone. But the main feature here — which becomes more and more noticeable the more you gaze and look — are at least two very faded multiple-rings surrounding faded central cups. It’s unknown whether or not these rings ever completely surrounded the cups, or whether they were actually left deliberately unfinished. The more faded of these two multiple-rings has between three or four cups around the outer ring at selected intervals (visible in the photo here). A few feet away from this we can also make out the faded remains of another cup-and-half-ring design. Several other cups have also been carved along this upper portion of the stone. When you sit above and look across this from the grass to the side, one may be forgiven for adding a solar interpretation to this section of the carving!
Lower section of carvingJogging male with large erection?
But another, more extrovert interpretation can be forgiven for the most notable aspect of this cup-and-ring stone. Near the southern edge of this large rock is the well-preserved multiple-ring design, surrounding a single cup. It’s impressive! And when you first see this you get the impression that it was uncovered in the very recent past (turf dug away obviously) as it is in such an excellent state of preservation. But there are other, odd-looking aspects below this primary feature: of cracks and lines and deep cups along this same level of the rock. The majority of the cups and lines on this part of the stone are in a much better state of play than the artistic elements on the upper layer of the stone. And one section of the carving in particular here gave me at least (pervert that I am!) the impression of a man running, with a distinctive hard-on sticking out in front as he’s jogging away! Keep looking at it in the photo here and see if that’s what you see as well. Note that the torso section of the ‘body’ (between his cock and the multiple-ringed head) is made-up primarily of a natural crack in the rock, but this should not be seen as unusual; for in rock art across the world, many of the natural cracks and markings on stones are regularly utilized. We know that such ‘cracks’ in rocks have been used by shamans as entrance points for their spirit to enter the rock itself.
Early carvings of humans in other parts of the world show bloke’s with hard-ons, either dancing or hunting — so why not here aswell, in deepest Yorkshire!? (check Dennis Slifer’s Serpent and the Sacred Fire for many North American examples) It could, of course, be little other than my very simple minds response to non-linear etchings in the old Rorscharch ink-blot style. Either way, it doesn’t really matter — unless of course you’re some academic or witchy character who’s after isolating early prehistoric fertility carvings for your thesis or religion. Oh – and there’s the more renowned Tree of Life carving a bit further up this hill, about 150 yards away: alleged in folklore to have been a place for Beltane rites—wholehearted fertility no less!
In the important archaeo-academia files, little has ever been written of this fine, ornate petroglyph. It was described by Boughey & Vickerman (2003) thus:
“About twenty cups, two very large, one cup having three rings and two more also having traces of three rings, with at least four others having parts of single rings, all very worn.”
Simple and to-the-point I suppose. But this old carving has much more grace and mythic history embedded within its scarred surface. It clearly speaks to other aspects of the landscape (as do some of the other carvings further up the hill, where oracular aspects predominate), but much more work is needed here before any archaeoholistic framework can be moulded. Nonetheless, this is an excellent meditation site!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Slifer, Dennis, The Serpent and the Sacred Fire: Fertility Images in Southwest Rock Art, Museum of New Mexico Press: Santa Fe 2000.
From Askwith village go up the Moor Lane and at the crossroads go straight across, down and along Snowden Carr Road until the road levels out and, watch carefully, for a small crag of rocks in the fields above on your left. Keep a keen eye out for the gate into the field immediately below these rock, right by the roadside (it’s easily missed). This carving is the first rock on your right 10 yards thru the gate.
Archaeology & History
Cup-marks on CR613
This relatively large, two-tier rock, has simple cup-markings on the topmost level of the stone: thirteen of them according to Boughey & Vickerman (2003). We looked at this last week, in poor daylight and were unable to ascertain how many cups were on the stone; and again yesterday when the conditions were excellent, and found there are at least fifteen cups carved on the rock. However, we didn’t really give this stone too much attention (bad of us, I know) as the calling of the adjacent Naked Jogger carving was sticking out demanding our attention!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Start at the Askwith Moor parking spot on Askwith Moor Road, then walk down the road (south) 300 yards till you reach the gate and track on the other side of the road, heading southeast. Following the track onto the moor and take the footpath on your right after 75 yards. Follow this along until you hit the gate & fence. Climb over this, then follow the same fence along (left) and down, and keep following the fence and walling all the way on until you reach the very bottom southwestern edge of Askwith Moor itself. Now, walk up the slope to your right and, near the top of this rise 200 yards or so away are 2 or 3 rocks close to each other. You’re here!
