Along the A81 road from Port of Menteith to Aberfoyle, watch out for the small road in the trees running at an angle sharply uphill, nearly opposite Portend, up to Coldon and higher. Keep going, bearing right past Mondowie and stopping at the dirt-track 100 yards or so further up on the left. Walk up this dirt-track for ⅔ mile, and just before reaching the planted forestry, turn right along another dirt-track. Less than 200 yards along there’s a large sycamore tree, and about 20 yards below it (south) is the carving you’re looking for.
Archaeology & History
It’s difficult keeping up with the carvings in this region to the north of the Lake of Menteith, as we find new unrecorded ones on every visit, maintaining the tradition of fellow rock art students Maarten van Hoek, Kaledon Naddair, George Currie, Jan Broewer and the rest—and we know that there’s more of them hidden away. This one doesn’t seem to be in the Canmore listings, but I put that down to the fact that they’ve got a grid-references wrong somewhere, as it’s pretty plain to see. Although, to be honest, in the rather vague descriptions of the adjacent carvings (Over Glenny 4 and 6), this carving is in-between them, so you’d expect it to be listed. Anyway, that aside…
Looking down at the ringsClose-up of faint rings
This long flat exposed rock surface has two primary cup-and-rings upon it: one cup with a double-ring, and the other standard cup-and-ring; there are also two single cup-markings on the stone: one near the middle of the rock and the other on its lower-right side. The main element is the double-cup-and-ring, which appears to be incomplete—not only in terms of its design, but also, as you can see in the photos, seems unfinished. From the central double-ring, a faint carved line runs out from the centre and into the other faint, incomplete, single cup-and-ring.
Series of metal-sharpening groovesArty-farty sketch of the design
At the bottom of the stone (as with several others hereby) a curious set of deep scars have been cut into the edge of the rock. They’re unmistakable when you see them. They have probably been created by metal artifacts being sharpened along the bottom of the rock—many many times by the look of it. These deep cuts reminded me of the more famous Polisher Stone, down Avebury-way. They may be explained by the fact that, several centuries ago, a battle occurred here and some of the men gathered in the area before the attack. It would seem as if this and the other cup-and-ring stones were used to sharpen their blades before going into battle. Whether this was done because of some local lore which imbued these stones with some sort of magick, we do not know. Folklore here seems curiously scarce (english incomers destroyed local traditions, as writers were telling us in the 19th century), apart from the well-known one of the area being rife with fairies: Robert Kirk’s famous The Secret Commonwealth of Elves, Fauns and Faeries (1691) was written three miles west of here, at Aberfoyle.
Take the same directions to locate the cup-and-ring stone of Ballochraggan 12. There are several rocks adjacent. The one immediately next to it, to the northeast, is the one you’re looking for. Be gentle and careful if you’re gonna look at it — deadly serious, be very careful indeed!
Archaeology & History
One of the most intriguing and most fascinating of all the prehistoric carvings I’ve yet to discover. Not that this was all my own work. If it hadn’t been for Paul Hornby, we might have simply walked past it as being little more than a single cup-marked stone—and in this area, single cup-marks tend to be little more than geological in nature.
After we’d looked over several of the registered carvings close by, I did my usual meandering back and forth, stroking stones and seeing if there were any carvings that had been missed by previous surveyors. And in walking past a small piece of smooth rock, a singular cupmark seemed to stand out. I walked past it, shouting across to my colleague.
“It looks like we’ve got a single cup-mark here Paul,” I said, “with possible half-ring.” Thankfully Mr Hornby gave it his better attention.
Mask Stone, with faint ‘urn’Close-up of features
The sun was still out and shining across the smooth rock surface, which tends to mean that you’re not seeing any carving on the stone quite as good as it actually is. Thankfully however, the sun was beginning to get lower and, when this happens, if we wet the rock, any carvings that might be there stand out much better. And this little fella just seemed to get better and more curious the more attention Paul gave it!
