If you start from the Castleton (2) carving, in the first small birch copse closest to the road, walk to its southeast side where there’s a small break before the next small birch copse begins which runs along the raised rocky crag to the southeast. Walk along the back lower east-side of these birches for about 100 yards until you reach a break in the copse (the next lot of trees are another 30-40 yards further on) and from here walk up the slope onto the first flat piece of rock on the crag itself. Zigzag hereabouts until you’re about two or three yards from the edge.
Archaeology & History
Single cup-and-ring
Once this rock surface is covered again by Nature’s carpet, you’ll struggle to find it. Unlike many of its more ornate neighbours, this seems to be a lonely solitary cup-and-ring design, cut near the edge of a large level piece of otherwise blank rock. Numerous geological nicks and scratches scatter the same surface, but the carved element is easy enough to see, as the photos here show. It was rediscovered in the 1980s by Morris & van Hoek (1986) who described it simply as “a single cup and one ring, 8cm in diameter on horizontal rock.” There may well be additional elements to this design beneath the soil.
References:
Morris, Ronald W.B. & van Hoek, Maarten, “Stirling District: Castleton 4d; Castleton 5e,” in Discovery & Excavation, Scotland, 1986.
Acknowledgments: Massive thanks to Thomas Cleland for helping to make this site visible again.
Start from the Castleton (2) carving, in the first small birch copse closest to the road and walk to its southeast side where there’s a small break in the trees before the next small birch copse begins, which runs along the raised rocky crag to the southeast. Walk to the front or western side of the trees there and along the very edge of the low crag. About thirty yards along, right on the edge of where the rocks begin, look for the smooth sloping earthfast boulder (about 20 yards before the mighty nine-ringer of Castleton 7). Rummage around and you’ll find it.
Archaeology & History
Castleton (7e) carving
This newly recorded petroglyph was rediscovered by Thomas Cleland on August 6, 2025. Initially it was thought to consist of just a single cup-and-ring with an opening from which a carved line ran outwards; but, once wet, there seemed to be the beginning of an outer second-ring on its left-side. You can see it clearly in the photos. And, the more we looked, the more it seemed there were one or two other very faded elements.
Above the main cup-and-ring is a faint, shallow cup-marking and surrounding this appears to be an incomplete dumb-bell-shaped ‘ring’ that you can only just make out in the photos. It’s very faded and would seem to pre-date the primary design by some considerable time (unless, of course, it was merely ‘outlined’, so to speak and never completed).
Cup & ring & faint ‘bell’Cup & ring & faint ‘bell’
Both Tom and I are convinced that there’s more to this carving than is presently visible. The rock is covered in deeply compacted soil and it would require a lot of work to uncover the rest of it. A job for the future maybe…..
Note to self: This carving and all the others in the Castleton complex need to be fully re-catalogued as their indexing is haphazard through various academic tomes and websites.
Acknowledgements: Massive thanks to Thomas Cleland for locating this carving, for the first time in millenia. 🙂
Follow the directions as if you’re visiting the impressive multi-ringed design of the Castleton (10) carving. Once there, walk south-east along the geological ridge for 45 yards where the small cliff drops down to the field. Just where this drop occurs, on a lower horizontal level of the rock face (only a small section) you’ll notice two distinct “cups”. You can’t really miss it!
Archaeology & History
This very basic cup-marked stone was, until recently, covered in dense gorse, making access to the site almost impossible. But following a fire that happened here not too long ago, the smoldering remains needed to be cleared and, once the job was done, we were able to see the two distinct ‘cups’ that were first described in Maarten van Hoek’s (1996) survey. But the cups that he described are, most likely, little more than Nature’s handiwork. I’m somewhat skeptical of them as being the real deal. In the same survey, he added another site, which are just natural bowls in the rock just over 100 yards southwest of here as being cup-marks — which they’re not!
References:
van Hoek, M.A.M.,”Prehistoric Rock Art around Castleton Farm, Airth,” in Forth Naturalist & Historian, volume 19, 1996.
Along the A84 road as you’re heading into Callander, just 300 yards before you reach the the Keltie Bridge caravan park, take the tiny road on your left (north) and barely 100 yards along where a small crossroads can be said to exist, go straight forward up the tiny single-track road ahead of you. Keep all the way up for a mile until you reach Bracklinn Farm (when you meet a split in the road, keep left – and make sure you have parked way further down track of here). Walk up the track past Bracklinn Farm for just over a mile (1.85km), until where the track and the large burn runs roughly alongside each other (past the small Eas Uilleam cairn up to your right) and go through the gate. From here, go immediately left (SW) and walk alongside the dead straight fence for just over 300 yards, then slowly zigzag up the sloping hill. If you reach the derelict walling, you’ve gone too far.