Archaeology & History
On the small, unnamed hill at the very far southwestern edge of Askwith Moor, within the unrecorded Lower Lanshaw enclosure is this previously unrecorded cup-marked stone that has been found thanks to further heather burning operations hereby. But it’s nowt much to shout about if you’re after big colourful designs. This is merely one of the many single cup-marked rocks scattering the Yorkshire uplands. The large pecked cup, nearly 2 inches in diameter, is found on the lower eastern end of a long, sloping stone. Along the same ridge are also faint remains of ancient walling.
A very faint cup-and-ring stone can be found just over the brow of the hill from here, about 30 yards northeast (at SE 16059 50875) in the northeastern edge of the Bronze Age enclosure walling.
Follow the directions to reach cup-and-ring Carving 581 and this small stone is about 10 yards above it, up the slight slope amidst the heather. You might have to look around a bit though, as it’s a small flat stone and gets easily overgrown.
Archaeology & History
Broken cup-and-ring stone
Founds amidst a cluster of what Eric Cowling called “a barrow group,” or a cluster of cairns, is this excellent little carved stone, with a number of cup-and-rings close to what is now the northern edge of the rock. But this small stone has blatantly been split off from a larger piece (perhaps split in half), but a brief scramble in the heather here couldn’t locate the other part of the stone — which is a great pity. For although we have four or five cup-and-rings linking onto each other, where the stone has been split, one of the cups has been cut away and it seems obvious that there was more carved onto the other lost section of the stone — wherever it may be! There is the possibility that this stone was thrown down from a nearby cairn and was broken in the course of its movement; but we might only find this after the heather’s been burnt back in the near future. Anyway, Boughey & Vickerman (2003) discerned this as a
“small square rock with smooth level surface. Six cups, five with incomplete rings and some running into one and other.”
It’s a good one (despite what my poor photos may infer) and well worth a look at if you’re into your rock art!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Cowling, Eric T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
From Askwith village go up the Moor Lane and at the crossroads go straight across (Snowden Moor is to your left). Go down and along Snowden Carr Road until the road levels out and, watch carefully, about 500 yards on from the crossroads on your left you’ll see a small crag of rocks in the fields above. Stop and go through the gate walking up the field. At the top is a gate: go thru this and turn right, up the footpath for 100 yards, keeping your eyes peeled! You’re damn close!
Archaeology & History
The most well-known and one of the more decorative of all the carvings in and around the Snowden Moor region is the Tree of Life Stone. In the 1930s, Eric Cowling first reported how, “this fine marking is the only one which appears to be known to the people of the district,” due in part to it being a site of local social activities (though nothing is said of this place in William Grainge’s [1895] survey). Cowling (1937) described the carving thus:
“This stone lies alongside the bridle path which skirts the southwest corner of the enclosed moorland above the hamlet of Low Snowden. A large flat rock surface at ground level has a number of cups joined together by a series of curved grooves, which in their turn are connected to a central straight groove. Immediately above the design, a broad groove has been cut across a raised central area as though to isolate the markings from several scattered cups which are to be found on the remaining surface.”
The modern surveyors Boughey & Vickerman (2003) tell us that this highly ornate stone comprises of,
“about 25 cups, with a group at the highest…end and a few isolated, but most in complex design with enclosing grooves suggesting a tree in fruit: hence the name ‘Tree of Life Rock.'”
The Tree of Life StoneCowling’s old sketch
The Coped Stone carving is just a few yards away and, on the slopes below here — as well as on the moor stretching above you — there is an excess of prehistoric remains: enclosures, hut circles, lengths of walling, cairns, other cup-and-ring stones — the vast majority of which has yet to be excavated in any formal sense (are any rich doods out there reading this who might wanna get things going…?). It appears that both the Coped Stone and the Tree of Life carving may have been linked by some ancient walling that appears to run between them.