The first thing that became obvious were a series of faint carved lines above the single cup-mark. Initially these didn’t seem to merit much attention (straight lines on rock are usually more the product of geophysical action than that of humans), but as the rock got wetter, Paul saw something very distinct indeed.
“There’s a face on it!” he exclaimed. And indeed there was. A Rorschach response no doubt, but it was still very much like a face. This looked for all the world akin to the stylised olde English gentry sort of countenance, as in old cartoons. It was quite ‘distinct’, as such characters themselves insist on being! Yet around this initial face, more lines seemed to be emerging as the stone gave up more and more of its hidden story.
Standing back from an initial investigation, the carving was seen to consist of a triple-ring, but without the traditional ‘cup’ in its centre. Instead, the centre was marked simply by a small ‘dot’—perhaps, originally, being a small conglomerate hole formed as a result of another tiny harder fragment of stone falling away from its larger mass. But a ‘dot’ it was. The other carved ‘lines’ however, immediately below and attached to the triple-ring, gave us something almost unique—and another strong Rorschach response. As the photos clearly show, we have a distinct second ‘face’ made up of the same lines but in a quite different form. This ‘face’ has all the attributes we usually associate with pictures of mythical spirits, demons, or a mask—hence the name!
Paul took a series of fine photos, hoping that he could catch the image that our eyes could clearly see. And thankfully, his digital camera brought the image to life even better than our eyes did! The ‘mask’ is comprised of carved lozenge forms, akin to the more decorative ones we find at Kilmartin, and more especially around Newgrange, Ireland. We sat and talked about this: wondering and working out routes that we’d take over mountains and moors, from Ireland, to Kilmartin, then onto Ballochraggan, etching the same designs onto the rocks hereby and attaching similar mythic notions to them: of shamanism and kingship; underworlds and journeys—paradigms lost and certainly misunderstood in the non-polysemia of many modern academics.
Lozenges and rings
…The stone here was still slightly covered over and, beneath the loose grasses, another feature emerged of another petroglyphic rarity. At the topmost western side of the rock a straight line ran across the surface, seemingly marked by the hand of man, with a curious little line almost doubling back on itself for just an inch or so, and then feeling to run down the stone, towards the concentric rings and the face below. When we stood back and took the photos, this line and its tracer took on a form that I’ve only seen echoed in one of the Netherlargie tombs at Kilmartin, Argyll, 44.4 miles (73km) to the west. It is very distinct.
The beaker, rings & ‘face’
Spuriously ascribed as being ‘axe’ carvings (oh how archaeologists love this Rorschach projection), the Netherlargie North tomb cover-stone in Kilmartin has a series of burial ‘urns’ or beakers carved onto the rock, amidst a scattered collection of cup markings. (Beckensall 2005:73-4; Bradley 1983:92-3; Royal Commission 1971:68-70; Twohig 1972, etc) Here too at Ballochraggan we find another such symbol, but just a singular example, much larger and more clearly a beaker or urn, as are traditionally found within many old neolithic and Bronze Age tombs; although no tomb is immediately apparent at this Ballochraggan carving.
The entire carving is very faint indeed (you can’t even see it when you’re looking directly at it unless conditions are good) showing that it remained open to the elements for thousands of years. Other adjacent carvings lack the erosion that we find on this one, even on those which, as archaeologist Lisa Samson said, is “softer sandstone rock than this one”—implying that it’s one of the older carvings in this incredible cluster.
The carving was covered over when we finished examining it, to ensure that Nature’s erosion keeps it alive for just a few more centuries at least, hopefully…..
References:
Beckensall, Stan, The Prehistoric Rock Art of Kilmartin, Kilmartin Trust: Kilmartin 2005.
Bradley, Richard, Altering the Earth, Society of Antiquaries Scotland: Edinburgh 1993.
Royal Commission on the Ancient & Historical Monuments of Scotland, Argyll – volume 6: Mid-Argyll and Cowal, HMSO: Edinburgh 1971.
Twohig, Elizabeth Shee, The Megalithic Art of Western Europe, Clarendon: Oxford 1981.
