This once-impressive Bronze Age tomb is now much denuded and stands besides the legendary Fleam Dyke. The name of Mutlow was first used to describe this site in the 1812 Enclosure Act and means, literally, an “Assembly Hill” or Assembly burial mound. Reaney (1943) told that it was situated “at the junction of the boundaries of Great Wilbraham (Staine Hundred), West Wratting and Balsham (Radfield Hundred) and Fulbourn (Flendish Hundred)”, and was obviously an important moot spot where local tribal and council laws were made.
The great Cambridge archaeologist, Tom Lethbridge (1957) briefly described the place in his fascinating survey of the nearby hill-figures, Gog and Magog, saying:
“The hill itself is a Bronze Age barrow which was dug by the Hon. R.C. Neville about a hundred years ago. In it were, amongst other things, glass beads brought to Britain from the eastern Mediterranean in the fifteenth century before the birth of Christ. The barrow, which was presumably the site of a moot in Saxon times, seem to have been used as a sighting point for the construction of the Fleam Dyke… A circular Roman building, either a temple, or possible a signal station, stood close to Mutlow Hill.”
Lethbridge pointed out that another lesser-known trackway — “known in Saxon times as ‘the Street'” — also passed here, saying:
“When the land is ploughed and the light is right, you can see the numerous dark lines on the soil, all converging on Mutlow Hill. These are the old hollow ways of the Icknield Way and the Street.”
Folklore
One legend here speaks of a golden chariot that is reputedly buried either inside, or near to the old tumulus. Lethbridge (1957) again told of hearing this tale, though narrated, “it was said to be buried in Fleam Dyke near Mutlow Hill.” When he asked a local lady about the tale,
“She replied that she had always heard that it was not in the dyke itself, but in the road which passed the dyke and went on to West Wratting and the southeast.”
References:
Lethbridge, T.C., GogMagog: The Buried Gods, RKP: London 1957.
Reaney, P.N., The Place-Names of Cambridgeshire and Isle of Ely, Cambridge University Press 1943.
From Malham village go over the lovely old bridge and follow the road up and round, keeping to the left (not up the Gordale Lane) where the junction appears a few hundred yards along. Follow this steep and winding road all the way to the top for a couple of miles until you hit a junction seemingly in the middle of nowhere. Park up somewhere to the left and notice the hillock which you’ve just passed on your right (east) with a bittova flat top to it. Cross the stile and go up to it!
Archaeology & History
Although somewhat overgrown thanks to the persistence of Nature, this good-sized burial mound on top of this, one of many small hills in and around the moors hereby, is a fine specimen to behold and a fine place to sit and drink in the view. Although not quite having the grandeur of the Great Close Hill tomb a mile to the north, the countryside hereby is still impressive and was of obvious importance in the mythic landscape of our Bronze Age ancestors. If you think otherwise, there’s obviously summat wrong with you.
Approaching the tumulusSeaty Hill tumulus
Although we can only see the remains of one singular round tomb today, at least two other tumuli were once in evidence in this large open field but they were dug out many years back. There were probably even more of them, but any trace has long since gone. Thankfully this one was given the attention of decent archaeologists some fifty years back, when Arthur Raistrick (1962) and his mates got stuck into the place. His initial account of the place told us how it was,
“…surrounded by a shallow ditch and bank enclosing a low mound 66 feet diameter, rising about 4 feet above the ditch bottoms. In the original surface of the hill top there had been dug two holes, circular and partly impinging on one another, both 3ft 6in deep. In the northwesterly one of these a skeleton had been carefully placed in a sitting position, with knees drawn well up, and was facing the second hole which is to the southeast. This hole was almost filled by a carefully built cairn of limestone boulders, but nothing was found either in or beneath it. No artifact of any kind was found with the skeleton. Both holes had been filled in with fine sandy and gravelly loam to the natural ground level and then covered with a low mound, 15 feet in diameter and 1 foot high, of coarser gravel and small boulders. The second mound, 66 feet diameter, of limestone rubble and boulder clay and 3 feet high above ground level, was put over this and provided with a kerb of large limestone boulders buried in the toe of the mound. A shallow ditch was then dug and its spoil thrown outwards to form a shallow bank.