Another possible variant on the Tree of Life Stone has recently been uncovered on the outskirts of Ilkley; but on this newly-discovered example we find the central ‘trunk’ of the ‘tree’ is a natural crack that runs up the middle of the rock. Up the ‘trunk’ are several short branches with cup-marks on either side, not unlike apples on a tree. Altogether there are at least 12 cups and one ring, with several curious lines, some of which seem geophysical in nature. After several visits to the site, it’s obvious that the ‘tree’ design is more obvious and there are additional faint carved sections on the stone which weren’t visible when it was discovered in heavy rain and poor light.
This is one of very few cup-and-ring stones with folklore attached. Cowling (1937; 1946) reported it to be site of early morning Beltane (May 1) gatherings. The title of the stone, the Tree of Life, was one he heard local people call this site, but “no reason is offered”, he said. About 100 yards below this we find a curious erectile, fertility image on the impressive carving 612, which (he says tenuously!) may (and that’s a dodgy “may”!) relate to the Beltane rites at the Tree of Life.
In more modern folklore, the old folklore writer Guy Ragland Phillips (1976) suggested the Tree of Life Stone to be an important focal point along one helluva highly speculative ley line: running from the Irish Sea, across land and the Tree of Life stone, continuing way east until hitting the North Sea! If this old ley did have any validity (it doesn’t!), the Tree of Life’s carved partners east and west of here — the Coped Stone and carving no.597 — would have also been on the same line.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Cowling, Eric T., “Cup and Ring Markings to the North of Otley,” in Yorkshire Archaeological Journal, part 131, 33:3, 1937.
Cowling, Eric T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
Phillips, Guy Ragland, Brigantia — A Mysteriography, RKP: London 1976.
Acknowledgements: Many thanks to James Elkington and to Yorkshire Daz for use of their photos.
Same direction as for cup-and-ring carving 582 from the Askwith Moor Road parking spot, walk up the road (north) 300 yards until you see the disused quarry on the moor to your right. From here, head down onto the moor, straight down past the quarry for about 200 yards, angling slightly to your right. You’ll notice some overgrown ‘lumps’ in the heather — a cairnfield no less! — go just below these and watch out for some rocks emerging from the heather. This carving (and its neighbours) is on one of ‘em!
Archaeology & History
This impressive carving is one of a number very close to each other, in the ruins of a cairn-field (though there’s some debate as to whether it’s medieval, prehistoric, or just quarry-spoil). Peppered with many cups on the upper surface of the stone, we also have carved lines and cup-marks along the east-facing edge of the rock aswell. I think it was Eric Cowling (1937) who was the first person to describe this stone (where he listed it as stone no.10 in his Otley survey), saying:
Snowden Carr carving no.581
“On the rise above No.9 is a cope-shaped boulder which is almost covered with cup markings and winding grooves. One broad groove winds from the ridge, rising from a cup, and is continued to the margin. Two cups are linked by a curve which is continued to the same edge. The eastern side of the stone is almost upright and bears two cups with grooves running to ground level.”
Due to the similarities in design on this stone and that of carving no.618 in Fewston valley bottom a half-mile away, Cowling thought that it likely that the same person did both carvings. Well….y’ never know!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Cowling, Eric T., “Cup and Ring Markings to the North of Otley,” in Yorkshire Archaeological Journal, part 131, 33:3, 1937.
Cowling, Eric T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
From the Askwith Moor Road parking spot and walk up the road for about 500 yards an head to your right (east) onto he moor, above the rocky ridge known as Snowden Crags. After 100 yards or so of walking through the heather, the entire cairnfield is under your very feet! If the heather’s grown, you probably won’t see a thing.
Archaeology & History
First described in Eric Cowling Rombald’s Way (1946), where he mentions around 30 cairns on the moorland plain immediately west of the Snowden Moor settlement. These were plainly visible when Richard Stroud and I visited here in 2005, thanks mainly to the fact that the heather had been burnt away. Once it’s grown back, virtually all of these tombs will be hard to find. I first had fortune to see some of these tombs on a visit here with Graeme Chappell about 15 years ago, but only a little of the cemetery was then visible. Following another visit to the site this week, a great deal more has become visible, thanks again to heather-burning on the moors.