Acknowledgments: Huge thanks again to Mr Paul Hornby for his considerable help with this site, and for use of his photos.
Take the same directions as if you’re visiting the Ballochraggan 12 carving, or nearby standing stone. Literally 10 yards above the leaning monolith, you’ll see what looks like a glacial rock drop ahead of you (though it’s actually volcanic). That’s the stone you want!
Archaeology & History
A site that was first described in Maarten von Hoek’s (1989) survey of the area, where he told this carving to be “a loose boulder (that) bears 14 cups, some possibly natural.” There is very little doubt about it—many of the ‘cups’ on this stone are indeed natural, caused directly by the erosion and subsequent falling of conglomerate rock nodules coming away from the larger rock mass, leaving holes in it that look like cup-marks, but are blatantly natural in origin.
Close-up of the cups – natural or man-made?
When Paul Hornby and I visited the site on August 28, 2014, we looked briefly at the stone and then walked on by—but we took some photos, “just in case the archaeo’s have this listed as a monument, ” I said. And they do! Several of the ‘cups’ shown in the images here might be man-made. Might…. It’s difficult to say for sure (are there any geologists in the house?) Of course, if the faint half-ring below one of these large ‘cups’ turns out to be legitimate, we’ve got a definite here. But even that looks a bit dodgy!
Despite these marks possibly being geophysical, we must not forget, nor rule out, that this rock had some importance to the neolithic or Bronze Age people who frequented this region. Natural marks on rock would be emulated by humans sometimes, or seen as elements of spirit in the stone itself—as found all over the world. A standing stone is only yards away, and we have highly impressive multiple cup-and-ring stones very close by. The natural ‘cups’ on this and other adjacent rocks may have catalysed the petroglyphs themselves.
Check it out when you visit the other, much more impressive multiple-ringed carvings hereby; but also watch out for the many conglomerate rocks still scattering this hill—some with the softer rounded nodules of rock fallen, leaving cups, and others still in place in quite a few of the stones, awaiting their own geological timing to leave more cup-marks ready for some folk to misread. (I did it misself in younger years!)
Follow the same directions as if you’re visiting the nearby Nether Glenny 1 cairn; but look into the field immediately north (through the gate on the other side of the fence) about 100 yards away and you’ll see the telling bump rising out of the grasses.
Archaeology & History
Another burial mound of roughly the same size and form as its companion 100 yards to the south, but this one appears to be more intact than its close neighbour. The top centre of the overgrown cairn seems to have been robbed sometime in the past—perhaps for use in the nearby walling; perhaps by treasure-seekers. We will probably never really know.
Nether Glenny 2 & its close neighbour
Although much overgrown in grasses (with species of shamanic fungi surrounding), the roughly circular tomb is between 3-4 feet high, roughly flat-topped, and measures 12 yards north-south, by 15 yards east-west. There is no immediate evidence of the internal tomb and it has yet to be satisfactorily excavated. A small outcrop of stones about 30 yards to the north possesses a highly impressive detailed multi-ringed neolithic petroglyph.
References:
Bailey, G.B., ‘Nether Glenny (Port of Menteith parish)’, in Discovery & Excavation Scotland, 1987.
Take the same directions as if you’re visiting any of the upper Ballochraggan petroglyphs, but 100 yards before the carvings, out in the open on the grasslands, below the reach of the forest, you’ll see the leaning stone if you wander about. You can’t really miss it!
Archaeology & History
Not included in any of the Canmore, Royal Commission or Ordnance Survey records, this standing stone appears to have eluded official records until now. Found close to the petroglyph-rich arena of the Ballochraggan complex, with attendant tombs to the east, there is the possibility that this large leaning stone was itself, once, a part of a long-gone cairn, as Paul Hornby suggested. The small cluster of stones around its base certainly adds to that idea (similar to the incredible Dunruchan cluster, more than 17 miles (28km) northeast).
