cup-and-rings – Page 35

Clach nan Sul, Balquhidder, Perthshire

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Cup-Marked Stone (destroyed): OS Grid Reference – NN 5456 2084

Also Known as:

Canmore ID 24150
Stone of the Eyes

Archaeology & History

Looking down Balquhidder Glen from the Clach nan Sul's old home — Looking down Balquhidder Glen from Clach nan Sul’s old home

Apparently destroyed, although some remains of the stone were said to be seen in the walling by the roadside; but when visiting this spot a few days ago the summer vegetation had completely covered any potential finds here. The stone fell foul of the usual self-righteous industrialists when the track alongside which it had sat for countless centuries was turned into a road and the stone was “blasted”. It was found some 20 yards below the large cup-marked stone known as Wester Auchleskine, seen amidst the clump of rocks in the field above.

The stone was described in MacKinlay’s (1893) fine survey on Scottish holy wells due to the healing properties of the waters that collected into the rock basin here. The earliest record of the site that I’ve found comes from the hallowed papers of the Scottish Society of Antiquaries, where—in J.M. Gow’s (1887) rambles just east of Balquidder—he told us the following:

“Going still further east to the first turning of the road beyond the farmhouse of Wester Auchleskine, and on the left-hand side, there used to be a large boulder with a natural cavity in its side, famous as a curing well for sore eyes. This stone was called “Clach nan sul” (the Stone of the Eyes). In 1878 the road trustees caused it to be blasted, as it was supposed to be a danger in the dark to passing vehicles. Its fragments were broken up, and used as road metal.”

Whether or not the site known as the Priest’s Basin, or Basan an Sagairt—a couple of hundred yards west by the roadside—was of a similar nature, or an attempt by christians to draw people away from the old healing Clach nan Sul and use this other one instead, we do not know. There are numerous accounts of other stones in this mountainous region of Scotland where rocks-with-hollows filled with water were attributed with healing properties, like the Whooping Cough Stone at Struan, the Measles Stone at Fearnan, and many others.

Folklore

The folklore described by Mr Gow was reiterated in MacKinlay’s (1893) survey. He also told how,

“The hollow in the Clach-nan-Sul at Balquhidder…contained small coins placed there by those who sought a cure for their sore eyes. Mr J. Macintosh Gow was told by some one in the district that ‘people, when going to church, having forgotten their small change, used in passing to put their hands in the well and find a coin.’ Mr Gow’s informant mentioned that he had done so himself.”

References:

Gow, James M., “Notes in Balquhidder: Saint Angus, Curing Wells, Cup-Marked Stones, etc”, in Proceedings of the Society of Antiquaries Scotland, volume 21, 1887.
MacKinlay, James M., Folklore of Scottish Lochs and Springs, William Hodge: Glasgow 1893.

Panorama Woods (231b), Ilkley, West Yorkshire

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Cup-Marked Stone: OS Grid Reference – SE 10378 47027

Getting Here

Follow the directions to reach Panorama Woods carving 232. Barely a yard or two southwest across the small gap where the kids have their little den or hideout, this long curvaceous rock is the fella in question.

Archaeology & History

Curiously not included in the ‘official’ records, this large piece of rock, living right in between the Panorama Woods carvings 231 and 232, has at least two, possibly three faint cup-marks etched in the top northeastern portion of the rock. Of the same style and probably period as the basic designs on stones 230 and 231, this is one in a cluster of petroglyphs that used to live at the edge of a prehistoric enclosure, destroyed at the end of the 19th century.

References:

Bennett, Paul, Of Cups and Rings and Things, unpublished: Shipley 1981.
Bennett, Paul, The Panorama Stones, Ilkley, TNA: Yorkshire 2012.

Panorama Woods (232), Ilkley, West Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – SE 10380 47027

Also Known as:

Carving no.62 (Hedges)
Enclosure Carving

Getting Here

Take the Wells Road from Ilkley centre up towards White Wells, bending to the right as you hit the edge of the moor. Keep along the road, past the old college building with its lake and turn right up Westwood Drive. Keep going all the way up till you hit the small woodland on your right. Where the woodland ends – stop! Walk into the trees about 10-15 yards and you’ll see the large rocks ahead of you. Amongst other petroglyphs hereby, you’ll find this carving is on one of them.

