Follow the same directions to reach the Pancake Stone, but about 100 yards west, following the footpath that runs along the edge of the ridge (towards the large Haystack Rock a few hundred yards west), watch out for these large seemingly split rocks, with one elongated length of stone by the pathside. You can’t really miss it!
Archaeology & History
Very little’s been said of this carving as it’s just one more of the many rocks with just a solitary cup-marking etched on top — as we can see in the photo. The cup-mark is near the bottom, southeast-ish portion of the rock and is plain to see.
(Note: I’m not 100% sure that I’ve got Boughey & Vickerman’s (2003) numbered carving correct here. They describe a carved rock very close by here as an “upstanding rock, part of a large split rock,” as their ‘number 326’ carving — which is roughly similar; though I’m not totally sure! No other single cup-marked stone is listed in their survey close by, so assume it’s the same one as in their work.)
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Hedges, John, The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Follow the directions to reach the giant Haystack Rock, then follow the footpath west along the moor-edge, round where it bends keeping along the edge of the stream (Backstone Beck) below. A couple of hundred yards after the bend, right by the side of the path. You’ll see it! (if you hit the clearly defined ‘enclosure’ walling, you’ve gone too far)
Archaeology & History
No — not the Rosetta Stone; but it is a lovely carved rock this one. Best seen (as usual) when the rock’s wet and the sun’s heading for (or just emerged from) the horizon — but much of this image is visible even when She’s cloudy.
Close-up of ‘rosette’ design & and other CnRsThe Rosette Stone carving
First mentioned in literary terms (surprisingly) by M.J. Walker (1956), in a short write-up following one of the Bradford Archaeology Group’s moorland walks up here. Nearly six-feet along its longest axis, there are more than 30 cup-marks on this stone, at least three with rings; plus a variety of lines linking some cups to others. At its northern tip is the lovely little ‘rosette’ design, as archaeologists have called it. Others have seen this part of the design as a solar image; a flower; the Pleiades; a ring — take your pick! It is a lovely carving though (if you’re a sad person like me, who’s into these sorta things!). What relevance – if any – it may have had to the ‘enclosure’ within whose edges it sits, is anyone’s guess!
Excavations done close by (focusing mainly on the prehistoric ‘enclosure’ within whose domain this and other carvings occur) uncovered remains of old grooved ware pottery and the remains of flints. (Edwards & Bradley 1999)
The one thing we realise from looking at this design is the difference seen between the ‘accurate’ illustration drawn by archaeologists, and the flesh and blood of the stone itself, in situ. The living rock has much greater form and expression than anything which our desire for accuracy possesses. This aint knocking any attempt to portray the cups, rings and lines on paper correctly to show what the design originally looked like; merely that there’s a world of difference between the experiential vision of the carving and that done with graphic accuracy. But we all know that anyway – so please forgive my little sojourn into speaking the bleedin’ obvious!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Edwards, Gavin & Bradley, Richard, ‘Rock Carvings and Neolithic Artefacts on Ilkley Moor, West Yorkshire,’ in Grooved Ware in Britain and Ireland (edited by Cleal, R. & MacSween, A.), Oxbow: Oxford 1999.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Walker, M.J., ‘Ilkley Boulders Tour,’ in Bradford’s Cartwright Hall Archaeology Group Bulletin, 2, 1956.
Pretty easy to find. Follow directions to reach the great cup-and-ring marked Haystack Rock, then follow the footpath west and drop down the slope, crossing the stream of the Backstone Beck below you, the up the steepish slope and turn sharp left when you hit the footpath before the top of this slope. Walk onto the moor! You’ll walk right past the cup-and-ring marked ‘carving 283’ on this path, then the ruinous Backstone Circle a bit further along (50 yds to your right), but keep walking for another 100 yards until you see a large boulder a few yeards to the left of the footpath. That’s it!