Archaeology & History
West Bracklinn from below
For a site marked as ‘Chambered Cairn’ on the OS-maps, you might be expecting a little bit more when you get here. Sadly, it’s not what it once was. Much of the covering stones from the cairn have been severely robbed and obviously used in the old and curiously-named ruin of Bothan na Plaighe below, and the large sheep-fold structures barely 50 yards to the north. All that’s really left to see here is the internal chamber, aligned roughly east-west, which seems to have originally been split into two sections. The remaining overgrown edges of the monument, barely two feet high at the most, measures roughly 8 yards by 9 yards, but is much denuded and can really only be noticed when you’re almost stood on top of it!
The landscape reaching out from here takes the eyes way way into the distance along the fading horizon, from north-east to south-east. This expansive view, this reaching landscape, may have been an important element in the placement of the tomb – and it’s certainly something to behold on a good day. It might be a bit of a walk to get here, but if you want some good countryside, scenery and a bit of ancient history, this is one helluva good place to go!
References:
Royal Commission Ancient & Historical Monuments of Scotland, Braes of Doune: An Archaeological Survey, RCAHMS: Edinburgh 1994.
Acknowledgements:Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
This is a relatively new find that was uncovered in 2019 by members of the Association of Certified Field Archaeologists, on the western edge of a small bowl of blackthorn trees, just past one of the Corrycharmaig East carvings — and it’s a bit of a beauty!
Topmost part of carving
Corrycharmaig (9) stone
Described, albeit briefly, in the superb survey by Gardiner, King & MacInnes (2024), the carving here has been cut into a sloping straight line of rock along the ridge of a very tiny cliff and consists of cups, single rings and multiple rings. At its crown, so to speak, where the rock surface levels out and is flat, a very well-preserved multiple cup-and-ring greets our senses: a cup-and-four rings to be precise. The outermost edge of the rings cuts into a natural crack that runs to the edge of the stone; and close to where this crack reaches the edge, another standard cup-and-ring rests against it. On this same section you’ll see a single cup which, by the look of it, was intended to have a much wider ring surrounding it—but for some reason it was never executed.
Second multiple-ringer
Second multiple-ring
From the topmost section, the rock then slopes gradually downward and the design is broken by several natural splits in the stone before we reach a single unfinished cup-and-ring and a solitary cup-mark. These occur shortly before we reach a near-duplicate of the multiple-ringer that we’ve just seen on the flat top of the stone. The outer ring of this is broken and the edges of it are intruded (again) by natural cracks in the stone (a not uncommon feature). The erosion level of this and its fellow four-ringed compatriot at the top are much the same, suggesting that the two were executed at around the same time.
Lower-half with cup&rings
Close-up of cup&rings
As we move down the slope of the rock with its veritable scattering of geological splits, the rest of the design consists of several single cup-and-rings—at least three of them—over its lower-half, almost in a gentle arc over the surface. The one closest to the four-rings has a single cup-mark attached to its outer edge and another single one just a few inches away from it. The others don’t seem to have any additional carved features attached to them; although one or two other singular cup-marks can be seen on this, the lowest section of the carving.
Looking to the hills
From the bottom up
An interesting feature noted here is the direction that this line of rock points to: a dip between two distinct rocky peaks on the horizon and which is close to the winter solstice sunset. I should point out however, that the relationship between open air petroglyphs and astronomical alignments (in Britain at least) is very debatable. Even alignments from one carving to another are pretty meaningless, despite the attempts of some modern archaeologist to show otherwise. In my younger days when I raced into rock art studies, I threw everything I had to show astronomical and other alignments were involved in these carvings—but it turned out not to be…. Instead, it turns out that some of these seeming ‘alignments’ (and only a few) relate to pathways and ancient routes: pointers, if you like, to the way ahead. Makes sense…
References:
Gardiner, M., King, L. & MacInnes, Dugald, In the Glen of the Dark Goddess, Bell & Bain: Glasgow 2024.