“In the surface of the large mound there were not less than 13 secondary burials of early Iron Age, each in a small saucer-shaped depression filled in with gravelly loam. These burials are extremely fragmentary and are more like token burials than complete ones. In three of them, beads were found, one of jet, one of blue glass and one of carved limonite. In a burial nearly over the central older burial, a skeleton was arranged with a bone (musical) pipe between the knees, where also there were several small bones of hand and wrist and part of an iron knife. The (musical) pipe was made from the tibia of a sheep, perforated with three finger holes, with a well-shaped speaking lip and mouthpiece. The pipe was playable… A full account of this unique instrument has been published elsewhere… In two of the burials there were recognizable fragments of iron knives, and in two others pieces of iron of unrecognized use, all in positions which could have been under the knee of a more primitive skeleton. By analogy and style the primary burial has been assigned to the Early Bronze Age, and the Iron Age burials to the period first century BC to the first century AD.”
It would be intriguing to ascertain how many people from this period were playing flute-like instruments such as the one found here, and whether (as with other musical instruments in all other tribal cultures on Earth) magickal virtues were assigned to it, or the music it liberated. Certainly in a great number of places around this very area where this instrument was found, many natural sites still abound with the hugely underrated virtue of silence; and upon the still air amidst which music would be cast, the echoes or else faint sense of such sound would evoke a marvel — curious or dreamt — to those upon who it fell. If you think otherwise, there’s definitely summat wrong with y’!
References:
Raistrick, Arthur & Holmes, Paul F., Archaeology of Malham Moor, Headley Bros: London 1961.
Crowned by a clump of trees (planted in 1740), this hilltop site is one of the more impressive of a number of tombs hereby, with its nearest other neighbour being 70 yards southeast of here. One of Dorset’s early tribal meeting places (Anderson 1934), the tomb was illustrated on Isaac Taylor’s 1765 map of the region and was dug into in 1858 “on the orders of a local magnate” (Marsden 1999), damaging some substantial portion of the tomb. Of this, craniologist and antiquarian John Thurnam was most displeased; for in his description of the opening of Culliford Tree he wrote:
“A wide trench had been dug through it one side, from the summit and the rubble which had been thrown out had not been replaced… Another subject of regret was the fact that though, as we were told by the neighbouring rustics, human remains, with pottery and certain other relics, were found in the barrow, no authentic account of the exploration had, so far as we could learn, been put to print.”
Leslie Grinsell (1959) found the same trouble in his assessment of this site; and the Royal Commission (1970) lads could only describe the site thus:
“Large trench on south and top almost certainly dug in 1858 when four secondary extended inhumations, one with necklace of amber and two gold-plated beads, and cremation with incense cup in collared urn, were found.”
However, it seems that the necklace and gold-plated beads have been “lost” — i.e., someone has them in their own private collection somewhere!
Folklore
This is one of very few tombs in this part of the country where we find the tradition of fairy music. Grinsell (1959) told that:
“The Culliford Tree barrow, formerly the meeting place of the Hundred of Culllingford Tree, is also known as the Music Barrow from the belief that music could be heard beneath the mound by those who listened at the apex at midday.”
References:
Anderson, O.S., The English Hundred-Names, Lunds Universitets Arsskrift 1934.
Marsden, Barry M., The Early Barrow Diggers, Tempus: Stroud 1999.
Royal Commission on Historical Monuments, An Inventory of Historical Monuments in the County of Dorset – Volume 2: South-East, Part 3, HMSO: London 1970.
Warne, Charles, Celtic Tumuli of Dorset: An Account of Personal and other Researches in the Sepulchral Mounds of the Durotriges, Smith: London 1866.
From Silsden go up the long hill (A6034) towards Addingham until the hill levels out, then turn left on Cringles Lane (keep your eyes peeled!) for about 500 yards until you reach the Millenium Way footpath, or rather, green lane track, to your right. Walk along this usually boggy old road for another 400 yards until you’re level with the small copse of trees below the field (about 100 yards away). The slightly raised ditched mound on the left side of the track ahead of you is what you’re after!