Archaeology & History

Although only given the usual dry description by our academic catalogue chaps, there’s something about this design that I’ve always liked. We first came across it ourselves in the late 1970s, in search of the legendary Panorama Stones, and found instead this large enclosure design with at least three cups inside it, still clearly visible. It is one of a cluster of carvings hereby, all of which were once adjacent to a prehistoric enclosure, described in the 1880s and destroyed soon after. This and the associated carvings very probably had some archaeocentric relevance to the lost enclosure.

Large carved 'enclosure', recently chalked — Large carved ‘enclosure’, recently chalked

Drawing of the carving (after Hedges 1986)

The carving is sandwiched in between its petroglyphic companions, stone 231 and stone 233. As can be seen on some of the photos here, more recent vandalism has been inflicted on this carving and the recent chalk colouring is what local archaeologists Gavin Edwards and Alex Gibson have termed “social history”, implying fallaciously that cup-and-ring art could be seen as little more than neolithic and Bronze Age scribblings on rock, without any meaning other than it being comparable to “Leeds United Rules OK.” They may be right (highly unlikely) – but in reading copiously about prehistoric petroglyphs in cultures beyond the UK, we find that traditional societies tell such carvings relate to their creation myths, or river spirits, or rock spirits, and are intrinsically related to wider animistic cosmologies and social customs. This indicates, to me at least, that modern archaeologists who think of rock art as little more than childish scribblings still have a great deal to learn and we should beware their uneducated musings about our ancient carvings.

Although the complete carved ‘enclosure’ and its internal cups were mistakenly drawn in John Hedges (1986) survey, he described as being a,

“Roughly incised ‘enclosure’ with five cups in it, twenty eight shallow cups or depressions, one large oval marking, three irregular basins.”

In the later work of rock art students Boughey & Vickerman’s (2003), they simply said of the site:

“Large flat-topped, upstanding rectangular rock. Twenty-eight shallow cups, a few enclosed in two groups by grooves; irregular small basins.”

References:

Bennett, Paul, Of Cups and Rings and Things, unpublished: Shipley 1981.
Bennett, Paul, The Panorama Stones, Ilkley, TNA: Yorkshire 2012.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

Winterborne Came 18b, Bincombe, Dorset

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Tumulus (destroyed): OS Grid Reference – SY 6800 8600

Also Known as:

Monument No.1300126 (Pastscape)

Archaeology & History

Charles Warne's 1848 drawing of the old tumulus — Charles Warne’s 1848 drawing of the old tumulus

A number of very large prehistoric burial mounds, or tumuli, were destroyed in this part of Dorset in the 19th century, including “three on the Came estate, near Dorchester, the property of the Hon Col. Damer.” This one—listed as a “bowl barrow” and known today as the Winterborne Came 18b tumulus in Grinsell’s (1959:148) brilliant survey—was found to house examples of petroglyphs, which are very rare in this part of Britain. Thankfully before its destruction, the local antiquarian Charles Warne (1848) was present and has left us with a good description of its structure and contents. After first telling of the demise of two other large tumuli close by, the biggest of them drew his attention:

“The last of these mighty mounds (and well do they merit the appellation from their vastness), measured rather more than ninety feet in diameter, and sixteen feet in height; this from the peculiarity of its contents was the most interesting of the three. The annexed rough sketch (above), shewing a central section of the tumulus, may serve to give some idea of the singularity of its composition. About the centre, at a depth of some three feet from the surface, was found lying flat a rough unhewn stone, with a series of concentric circles incised; this, on being removed, was seen to have covered a mass of flints from six to seven feet in thickness, which being also removed we came to another unhewn irregular stone, with similar circles inscribed, and as in the preceding case, covering another cairn of flints, in quantity about the same as beneath the first stone. It was in this lower mass that the deposits were found, consisting of all the fragments of an urn of coarse fabric, and apparently as if placed in its situation without either care or attention, no arrangement of the flints being made (as we have elsewhere seen) for its protection; the want of which observance had completed its destruction. Under the flints, lying at the base, were the remains of six skeletons, and some few bones of the ox. The skeletons had apparently been placed without order or regularity: with the exception of a few bits of charcoal with the urn, there was no evidence of cremation.”