Acknowledgements:Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
Cup-Marked Stone (lost): OS Grid Reference – NN 4808 0140
Archaeology & History
On the south-side of Loch Ard, just a few yards from the entrance to Rob Roy’s Cave (one of several), right by the water’s edge are the natural upstanding pillars known locally as Gog and Magog. In Peter Joynson’s (1996) work on Aberfoyle, this site is listed as one in a number of unrecorded cup-and-ring stones in the area. Discovered by a local lady—”the late Mrs Maitland”—here we have,
“two huge stones about 30ft high known as Gog and Magog situated at the mouth of Blan Ross Bay. They have numerous cup marks, but sadly have disappeared from view as they have been covered by forestry planting.”
This is an increasingly annoying problem that many rock art students are having to contend with! When we visited the site, the tops of these huge stones were, indeed, covered in depths of mosses and pine needles and the carving is hidden from sight. When the trees are felled, let’s hope someone can find it!
Folklore
These natural rocks were said to have been two giants that were turned to stone, the story of which seems to have been forgotten…
References:
Joynson, Peter, Local Past, privately printed: Aberfoyle 1996.
On the A81 road from Aberfoyle to Strathblane, about a mile south of Aberfoyle take the tiny right turn (keep your eyes peeled!) to Gartmore. Along the tiny curving road for exactly 1km (0.61 miles), where the road has straightened out there’s a small dirt-track with a parking spot along it. A few hundred yards along there’s a crossroads of dirt-tracks: walk to your left (SW) for nearly a mile (or exactly 1.5km) keeping your eyes peeled for a small distinct footpath leading down-slope on your left. Walk along this undulating path for just over 200 yards till you go through the gate, then walk immediately to your right down the side of the fence in the field for about 20 yards. Y’ can’t miss it!
Archaeology & History
Blarnaboard (3), NE-SW
Located on the land of the early bards of Gartmore, we could speculate that those early orators told tales of, and from this old stone—but that’s all it would be: dreamy speculation. Instead, passing that aside, the petroglyph itself brings us a feast to drool over!
Made up of four distinct carved sections of almost interconnecting rock, this flat thin line of stone is covered with an impressive array of cups and multiple rings. Running downhill in a northeast to southwest line, it would appear to have been written about for the first time by Lorna Main (1988) who subsequently described it in the usual archaeological shorthand, simply telling that,
“There are at last 28 cups, 3 cup and one ring, 4 cup and two rings, 2 cup and three rings, 1 cup and five rings and 1 cup and seven rings.”
Multiple ringed element
Section 1 overview
…But, as usual, there’s much more to be said of it than that. Of the four sections, we’ll start at the uppermost northeastern section and work down the sloping ridge, looking at the respective symbols as we go. Section 1 has the largest surface area, but isn’t the most decorated of the bunch. Nonetheless, what we find here is impressive. About a dozen single cup-marks of various ages are scattered over the surface in what initially seems to be no recognizable order; these are accompanied by two single cup-and-rings: one of which could be said to be of standard size and form, whilst the other has a much larger and broken ring, near the middle of the rock, about 12 inches across. This larger ring has two or three of the cup-marks incorporated into its outer edges. The most impressive element of Section 1 is the large multiple-ringed design, five in all, radiating outwards or funneling inwards (depending on what was intended) around a central cup. The outer ring of this is incomplete.
Impressive cup & 7 rings
Scatter of cups & rings
Section 2 is the most visually impressive of all the Blarnaboard (3) carvings: almost an evolutionary development of what we see on the first part. A 2-dimensional panorama shows off a distinct cup-and-ring close to the edge of the soil, and there’s a somewhat wonky incomplete cup with double-ring below it. A very clear cup-mark to the right of this has another faint incomplete double-ring round it—but this is hard to see. The same cannot be said of the cup with seven concentric rings surrounding it! (the outer two of these are incomplete) As I walked round and round this section, drooling somewhat, it became obvious that a number of well-defined cup-marks had been carved around the outer edges of the rings, deliberately creating an eighth ring comprised purely of cup-marks. It gave me the impression of it representing heavenly bodies revolving around the central Pole Star; but also of it defining the movement of the Moon through the heavens during a calendar year. (the astronomy of my youth still comes through at times!)
Section 3 carving
Faint double cup-and-ring
By comparison, the third and smallest section of Blarnaboard (3) almost pales into insignificance, possessing a mere cup-and-double-ring—and a very faint one at that. From a certain angle it looked like it possessed a third ring, but this was probably more to do with me wanting to see more than there is! Just below this double-ring, a single cup has what might have once been another incomplete ring round it—but we’d need the computer graphic students among you to suss that bit out! You can’t make it out on the photos here, sadly…
Section 4 carving
Faint double-arc, lower cup
The fourth section is the most visually unimpressive of the entire cluster and was probably carved much later than the rest. The poor little fella has just five single cup-marks, with a sixth at the top-corner or northeastern part with what seems to be a small carved double-arc, or partial lozenge, that was started and never finished.