Archaeology & History
I first came across this as a kid, sometime in my early to mid-teens, pottering about, looking at any old rock that caught my eye. And this one isn’t hard to miss really. One of the best memories I’ve got of this stone was when a bunch of us came walkabout up here, sometime in the autumn, when the heavens poured all day long to saturation-point — even for those in all their protective gear, such good as it was in the late ’80s to early ’90s. There started out a fair bunch of us—between 20-30 folk—with numbers dwindling sharply when we reached the Apostles. But this stone was visited way before that! Along with Bob Trubshaw, Graeme Chappell, Kaledon Naddair, Edna Whelan and a troop of other mad-folk, we stopped for a while to consider this old rock, with only three cups really visible that day. The others (those cited by the archaeo’s) weren’t picked out, as I remember. But She was pissing-it-down and the wind was really giving-it-some, so we didn’t stop here for long! We all agreed though: it was a nice, worn cup-marked stone.
Gill Head rock carvingGill Head carving (after Hedges 1986)
John Hedges and the Ilkley Archaeology bunch had cited it as ‘cup-and-ring’ in their fine work — the first time this old carving had been in print since it was first etched! A few years later when Messrs Boughey & Vickerman (2003) checked it for their survey, no new features had been noted and they just copied Hedge’s earlier notes. Indeed, it’s just a large boulder with a few archetypal cupmarks on it when it first greets the eyes. Nowt special—and with no companions either.
This is another one mainly for the mad-folk and purists amongst us.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
This takes a bitta getting to and won’t really be worthwhile unless you’re a rock-art nut! I s’ppose if you’re looking at the other decent cup-and-ring stones on the summit of Addlebrough, it might be worth looking at. In which case, walk a coupla hundred yards southeast towards where the walling meets and climb over. The walk a little further in the same direction and once you’ve gone less than 100 yards, look around. You can’t really miss it if you potter about.
Archaeology & History
Single cup-marked stone (photo by Richard Stroud)
This possible single cup-marked stone appears to have been discovered before me ‘n Richard Stroud got to the spot, by none other than Stan Beckensall himself — or at least it’s in Stan’s Prehistoric Rock Art of County Durham, Swaledale and Wensleydale book, where he describes it as it only can be done: “a single possible cup-marked stone…SSE of the summit cairn”, which is where you find this. (Another single cup-marked stone found nearby by Barbara Brown aint the same one as this.)
References:
Beckensall, S. & Laurie, T., Prehistoric Rock Art of County Durham, Swaledale and Wensleydale, County Durham Books 1998.
This supposedly 10-12th century carving — found in the early 1940s and handed to the Scottish National Museum in Edinburgh by Mr A. Sanderson — took my interest by virtue of the distinct swastika design carved on the face of the stone.* The fact that it’s etched onto what’s thought to be the remains of an old christian cross shouldn’t be too surprising: we find it on numerous other old stone crosses, church bells and other religious remains.
This example was only carved on one side of the stone, which measures some 18-inches high and just 9 inches across. The top of the stone has a design typical of many early crosses from between the 9th to 14th century; whilst the curvaceous line on the lower-right also typifies imagery found on many crosses from this period — some of which appear to be based on cup-and-ring imagery. However, no such cup-and-rings seem to have been in evidence where this cross-remain was found. Very little else is known about its history.
Although it aint quite as old as Ilkley’s Swastika Stone, this is still a fascinating carved stone indeed!
References:
Royal Commission on the Ancient & Historical Monuments of Scotland, Peeblesshire – volume 1, HMSO: Edinburgh 1967.
Stevenson, Robert B.K., ‘The Inchyra Stone and some other Unpublished Early Christian Monuments’, in PSAS 92, 1961.
* To those who don’t know, the swastika symbol has been used by people from around 20,000 BC onwards and has only very recently gained a bad press. It’s a symbol that needs to be reclaimed, through education, and put back into its proper mythic place where it belongs – away from any Nazi dip-shits, whose retarded actions pale into insignificance when it comes to the primal archaic nature of this old form.