Nearly twenty years later, Sir James Simpson (1867) also described the tumulus and its carved rocks in his 19th century magnum opus, repeating much of Warne’s earlier description, saying:

“In his antiquarian researches in this county (Dorset), Mr Warne opened , at Came Down on the Ridgeway, a tumulus of rather unusual form. At its base…were found the remains of six unburnt human skeletons…and some few bones of the ox. Above them, and in the centre of the tumulus, was built up a cairn or heap of flints around a coarse and broken urn, which contained calcined bones. This mass of flints was surrounded and covered by a horizontal rough slab. Above and upon this slab was built another large heap of flints, six or seven feet in thickness. This second heap was capped with another rough slab, lying two or three feet below the surface of the tumulus. Both these flat unhewn covering slabs had a group of concentric circles cut upon them.”

We don’t know for sure the exact whereabouts of the tumulus, nor the age of the tomb and its remains. But the size of it may indicate an early Bronze Age and perhaps even neolithic status. The finding of the rock art in the tomb is also an indicator that could push the date back into late neolithic period—but we may never know for sure…

References:

Grinsell, Leslie V., Dorset Barrows, Dorset Natural History & Archaeological Society 1959.
Royal Commission on Historical Monuments (England), An Inventory of Historical Monuments in the County of Dorset – Volume 2: South-East, HMSO: London 1970.
Simpson, James, Archaic Sculpturings of Cups, Circles, etc., Upon Stones and Rocks in Scotland, England and other Countries, Edmonston & Douglas: Edinburgh 1867.
Warne, Charles, “Removal of Three of the Large Tumuli on the Came Estate, near Dorchester,” in Journal of the British Archaeological Association, volume 3, 1848.
Warne, Charles, The Celtic tumuli of Dorset: An Account of Personal and other Researches in the Sepulchral Mounds of the Durotriges, J.R. Smith: London 1866.

Duncroisk (2), Glen Lochay, Killin, Perthshire

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Cup-and-Ring Stone: OS Grid Reference – NN 53134 35850

Also Known as:

Canmore ID 24169
Duncroisk 3 (Canmore)

Getting Here

Troublesome to get to unless you’re reasonably fit. Probably the easiest route is to get to the Duncroisk 3 cup-and-ring stone. Keep walking along the riverside, climb over the first tall wooden fence and onwards till you reach the rocky crag reaching into the river Lochay. By whichever means possible, get yourself up and round this crag, but keep by the riverside till you get to the easier walkable rocky outcrop protruding into the river on the other side of the drop. Hereby, on one of the stones, look and you’ll find these faint cup-and-ring symbols.

Archaeology & History

Although this carving was first described in Edward Cormack’s (1952) essay on the prehistoric carvings of the district, they have subsequently proved difficult to locate by the Royal Commission lads and other archaeologists. I’ve been here a few times looking for it and never managed to find it — until last week. When Mr Cormack first told of the design, he said:

“On a smooth rock surface just above the mouth of the small burn running into the Lochay, immediately west of the cup-marked ridge, are two cup-and-ring markings a yard apart. The rings are curiously rough edged, and do not give the same impression of weathering as those on the ridge; possibly they have been silted over shortly after being cut, and exposed again relatively recently.”

Flambeau the Cat uses the carving as his bed!

A few decades later, Ron Morris (1981) came across the carving, 10 yards “southeast of an elbow of River Lochay”, as he put it. Described as “hard to find”, he went on to give a basic outline of the design as he saw them, telling there to be “2 cups-and-one-ring, both probably complete, up to 16cm (6in) diameters, with radial grooves from cup to ring—up to 1cm deep.” Or more simply, two cup-and-rings, each with a line running from the centre to the surrounding ring.

After trying to find this carving on several occasions, without success (somehow!), it was brought to my attention under the brilliant guidance of a local cat called Flambeau only last week (no lies!). In a venture down to the riverside, the great cat (in tandem with Pip the dog, who also ventures out with me to find ancient sites in this region) got to the riverside on the rock in question and began rolling about in the dust on the stone, mewing and purring away merrily! It was really brilliant to watch. Sincerely heart-warming (soz…but I can’t help it!).

Primary cup-and-ring at Duncroisk-2 — Primary cup-and-ring at Duncroisk (2)

I stepped over and complimented him as he looked superb (hence the photo, above) and he just kept purring. Then, curiously, he stood up and began scratching at the dried earth on the rock, mewing away whilst doing this. Twas very odd indeed. But there, exactly where Flambeau has been scratching and rolling about, it seemed a faint cup-mark was apparent. And such it was! So I got on my knees and began cleaning away the dirt from the rock — and there, right where he’d been purring and playing, was the lost cup-and-ring carving!