One of around 30 cairns on the ridge…and another one!
Curiously omitted from the Nidderdale Archaeological survey report of sites in this region (anyone know why?), the cemetery itself stretches from the western edge of the Snowden Moor settlement, several hundred yards west along the flat moorland plain towards the moorland road, stopping a short distance before the line of old grouse butts. It is highly likely that some of the stones in the grouse-butts originated in some of the prehistoric cairns along the ridge. And if summat aint done about it, there’s a likelihood this could easily happen again in the near future.
…and another!
The easternmost cairn touches the very edge of the D-shaped settlement; and another of them is right next to a cup-marked stone. Whilst a number of the cairns along this ridge are much like those found on the moors above Ilkley, Bingley, Middleton, Askwith Moor, Earby, etc — averaging 2-3 yards in diameter and less than 2 feet high amidst the peat and decaying herbage — one notable feature to many of these tombs is the inclusion of a rather large, singular boulder, against which or around are propped the smaller stones, typical of cairns found elsewhere in the region. This ‘large boulder’ characteristic is not common at other tombs in the mid-Pennines, but seems specific to this graveyard. Neither do the large boulders seem set in any particularly consistent fashion. There is the possibility that they were originally above the smaller cairn of stones, but this is purely hypothetical and non-verifiable without excavations.
The important Snowden Crags cairn circle, discovered by the hardworking Keighley volunteer Michala Potts on Thursday, 20 May, 2010, can be found on the northern part of this cairnfield.
References:
Cowling, Eric T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
Dead easy this. From Otley, take the north road over the River Wharfe and turn left following the signs to Askwith, where you’ll hit Weston village first. Once here, take the small left turn down to Weston Hall and the accompanying church. Go into the churchyard and check the graves!
Archaeology & History
This is a real curiosity. It’s found in the graveyard of All Saints church, Weston, where one of the graves has several small stones on it, with this small stone with the following cup-and-ring designs upon it. A plaque has been attached to it as a memorial to one ‘Susan Mary Dawson’. Strange…
Sid Jackson’s 1958 sketchCup-marked stone deliberately placed on a christian grave
It was first written about by Sidney Jackson (1957), but where it first came from and why it has been placed here in a christian setting is something of a mystery. It’s also odd inasmuch as although we know that there was some form of ritual or geomantic use of cup-and-rings in relation to neolithic and Bronze Age burials — that such a tradition has been performed by this particular family on this grave. It is obviously highly unlikely that this family had any knowledge whatsoever of burial traditions in relation to cup-and-ring art (please, shoot me down in flames if you know otherwise), so this re-use of this prehistoric stone is likely to be little other than fortuitous. But then, the occult history of some of the influential families in and around this region in relation to witchcraft, ancient kingship and esoteric practices, might indicate otherwise…
Does anyone know anything about the Dawson family history which might throw light on this modern use of a prehistoric tomb marker? It has all the hallmarks of once coming from a prehistoric cairn, but we know little of its history prior to 1957.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Jackson, Sidney, ‘Cup-and-Ring Boulder, Weston Churchyard,’ in Cartwright Hall Archaeology Group Bulletin, 2:16, 1957.
Standing Stone (destroyed?): OS Grid Reference – SE 1765 5032
Archaeology & History
Eric Cowling (1946) described this lost or destroyed stone as “a squat standing stone at junction of the Askwith bridge-path with the Otley-Timble highway, saying how it gave its name to Stoop Hill, “which it surmounts.” But in several ambles here in search of this old stone, we’ve yet to locate it; though we did find the Stoup Hill cup-marking and possible neighbour on the southern edge of the hilltop.
Folklore
In days of olde, the ‘Old Man’ was the fabled companion of the legendary ‘Old Woman,’ or great cailleach (the christian cult stupidly, somehow, turned this mythic figure into their ‘devil’ – to which it has no relationship whatsoever). Although no specific folktale remains here, the name of this lost stone tells that it had some mythic tale underscoring it; perhaps simply that it marked the burial of some forgotten chief or elder.