Take the same directions as to reach the Snowden Crags Necropolis, and where the small rounded hill rises up on the eastern end of the plain, look around and you’ll find the stone in question.
Archaeology & History
Up near the edge of the Snowden Moor settlement, just a few yards away from Carving-570, is this medium-sized earthfast boulder with what seems to be three or four cup-markings on its western-face. Boughey & Vickerman (2003) describe the stone as with a “deep gully, cups and enlarged cup, perhaps weathered carving but could be natural” — which seems a reasonable assessment. Certainly the cups seem weathered, although a couple of them may have been man-made. At the side of the rock are the remains of a small cairn, and it is positioned next to the beginning of the Snowden Moor Cemetery.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Cowling, Eric T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
Follow the directions to reach the Snowden Moor settlement and, from the Upper D-shaped enclosure (at SE 1782 5131) walk west up the sloped hillock 30 yards west and, on its top, head to its northern edge where a small cairn can be found. The carving is next to it.
Archaeology & History
Very close to what seems to be the boundary between the Snowden Moor Settlement and its adjacent Cemetery is this small earthfast rock with three cup-markings on it, two of which may be linked by a small line. I have to say that we have to be cautious about the veracity of this carving. By the side of this stone is what seems to be the remains of a cairn.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Follow the same directions as to reach the Tree of Life Stone carving. From here walk 7 or 8 yards east. You can’t miss it!
Archaeology & History
Coped Stone carving (after Boughey & Vickerman)
About 20 feet away from the more renowned Tree of Life Stone — and seemingly linked to it by a small stretch of ancient walling that runs between the respective stones — is this rather large boulder close to the walling with at least seven cup-marks on it. A number of vague lines run down and around the edges of some of the cups, but they can be somewhat hard to see if the light conditions aint right (I don’t recommend trying to suss it out on dark grey overcast days — unless you’ve got awesome eyes!). Immediately next to this rock is a large collection of small stones, looking to be the remains of some man-made construction from time past. The nature of this pile of rocks has yet to be ascertained, but it would be reasonable to assume that it was at one point earlier a much larger pile that has been plundered for use to make the drystone walls hereby. Less than 10 yards below this and the Tree of Life Stone carving is a line of ancient walling, at least Iron Age in nature, possibly earlier, running for some distance east-west up and across the moorland.
Cup-marks near top of the stone
The carving was described for the first time, albeit very briefly, by Eric Cowling (1937) in his lengthier description of the Tree of Life Stone, saying how “a small coped stone to the east has several scattered cups” on its surface — meaning this old thing! Boughey & Vickerman’s (2003) survey (2003) describe it as a “medium-sized, upstanding, worn rock. Seven or eight possible cups, mostly at the top of S face, but one at its bottom of E face.”
…And the poor old fella has had nowt else said of it until now! I reckon this carving will only be of interest to the most serious of meditators or hardened rock-art freaks!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Cowling, Eric T., “Cup and Ring Markings to the North of Otley,” in Yorkshire Archaeological Journal, part 131, 33:3, 1937.
Cowling, Eric T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
Take the directions to reach the Haystack Rock, then head onto the moor following the southeast footpath for a few hundred yards, towards where the moor slopes uphill. 20-30 yards before the uphill slope, a yard to the right of the path. It accompanies the Young Idol Stone with its two small cups, just a few yards away. Keep your eyes peeled and y’ can’t really miss it! If you hit the large slightly-pyramidal-shaped boulder with its well-worn lines running from its top (the Idol Rock), you’ve gone past it.
Archaeology & History
An intriguing carving this, and one which has always had me edging towards a manifest linear or logical myth underscoring its form. It’s the almost binary or primal numeric system in the lay-out of the cups which seems to do it. Few other carvings in the region exhibit this tendency.* If you aint seen it ‘in the flesh,’ check it out.