Its location would suggest that the carving had some relationship with water: be that the spirit of the place, or a good site where fish can be had, or a place where someone had drowned, etc. We’ll probably never know… But it’s a beautiful spot, with the impressive Stag Cottage carvings in the adjoining field, and the newly discovered Corrycharmaig East carvings on the other side of the river — plus many others in the area.

Folklore

The River Lochay where this carving is found is named after a dedication to the Black Goddess, according to Prof. W.J. Watson. (1926) The stream by the side of the carving which runs into the River Lochay has been the place where faerie music has been heard by local people in times past.

References:

Cormack, E.A., “Cross-Markings and Cup-Markings at Duncroisk, Glen Lochay,” in Proceedings of the Society of Antiquaries, Scotland, volume 84, 1952.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
Watson, W.J., The History of the Celtic Place-names of Scotland, Edinburgh 1926.

Tombreck 01, Kenmore, Perthshire

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Cup-Marked Stone: OS Grid Reference – NN 64798 38284

Also Known as:

Canmore ID 289069

Getting Here

Cup-marked stone, with Ben Lawers to the rear

Along the A827 Loch Tay road between Morenish and Lawers, take the track uphill where Carie farmhouse and Tombreck are either side of the road. Walk up this track 2-300 yards till you go through the gate just past the sheep-folds on your left. Ahead of you is a small grassy hillock on your right – go to the top of it, where you’ll find one of them has a row of cup-markings on its northern edge.

Archaeology & History

This is a reasonably large boulder near the top of the hillock above the trackside. Several rocks have what may be single cup-markings on them, but this roughly oblong-shaped block has four or five of them running along the more northern edge of the stone, in a rough line sloping gently down the surface of the rock. No carved rings or other lines were immediately notable here. It’s nothing special to look at and will probably be of interest only to the hardcore petroglyph enthusiasts amongst you. However, there are many more ornate cup-and-rings found further along the ridges close by (which we’ll add as the weeks and months go by); as well as the remains of a prehistoric enclosure about 200 yards southeast. The small standing stone of Carie is roughly the same distance to the south.

(Note: although I’ve listed this as the ‘Tombreck 01’ carving, this is likely to be revised in the near future as there is a large gathering of carvings all around this area. The region is still being surveyed and the designations of the petroglyphs will be revised as and when they are recorded more fully, or if/when a detailed published account catalogues them satisfactorily.)

References:

Currie, George, “Kenmore: Tombreck (2-4), Cup-and-ring Marked Rocks,” in Discovery & Excavation in Scotland, New Series volume 10, 2009.
Currie, George, “Kenmore: Tombreck (5-7), Cup-Marked Rocks,” in Discovery & Excavation in Scotland, New Series volume 10, 2009.

Leaston House, Humbie, East Lothian

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Cup-and-Ring Stone (lost): OS Grid Reference – NT 483 634

Also Known as:

Canmore ID 54771

Archaeology & History

The concentric ring carving shown here was found on the north side of the large gardens at Leaston House early in the 20th century. It was first reported by the Royal Commission (1924) boys, who told us that the small free standing stone measured 2½ feet long and was 1¾ feet wide, consisting of 5 concentric rings about 15 inches across. No central cup-marking existed in the middle of this carving — like the Grey Stone at Harewood and a small number of other multiple-ringed petroglyphs. No other notes were made about any other associated monuments. The carving was included in Ron Morris’ (1981) survey, with no real additional material. Although the Canmore report told that the carving could be found “in a rockery bordering the lawn north of Leaston House,” its present whereabouts remains a mystery.

This is one of a number of cup-and-ring stones that have been ‘lost’, either through destruction or through some dood simply taking it for their own private collection (a practice even the modern rock art student, Paul Brown, has openly admitted in one of his books). Not good. This lost Leaston Hall carving was probably “acquired” by some local and probably rests either in their garden or hall somewhere. If anyone knows where it hides, please tell us — as this is an important carving.

References:

Morris, Ronald W.B., “The cup-and-ring marks and similar sculptures of Scotland: a survey of the southern Counties – part 2,” in Proceedings of the Society of Antiquaries, Scotland, volume 100, 1969.
Morris, Ronald W.B., “The Cup-and-Ring and Similar Early Sculptures of Scotland; Part 2 – The Rest of Scotland except Kintyre,” in Transactions of the Ancient Monuments Society, volume 16, 1969.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
Royal Commission on the Ancient & Historical Monuments of Scotland, Inventory of Monuments and Constructions in East Lothian, HMSO: Edinburgh 1924.