The stone leans at a considerable angle from a previously upright position. When standing it would have been nearly five-feet tall and measures nearly as wide. The stone is roughly triangular in shape, above ground. What appear to be two faint cup marks on its topmost surface are very probably due to conglomerate rock erosion and not the handiwork of humans.
Along the A81 road from Port of Menteith to Aberfoyle, watch out for the small road in the trees running at an angle sharply uphill, nearly opposite Portend, up to Coldon and higher. Keep going, bearing right at Mondowie, then stopping at the dirt-track 100 yards or so further up. Walk up the track, thru the gate, and another 100 yards or so higher up, go thru the gate on your left. Walk up the field alongside the fence until you’re on the level and you’ll see a large rounded mound about 75 yards in the same field to your left.
Archaeology & History
This little known prehistoric tomb sits within a landscape rich in very impressive neolithic and Bronze Age petroglyphs and probably had some relationship with one or more of the carvings in aeons past. It is one of several tombs in the area.
Rainbow across the tomb
The site was only recently rediscovered in the 1980s, following an archaeological survey of the area before the forestry plantation was done. Measuring about 20 yards across and about five feet high, the large mound consists of the traditional mass of hundreds, if not thousands of stones. It seems that a ring of small uprights encircled and defined the edge of the cairn, although this element is only visible on its eastern side. Its northern mass and edges have been dug into and ruined at some point in the past, leaving a mass of rubble visible beneath the encroaching grasses. The tomb has not be adequately excavated, so we do not know whether it was built at the same time of the surrounding petroglyphs. It must be noted (again) that the incidence of tombs and cup-and-ring stones is not infrequent.
Park by the entrance to Ballochraggan, which is set back off the A81 between Aberfoyle and Port of Mentieth. Walk up the track, and just before you reach the cottage, notice the large boulder on your left, about 50 yards away. That’s it.
Archaeology & History
The Ballochraggan 1 Stone
This large dolmen-capstone-like boulder in front of the old cottage, was reported by Maarten von Hoek (1989) to possess about 10 faint cup-markings, with a large one near the centre of its upper surface. When Paul Hornby and I visited the site yesterday, several ‘cups’ were visible, but these were purely geological in nature; and even the large cup in the middle seemed somewhat dubious. The markings are the product of conglomerate rock, where smaller softer types of stone that are embedded in the boulder fall away, leaving cupmark-like indentations and other hollows. There are a lot of conglomerate rocks in these hills and it is essential that all students make themselves aware of the difference between the geological ‘cups’ and those forged by humans. In many cases this can be difficult, so apply the rule: if in doubt, kick it out—and err on the side of caution.
Some carvings in this region (and elsewhere in the country) possess conglomerate marks that have been enhanced and possess additional rings and carved lines. On this particular stone, such marks do not seem to exist. A dodgy example indeed…..
References:
von Hoek, Maarten, ‘Menteith (Port of Menteith parish): Rock Art Sites’, in Discovery & Excavation Scotland, 1989.
Acknowledgements: Huge appreciation to Paul Hornby for his photo and assessments.
Takes some finding this one! We parked up by the entrance to Ballochraggan on the A81 between Aberfoyle and Port of Mentieth. Walk up the track, then up the burnside past the house. Keep to its right-side and head uphill towards the very top of the forestry edge, staying in the grasslands. As you near the very top NE corner of the grassland boscage (NOT into the forest), about 100 yards before it, zigzag about through the gorse and keep your eyes peeled. It’s there!
Archaeology & History
This is a small, flat, smooth piece of stone with a simple carving clearly visible, in a region replete with highly impressive multiple-ringed petroglyphs. Very little has been said of this design and even the Canmore lads tell us only that the carving “includes one cup and ring marking and two cups within an oval ring.” And that’s that! However, other faint lines are evident on the surface of the stone, with the single cup-and-ring appearing to have another partial second-ring encircling a section of it. Outlying this are very shallow worn lines that seem to bear the hallmarks of human interference, but they were difficult to see with any certainty and our camera didn’t pick up additional elements with any real clarity. What seemed to be another cup-and-half-ring (not visible in the photos) was just beneath the edge of the grass where the rock fell back into the Earth.