First described by that old Victorian J. Romilly Allen (1882), he seemed equally impressed by it, calling it “the most beautiful specimen of prehistoric sculpture,” continuing:
“The stone is of grit, and measure 3ft 2ins, by 2ft 6ins. Its upper surface is nearly horizontal, and has carved upon it cups varying in diameter from 2ins to 3ins. A row of cups in the middle of the stone are entirely surrounded by a groove. There is also a channel running round the outside. Single cups are often found encircled by one or more concentric rings; but it is very exceptional indeed to find several cups surrounded by a single groove, or to find the cups so symmetrically arranged as in the present instance.”
Idol Stone – looking SW
Prehistoric walling runs very close to this and the adjacent rock carvings, with the well-known ‘enclosure’ just a short distance to the east on the same moorland plain. This carving is very much on the edge of, or within, Green Crag Plain’s ‘Land of the Dead.’
This carving was one of several that Alan Davis (1983) measured in his exploratory survey on the validity of Alexander Thom’s ‘megalithic inch’ unit. This issue absolutely fascinated me as a boy, as it brought the attention of these curious non-linear images into the domain of mathematics and the higher sciences, instead of the lowly social sciences within whose domain archaeology is embedded, with its many inaccuracies and falsehoods. A number of astronomers and other academics did a great number of papers exploring potential units-of-length, surveying the carvings (and megalithic rings) in much greater detail than any previous archaeologist. Much of it was excellent work. However, the mythos of our ancient ancestors possessing great technical knowledge and mathematical ability was unfounded. In Davis’ (1983) paper — edited and expanded a few years later (1988) — he found no evidence of mathematical units of measurement here; though left the option ‘open’ for further discussion and analysis on several others, where multiple units of megalithic inches were measured. These findings however, are more likely the result of mere chance.
Idol Stone with “21st century informal unauthorised” art added
In 2011 some unnamed people visited the Idol Stone carving and vandalized it (this sadly happens more and more up here); but this form of vandalism is now being termed “twenty-first century informal unauthorised carvings” and is actually sanctioned by Ilkley Parish Council members, local businessman Tom Lonsdale and his affiliates as artistic “tradition”! Indeed, the damage done here and vandalism done on some other ancient carved stones that have been redesignated by Tom Lonsdale and friends as “twenty-first century informal unauthorised carvings”, legitimizes and encourages others to follow in their shallow-minded ignorance, enabling others to add their own form of ‘art’ on these supposedly protected monuments, on a region with an alleged SSSI status. They even encourage supposedly ‘nice’ people — y’ know the sort — to etch poems and such things onto the stones on the moors, in violation of regulations that apply to the general public. As a result, expect more vandalism — sorry…arty “twenty-first century informal unauthorised carvings” both here and elsewhere. This same appalling debacle — sorry, “tradition” — has been encouraged on the Haystack Rock, Hanging Stones and other prehistoric carvings on the moor.
Folklore
The name ‘Idol Stone’ was an invention of one of the Victorian romanticists, who saw heathen idolatry and perversion all over these moors (you’ve gotta ask y’self, what the hell were these people up to!?). Our old friend Nicholas Size (1934) told there to have been ghostly figures and druidic activities occurring at this site.
References:
Allen, J. Romilly, ‘Notice of Sculptured Rocks near Ilkley, with some Remarks on Rocking Stones,’ in Journal of the British Archaeological Association, volume 38, 1882.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Davis, Alan, ‘The Metrology of Cup and Ring Carvings near Ilkley in Yorkshire,’ in Science and Archaeology, 25, 1983.
Hedges, John, The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Hotham, John Paul, Halos and Horizons, Hotham Publishing: Leeds 2021.
Jennings, Hargrave, Archaic Rock Inscriptions, A. Reader: London 1891.
Size, Nicholas, The Haunted Moor, William Walker: Otley 1934.
Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.
We were up here again the other week: wind, hail and snow blowing like hell, thankfully keeping the place to ourselves! To get here, head up Cow Pasture Road from the train station and up to the Cow & Calf Hotel near the famous rocks. Go past it a 100 yards or so and then look uphill onto the moors ahead of you. You’ll see a great over-hanging rock on the slope above you which looks as though its may fall down at any moment. That’s the Pancake Stone! Either walk up the steep path to get there quickly, or the longer route by taking the sloping diagonal path that runs eastwards until you’re on the same level.