Acknowledgements:

With thanks to Janet Donaldson-Elder for the place-name correction!

Fortingall Churchyard, Perthshire

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Cup-Marked Stone: OS Grid Reference – NN 7417 4703

Also Known as:

Canmore ID 25003

Getting Here

Go into the Fortingall churchyard, turning left through the gates (walking across in front of the enclosed sacred yew tree), towards the dip in the walling past the graves. Go over this wall, turning left and through another small gate. Immediately through the gate, note the small upright stone on your right, below an offspring of the old yew tree. That’s the spot!

Archaeology & History

In the legendary churchyard at Fortingall — home to remains from a panoply of beliefs — below the sacred yew tree we find the remains of this hewn piece of stone, recovered from the Earth beneath the roots of the old tree more than 100 years ago. Upon its crown we see a cluster of cup-markings: Fred Coles (1910) counted 14, I counted 13, the Ordnance Survey boys counted 9, and other surveyors are somewhere in between.

Fred Cole's sketch of the stone — Fred Cole’s sketch of the stone

Described and illustrated in the Strathtay rock art survey of Sonia Yellowlees (2004), it seems that the earliest mention of the stone was by our Perthshire megalith hunter Fred Coles (1910). When he wrote about it, the site had only recently been rediscovered. He told that he was,

“informed by Rev. W. Camphell, minister of the parish, that in 1903, when some alterations were being made in that portion of the burying-ground belonging to the late Sir Donald Currie of Garth, the workmen came upon this Stone lying at a depth of 8 feet, at a point not many feet distant from the stem of the famous Yew-tree. Noticing the cup-marks on the Stone, the workmen raised it and set it up erect on the site it now occupies, close to the western wall of the Garth burial-ground — about 25 feet from the spot where it was unearthed: In the plan annexed (fig.2) the oblong bounded by the letters A B C D shows the dimensions of the base, and the small cup-marked surface, evidently much broken, and 2 feet 10 inches above ground, shows all that now remains of the work of the prehistoric artificer. There are no rings or grooves, and the cups, except for clearness and neatness of finish, do not present any special features.”

...and another angle. — …and another angle.

Mr Coles then made some intriguing suggestive remarks regarding the position of the carving beneath the ancient yew tree (which to those of you who aren’t aware, is believed to be the oldest yew tree in Europe and has a pagan altar next to it), wondering whether the animistic tradition of the tree had anything to do with the carving itself. It would certainly make sense. But there is also the possibility that the carving was brought from elsewhere and placed by the tree at a later date. We simply don’t know.

References:

Coles, Fred, “Report on Stone Circles Surveyed in Perthshire,” in Proceedings of the Society of Antiquaries, Scotland, volume 44, 1910.
Yellowlees, Walter, Cupmarked Stones in Strathtay, Scotland Magazine: Edinburgh 2004.

Fraggle Rock, Hawksworth Moor, West Yorkshire

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Cup-and-Ring Stone: OS Grid Reference — SE 15094 43502

Getting Here

Probably the easiest (direction wise) is if you’re coming from Dick Hudson’s public house on the southern road surrounding Rombalds Moor. From the pub, head left (east) along Otley Road (passing Weecher reservoir) for 1.9 miles (3.1km) until you reach Reva reservoir where a track leads you to the waters. A small parking spot is on the left-side of the road. From here, go through the gate and along the footpath across the field for nearly 300 yards to the next gate; go through here and walk to your right for about 60 yards where uyou’ll reach a small straight dyke (keep your eyes peeled!) running NW (to your left): walk along here for nearly 200 yards until it hits another shallow dyke bearing right; follow this dead straight for 35 yards after which it changes direction, but you need to keep walking straight on forward for another 60 yards or so. Look around!

Archaeology & History

Early photo of the carving — First photo of the carving

This carving is one in a cluster of previously unrecorded petroglyphs, uncovered in the summer of 2011 during a Northern Antiquarian bimble on the northern edge of Rombald’s Moor. The carvings were found as a bi-product of uncovering a previously undiscovered cairn circle, close to the Twelve Apostles stone circle. In assessing and exploring the newly-found circle, it was noticed that a small opening in the near horizon highlighted a rise in the landscape barely a mile away. This ‘opening’ in the land was not visible if you walked 25 yards either side of the cairn circle – but was very notable at the circle itself.