A couple of other exposed sections of stone running a few more yards further down the same line have no carvings on them—but there may well be more to this petroglyph hiding beneath the turf, which covers quite a large area. I have no doubt that other unrecorded carvings exist in close by, but due to excessive forestry plantations all around here, they’ll either be covered over or will have been destroyed. Don’t let this put you off looking for others though!
Cup-and-five-rings
Cup-and-seven rings
An interesting feature of this long line of stone is its potential alignment. When we were photographing the site, a local man came over and got chatting with us. He knew of the carving and had been here many times and told us that his wife had looked at this one and found it aligned with another cup-and-ring on the south-side of Blarnaboard farm and another one (officially unrecorded) even further along. I checked this when I got home and found that this long line of petroglyphs did indeed line up with the Blarnaboard farm carving, perfectly. Whether this was intentional and/or possesses an astronomical function, we might never know. The third carving along the line has yet to be located. I must emphasize however, that the relationship between earthfast petroglyphs and alignments is very rare and, where found, is little more than fortuitous. But when we find cup-markings on alignments of standing stones and other prehistoric monuments, the relationship seems to be much more intentional and would have had a specific mythic function.
If y’ follow the fence-line from this carving down to the small burn, on the other side is the much less impressive Blarnaboard (2) cup-marked stone.
Folklore
Prior to Lorna Main’s (1988) short note on this petroglyph, local people had long known about the carving. As late as the 20th century, people with fevers were brought to this stone in the early morning to be cured of the illness. The idea was that medicinal herbs were collected and placed in some of the cup-marks, which were used like a mortar and pestle to prepare the plants. This healing magick, spoken of by some of the old folk in Aberfoyle, was known to them as children, who’d been told of this by their elders and, of course, by the elders before them.
There is also a tradition that some of the stone that makes up the curious moondial (not sundial) that can be seen at the back of the church in Gartmore village nearly a mile to the southeast, originally came from here.
References:
Main, L., “Blarnaboard (Aberfoyle parish), Cup and Ring Marked Outcrop,” in Discovery & Excavation Scotland, 1988.
Acknowledgements:Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
Anyone who’s going to visit this carving will be doing so as a result of visiting the impressive Blarnaboard (3) cup-and-ring stone, 115 yards (105m) away. From Blarnaboard (3), walk down the slope on your right (west), cross the tiny burn and go round to the other side of the small rocky hawthorn-topped hillock just a few yards in front of you. Fumble about and you’ll find what you’re looking for!
Archaeology & History
It’s possible that there’s more to this carving than meets the eye. On the west-side of this small rocky rise, along a thin elongated raised section in the stone, a gently meandering line of nine deep cups runs roughly northeast to southwest. You can’t really miss them as they average some 2 inches across and 1 inch deep, strongly suggesting that they were cut and reworked over and over for a long period of time.
Line of cups, from above
Rough NE-SW alignment
It was first described in distinct brevity by Lorna Main (1988) who told that, “over a length of 60cm on a north-east facing outcrop are 9 cup marks.” And, whilst all of the cups are clearly visible, one of them at the edge of the stone has been cut or worked into a natural curved hollow. You’ll see what I mean when you visit the site (it’s pretty clear in the photos).
Beneath the roots and soil there may well be other cup-markings that are still hiding away on this rocky dome. I have no doubt that other unrecorded carvings exist in this area, but due to the excessive forestry plantations all around here, they will be covered over or have been destroyed.
References:
Main, L., “Blarnaboard (Drymen parish), Cup Marked Rock,” in Discovery & Excavation Scotland, 1988.
We took the A872 road on the south-side of Denny to Dennyloadhead and Longcroft, but a few hundred yards before you go under the M876, keep your eyes peeled for Drove Loan on your left. Go down here for literally ¼-mile (0.4km) where there’s a footpath into the woods on your left. Walk on the path into the trees and you’ll reach a track that heads to your right (east). Less than 200 yards on, you’ll see a pond on your right and above here is a small quarried rock outcrop. This carving’s up top, on the gently sloping rock behind carvings no.2 and no.3.