Archaeology & History
Site shown on 1851 map
Highlighted on the first Ordnance Survey map of the region in 1851, this prehistoric carved stone had been known as the Pancake Stone by local people long before any antiquarians gave it their literary attention to the place. It would have had tales told of it, no doubt, but they were never written down. It’s an impressive, some would say precarious piece of rock: an elongated thin wedge of stone resting gently on the cliff edge, much like a rocking stone to be honest, seemingly hanging onto the edge of the geological ridge awaiting its fall down the slope; but that’s not gonna happen for many more centuries yet.
J. Thornton Dale’s 1879 drawingJ. Thornton Dale’s 1879 drawing
Much has been written about the petroglyph on the this wedge of stone, which covers much of its surface. Although a Mr J. Thornton Dale did a fine series of quite accurate drawings of this stone (and others on the moors) between 1878 and 1880, the first literary description of the Pancake rock carving appears to have been by the renowned J. Romilly Allen in 1882 (who evidently visited the stone on a cloudy or overcast day), saying that:
“On its upper surface are several cup-markings much obliterated by the actions of the weather, but some of them sufficiently distinct to prove their origin artificial, and to show that this rock was noticed in ancient times, and very possibly considered an object either of worship or superstition.”
Close-up of CnRsLooking across the stone
This latter assumption is highly probable. Strong animistic notions (moreso than usual) would be very evident here. Its position on the land with its outward focus from here towards other notable points in the landscape (Almscliffe Crags is one obvious focus); as well as looking at the rock itself from other viewpoints, give the stone considerable ritual importance. Sections of the moorland plain behind it—known as Green Crag—was the Land of the Dead in ancient times, and it is more than likely that death rites would have been enacted here — though we may never know what form they took.
Dale’s 1879 sketch
The stone has what seems to be at least 54 cup-markings on its upper face, with numerous grooves meandering and connecting other points. In J. Thornton Dale’s 1879 drawing of the upper surface, you will note that a couple of the rings he included have all-but faded away and are not included in the more recent surveys. Of the primary design, rock art students Boughey & Vickerman (2003) described there being “six complete and five partial rings” amidst the morass, but much of the design is very worn and, originally, there was probably a bit more to it all. The rock upon which the main Pancake Stone rests also has some worn cup-marks etched on its surface, a couple of which can be made out in the top photo.
Folklore
Good old Nicholas Size (1934) added this site to his list as a place where he had visions of the old christian cult, upon whose bare face were enacted blood rites and sacrifice. One Beltane Eve when he decided to amble up onto the moor edge, he could see a strange glow coming from behind the rock. He continues:
“Then suddenly I noticed there was a figure dancing upon it. The figure seemed to swirl round and round with floating draperies, grey or white, and I can only say that it looked very uncanny. Stupidly, I wondered that anybody could be such a fool as to dance in the darkness upon that precarious footing…”
But such activities on these moors, at certain times of the year, have been enacted for many centuries. It’s just kept quiet and, as more modern pagans (as they like to call ’emselves) keep coming up here and to other places, so the original folk move to their older and increasingly more secluded spots… In the latter half of the 20th century the site was used as a focus by chaos magickians, shortly after the inception of that Current.
References:
Allen, J. Romilly, ‘The Prehistoric Rock Sculptures of Ilkley,’ in Journal of the British Archaeological Association, volume 35, 1879.
Allen, J. Romilly, ‘Notice of Sculptured Rocks near Ilkley, with some Remarks on Rocking Stones,’ in Journal of the British Archaeological Association, volume 38, 1882.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Hedges, John, The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Jennings, Hargrave, Archaic Rock Inscriptions, A. Reader: London 1891.
Size, Nicholas, The Haunted Moor, William Walker: Otley 1934.
Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.