“We need to have a look at that site,” I said. “It’s position looks to have been relevant to this circle.” (or words to that effect) And a couple of weeks later we met up and walked to the place in question.

Within five minutes we came across a couple of previously unrecorded cup-marked stones, of simple design, right in line with the cairn circle. As we walked around this spot, then headed back in the direction of the circle, a cluster of small stones were noticed on the slope. One had what looked like a single cup-marking near its edge, but the rest of the rock was completely covered in vegetation. Paul Hornby and Michala Potts had, by now, already found several other previously unrecorded cup-marked stones close by; but as I carefully rolled back the vegetation at the edge of this particular rock, cups-and-rings and carved lines seemed to be covering most of its surface. It was a good one!

We called it the Fraggle Rock after noticing that when you look at the stone from one end, the two main cup-and-rings are likes two large eyes carved above a large natural down-turning ‘mouth’ feature, similar to some of the creatures’ faces on the muppets or the similar kid’s TV show, Fraggle Rock! (sad aren’t we!?) The photo here shows you what we mean.

The primary design consists of at least 3 cup-and-rings, 2 partial cup-and-rings, 28 cups and several carved lines along which some cup-markings are linked to others. The most notable of the carved lines is the longest (barely visible in the photos), running from a single cup-mark at the southernmost rounded end of the stone, almost straight and parallel with a natural ridge or dip along the rock, until it meets the largest of the cup-and-rings (one of the eyes on the Fraggle’s face!). Don’t ask me why, but for some reason this long faint line seemed the most perplexing element of the carving.

Eastern edge, with cups at ground level — Eastern edge with low cups

Most of the design is carved on the upper face of the stone, but a small part of the rock dips into the ground on its eastern side and a small group of cups and a single carved line, in a very good state of preservation, are etched right at the edge of the stone. Unusual. Another faint cup-and-ring is less than 100 yards west; and a fascinating cup-and-lines stone, with at least four long carved ridges running like hair from the top of the stone into the Earth, is a short distance to the north. A number of others are in this and adjacent fields.

References:

Jack, Jim, “Old Fraggle Rock is Found on Burley Moor,” in Ilkley Gazette, March 4, 2013.

Tree Stone, Ilkley, West Yorkshire

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Cup-Marked Stone: OS Grid-Reference – SE 1043 4702

Archaeology & History

One of the first photos, just as the mud had been cleared

This carved stone was rediscovered by Michala Potts on the rainy afternoon of August 26, 2011, on a Northern Antiquarian excursion to explore some of the cup-and-rings on Ilkley Moor. The entire stone was totally covered in soil and leaves, and Michala spent some considerable time carefully clearing the dead vegetation to unveil the carvings beneath.

This carving has at least 12 cup-marks on its slightly inclined surface, with several artificial carved lines and some that are obviously geophysical in origin. (we really could do with a geologist with a cup-and-ring fetish to accompany us on some of our outings!) But the main feature of this carving — as the photos here illustrate — appears to be the natural crack that runs up through the middle of the stone, either side of which have been etched a number of cup-markings attached by small lines or ‘branches’, giving the distinct impression of a tree. Whether this was a deliberate artistic feature (a tree), or just another Rorscharch response to non-linear systems on our behalf (more probable), we’ll never know. On the moors northeast of here on the other side of the Wharfe valley, the Tree of Life Stone acquired a similar association due to its design; but this Ilkley design, sadly, aint quite as good as the one on Askwith Moor.

Tree Stone, showing modern industrial scars

There are some puzzles on this stone aswell. Other lines scar the rock which are definitely man-made, but they are of a different nature and age. The marks have been scarred by more modern metal tools, or were caused by heavy metal machinery that have rested on the rock at some time in the not-too-distant past. You can see the curved deep scratches in the photo here to the right. It seems likely that when the modern houses were built straight across and above here, this cup-marking was damaged by the workers — although they didn’t know it was here as the stone had not been catalogued by the Ilkley archaeologists. But there’s also another peculiar feature on this stone. Someone a century or two ago also carved other fainter features into the stone, seemingly lettering, on the northeast edge of the rock. They can be seen faintly on the second photo, above.