Ballochraggan12, under cloud
The most catching element of the design is the very obvious ‘eye’ symbol peering up at us as we look down. Whether this symbol was deliberate or not, we can be sure that the old archaeologist O.G.S. Crawford (1957) would have loved it and added it to his old dreams of eye goddesses!
Other carvings nearby will blow your head off! The recently discovered Mask Stone, right next to this Ballochraggan 12 carving, being just a taster of the things to come.
Crawford, O.G.S., The Eye Goddess, Phoenix House: London 1957.
Naddair, Kaledon, et al, ‘Menteith (Port of Menteith Parish): Rock Ccarvings’, in Discovery & Excavation Scotland, 19, 1992.
Royal Commission on the Ancient and Historical Monuments of Scotland, The archaeological sites and monuments of Stirling District, Central Region, HMSO: Edinburgh 1979.
Acknowledgements: Huge appreciation to Paul Hornby for use of his photos. Cheers mate!
On the A81 road from Aberfoyle to Strathblane, about a mile south of Aberfoyle take the tiny right turn (keep your eyes peeled!) to Gartmore. At the end of the village, turn right at the T-junction. Just over a mile along the tiny road, just over the tiny road-bridge, turn right again up up the dead straight road to Drymen for nearly a mile and park up. A dirt-track is on your right: walk along here for ¾-mile (1.2km) and in a large field on your left a huge rock sits (no carvings on it). Keep walking on the track and where the field ends, a path to your left runs above a small burn. Naathen, 150 yards along here, look down at the waters and there’s a clump of large rocks. Check ’em out!
Archaeology & History
Morris’ old photo (from PSAS 1967)
This stone and others were mentioned in MacNair’s (1973) essay in the popular history guide to the region, after it had seemingly been rediscovered a few years earlier by Ron Morris (1967; 1969), who listed it in his petroglyph catalogues. It was originally located at the top of the slope above the burn, but was rolled down here shortly after Morris discovered the cup-and-rings on it. The farmer at the time had made a bore-hole into the rock with the intention of blowing it up, but Morris found it just in time and the stone managed to survive!
Faint CnR’s just visible
It’s a large rock with a decent ornate design that was clearly visible when Morris surveyed it (see photo, right). It comprises of, “a cup-and-two-rings, 18cm (7in) diameter, 6 cups-and-one-ring (2 of which are tangential) and at least 8 cups. All rings are complete. Greatest carving depth 2cm (¾in).” There also appears to be a line of four or five small cup-marks running in a short line by one of the lower cup-and-rings, but these are very faint indeed. The double cup-and-ring mentioned by Morris is the one at the top-centre in my photo, but the next cup-and-ring down may also be a double-ring. At the top-right of the photo is where two cup-and-rings are conjoined.
Since being rolled down the slope to the side of the burn, the carving’s much more in the shadows and is more difficult to work out. Sadly on the day when I visited here, Nature bestowed on me a wet and cloudy day, so the design was even more difficult to see, as my photos illustrate.
Morris (1981) told that “other stones in the immediate vicinity bear possible cup-marks,” and one of these may exist just a couple of stones away (Corrie 2), leaning up into the grasses: this is another rock that has been pushed down the slope and has curious natural cup-markings on it, with one or two that could be man-made, but we need a geomorphologist to have a look at it and tell us one way or the other.
References:
Edlin, Herbert L. (ed.), Queen Elizabeth Forest Park, HMSO Edinburgh 1973.
MacNair, A.S., “History,” in Edlin’s Queen Elizabeth Forest Park, HMSO 1973.
Morris, Ronald W.B., “The Cup-and-Ring and Similar Early Sculptures of Scotland; Part 2 – The Rest of Scotland except Kintyre,” in Transactions of the Ancient Monuments Society, volume 16, 1969.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