Archaeology & History
Half-covered in mud and vegetation, the first thing you’ll notice on this sloping smooth surface is what looks to be a standard cup-marking, all on its own. But it has company—albeit quiet and faint. A single incomplete cup-and-ring can be seen about 18 inch above (north-ish) this single cup-mark, which may itself be natural. You can make out the cup-and-ring pretty clearly in the photos.
When we found this, we began to clear the rest of the stone but stopped pretty quickly as a scatter of broken glass was mixed into the mud and I was lucky not to cut my hand open. Some kids have evidently been getting pissed here and have left their mess on the rock. But there may well be more symbols beneath the mulch, so if any local folk want to clean it, please make sure to wear some good gardening gloves to protect your hands! And if you find any other hidden elements, please let us know! 🙂
To reach here from Stirling or Bannockburn, take the B9124 east to Cowie (and past it) for 3¾ miles (6km), turning left at the small crossroads; or if you’re coming from Airth, the same B9124 road west for just about 3 miles, turning right at the same minor crossroads up the long straight road. Drive to the dead-end of the road and park up. You’ll notice that this is a crossroads of dirt-tracks. Walk along the one that heads to the houses you can see on a rise above the fields, eastwards. About 300 yards on, instead of going up towards the houses, walk thru the gate and along the wall-edge for 85 yards and go thru the gate to your right. You’ll see a small rise covered in gorse trees 100 yards in front you and roughly in the middle of it all, you’ll find this carving.
Archaeology & History
The naked stone
When John Bruce (1896) wrote his article on the mighty Cochno Stone a few miles north of mighty Glasgow, he left some end-notes about a petroglyph near Carnock (near Castleton) that was “found to bear a few much weathered cups with concentric circles.” He wasn’t at all clear where the carving was located, merely telling that it was “in the Gosham Park” area on the Carnock estate. This vague description was probably the reason why, when the lads from the Royal Commission came looking for it in August 1955, they left without success. Nevertheless, when Ron Morris (1981) explored this area he located the place-name of Gosham Field and, therein, this multi-ringed carving. It seems more than likely that this was the carving described by Mr Bruce – and it’s an impressive one!
Despite being eroded by the passage of time, the carved design is still pretty easy to see, comprising a cluster of archetypal cup-and-multiple rings in close proximity to each other, etched onto a sloping stone. Ron Morris’s (1981) description told that, 125 yards east of Gosham Field’s western wall,
“is a prominent greywacke outcrop, part of a rocky ridge running NW-SE, exposed in 1969-75 for 3m by 2m (10ft x 6ft), 4m (12) high on its S, but at ground level elsewhere, sloping 15° NE. On its fairly smooth surface are:
“5 cups-and-complete rings, with no grooves, 3 with three rings, 1 with four, and 1 with five rings, up to 36m (14in) diameters and 1cm (½in) depth.”
Ron Morris’ 1981 sketch
Yet contrary to Morris’ description, there are some “grooves”, or carved lines emerging from some of the rings; faint but definitely there. You can make them out in the accompanying photos above. (are there any sketch artists out there could accompany us to these carvings, so we get some good portraits of the stones?) When Maarten van Hoek (1996) visited this carving he also missed these ‘ere carved grooves.
An additional feature that needs to be mentioned is the cluster of small geological deep natural cups, inches away from the carved rings on the southern edge of this stone (completely covered in vegetation in the attached photos). The same feature also exists on the southern edges of the Castleton 5, Castleton 6 and Castleton 12 carvings and it probably had some mythic relationship with the petroglyph.
There’s another cup-marked stone about 30 yards east of here, along this same geological ridge. It was previously covered in gorse, which was thankfully removed following a fire caused by the hot weather at one of the other carvings, preventing a cracking of the rock which would damage the carvings. All of the rock surfaces in the Castleton complex need to be laid bare to enable a greater visual experience of the wider Castleton complex and to prevent them being damaged by the gorse roots cracking the rocks, as well as stopping fires which will also damage these vitally important petroglyphs. People in the Cowie area want to see and experience their own local history…
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
Ritchie, Graham & Anna, Edinburgh and South-East Scotland, Heinemann: London 1972.
Royal Commission on the Ancient and Historical Monuments of Scotland, Stirlingshire: An Inventory of the Ancient Monuments – volume 1, HMSO: Edinburgh 1963.
Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
van Hoek, M.A.M.,”Prehistoric Rock Art around Castleton Farm, Airth,” in Forth Naturalist & Historian, volume 19, 1996.