Archaeology & History
Unless this old tomb was pointed out, you probably wouldn’t give the place a second glance. It’s a seemingly isolated singular round tomb, subsided on top and surrounded by a small ditch, running into the edge of the walling. Gorse bushes and a few rocks are around the edges of the site. Harry Speight (1900) described this old tomb as a
“lonely isolated mound, to be seen in Parson Lane about a hundred yards west of the Celtic boundary, Black Beck, where some old dying chief has called his friends around him bidding them, “heap the stones of his renown that they may speak to other years.” It is a tumulus 80 feet in circumference and does not seem to have been disturbed.”
In Faull and Moorhouse’s (1981) magnum opus they describe the site as “the denuded remains of a ditched round barrow,” but say little else. It may have had some relationship with the settlement remains in and around the huge Counter Hill complex, immediately north.
References:
Cowling, E.T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
Faull, M.L. & Moorhouse, S.A. (eds.), West Yorkshire: An Archaeological Guide to AD 1500 (4 volumes), WYMCC: Wakefield 1981.
Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.
Various ways here. Best is probably taking the footpath onto Farnhill Moor a few hundred yards east of Kildwick Hall. Head for the cross-bearing Jubilee Tower (supposedly built upon an ancient cairn), NW, keep going past it uphill until you reach the walling 350 yards north, where a seat let’s you have a rest. Climb over the wall! Alternatively, walk eastwards and up through the steep but gorgeous birch-wooded slopes of Farnhill Wood; and as the moortop opens up before you, the great pile of rocks surmounts the skyline ahead. You can’t miss it! (NB: the spot cited on the OS-map as the cairn is in fact another site, 100 yards NW)
Archaeology & History
Its an awesome place in an awesome setting. You can see 360-degrees all round from this giant mass of rocks — something which was of obvious importance to the people who built it. If it had been placed 20-30 yards either side of here, that characteristic would not occur. Indeed, this is the only place anywhere on these moors where such a great view was possible. Important geomancy, as they say (or whatever modern term they give it these days).
Bradley Moor Cairn – looking down to the Long CairnSmall section of the old cairn
Although the tomb is still of considerable size (at least 100 feet across) and made up of thousands of stones, it has been severely robbed of stone in years passed, for walling and other building materials. A number of other small cairns scatter the heathlands a few hundred yards roundabout this central giant (though are hard to find in the deep heather); and there is a distinct cairn circle about 100 yards to the northwest, which has yet to be excavated. This cairn circle can be made out quite easily if you stand on the ridge about 30 yards west of here, looking down the slope. An then of course we have the equally huge Black Hill Long Cairn, less than 100 away, aligned northwest-southeast, which obviously had an important archaeological relationship with this giant round cairn. Also around this and the adjacent long cairn, numerous flints and scrapers have been found, showing humans have been here since at least the early neolithic period. And recently, what seems to be a fallen standing stone has been found laying in the heather, 168 yards to the north.
This site in particular gives me the distinct impression that it was the most important of the various sites upon these moors. It’s got a distinctly female flavour to it – and it’s old name of the Queen’s Cairn seems just right. Maybe it’s the fact that when I first visited the place, a great thunderstorm broke through the previously perfect skies, scattering lightning bolts all round for perhaps thirty minutes — so I stripped myself naked and reached my arms out-stretched, cruciform, screaming to the skies in the pouring rain! Thereafter, no clouds appeared in the skies for the rest of the day. It was a brilliant welcome to the place!
References:
Cowling, E.T., Rombald’s Way, William Walker: Otley 1946.
Keighley, J.J., ‘The Prehistoric Period,’ in Faull & Moorhouse’s West Yorkshire: An Archaeological Survey, I, WYMCC: Wakefield 1981.
Raistrick, Arthur, ‘Prehistoric Burials at Waddington and Bradley,’ in YAJ 119, 1936.
