prehistoric rock art

Old Lane Carving, Cowling, North Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – SD 97300 42625

Getting Here

Old Lane Cup-and-Ring

This Stone is situated on Old Lane, Cowling, North Yorkshire. To get here coming from Crosshills, you come straight through the village and past the shops. About 250 yards after the shops you will come to a sharp left hand bend, and once you have gone round this corner you will see a sign pointing to Oakworth (Old Lane). You need to turn left here (up by the cemetery) and continue for about half a mile up that lane until you come to a sharp left-hand bend. Once you have gone round that left-hand bend you will see a driveway on the right, the stone is situated opposite, in the gateway. Hope you can find it and enjoy it like I do every time I pass it.

Archaeology & History

…and from another angle

I’ve driven past this stone many times, almost every day and never previously noticed any markings. Then, one particular day, the weather was a bit miserable but the lighting was just right to illuminate this little gem. Was this lump of rock a standing stone, or have modern day folk took advantage and moved it here to be used as a gatepost? I don’t think we ever will know.

(Editor’s Note – When Chris first informed us of this carving, I wondered whether or not it had anything to do with a cup-and-ring found on a gatepost in the 1950s or ’60s by Stuart Feather or Sidney Jackson, but this was not the case. This petroglyph therefore, is yet another one that our users have discovered and it has to be classified as a new find. Keep up the good work sir! PB)

Lady Well, Leeds, West Yorkshire

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Holy Well (destroyed): OS Grid Reference – SE 3060 3373

Archaeology & History

Lady Lane, where the well was

Deep in the industrial centre of Leeds, not far from the main bus station, could once be found one of Yorkshire’s many ‘Lady Wells’. The great historian and antiquarian Ralph Thoresby (1715) was the first to write of this great spring, which is now lost beneath the concrete buildings near Quarry Hill. He described it as,

“a noted spring…to this day called Lady Well and the adjoining way, Lady Lane.”

In 1806 Edward Baines of Leeds described this spring of “soft, pure water,” also telling it to be on Lady Lane, saying that

“At the bottom of this street is a spring of excellent water, called Lady-Well, which affords a copious supply of that necessary article to this populous part of town.”

This Lady Well was also included in Andrea Smith’s (1982) survey, who noted that less than two hundred yards northwest of was The Chantry of Our Lady. This church has medieval foundations and its dedication would be derived from the healing waters here; plus, Smith notes, in West Yorkshire, “the number of churches dedicated to Our Lady is only two and these are both classed as ancient.”

References:

Baines, Edward, The Leeds Guide, E. Baines: Leeds 1806.
Smith, Andrea N., “Holy Wells in and around Bradford, Leeds and Pontefract,” in Wakefield Historical Society Journal, volume 9, 1982.
Thoresby, Ralph, Ducatus Leodiensis, London 1715.

Kirk Stones, Morton Moor, West Yorkshire

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Legendary Rocks (destroyed): OS Grid Reference – SE 0886 4479

Archaeology & History

Kirk Stones on 1851 map

A place-name that is still recognised on modern Ordnance Survey maps, even though the original site giving rise to it was all but destroyed some one hundred-and-fifty years ago. Derived from the old word kirk, meaning a church or sacred site, no christian remains of any kind have ever existed here and so we must presume an earlier, more heathen site of sanctity (an abundance of prehistoric petroglyphs exist very close by). The singular reference detailing the nature of these Kirk Stones is in J.A. Busfield’s (1875) rare tract on the history of Upwood, in the parish of Bingley. Upwood Hall was built by the Busfield family and, as the author tells,

“one of the most striking features in the vicinity at this age [c.1800, PB] was the fine range of magnificent rocks called Kirkstones, which had existed for countless ages. These grand rocks, towering one above another, extended along the whole southern boundary of the [Whetstone] Allotment on the left of the road to Ilkley, and were really a fine object, but alas!, through the ignorance or stupidity of the agent Colonel Bence, the “Crags of Kirkstone” were broken up and disposed of in the construction of the Bradford Water Works about the year 1854.”

Sadly we have neither illustrations nor other references to these fine sounding sentinels.
Undoubtedly the Kirkstones were a natural feature, despite their venerated title. It would have been their very appearance that gave rise to their revered title, as in the great and contorted rock masses seen at Brimham Rocks which, from Bensons’s description, these Kirk Stones seem reminiscent. The only piece of extant lore to these stones is that the uprights that went into making the recently destroyed Bradup stone circle a short distance south of here, came from this sacred outcrop. It seems reasonable to assume that they played an important role in the magickal history of these hills when they were scattered with forest.

The Kirk Stones aligned along the equinox axis to the Black Knoll standing stone less than a mile [1.4km] due east.

References:

Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
Busfield, Johnson Atkinson, Fragments Relating to a History of Bingley Parish, Bradford 1875.
Smith, A.H., English Place-Name Elements – Part 2, Cambridge University Press 1956.

Halo Stone (318), Ilkley Moor, West Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – SE 13223 46505

Also Known as:

Carving no.154 (Hedges)
Carving no.318 (Boughey & Vickerman)

Getting Here

Looking straight down at it

From Ilkley train station, head up Cow Pasture Road and get to the Cow & Calf Hotel (if needs be, ask a local). From its car-park, cross the road and go along the straight-ish footpath onto the moor. Less than 200 yards on, you’ll hit a main track (and a faint cup-marked stone). OK – walk down this track (left) for 30-40 yards, then walk left again into the heather for about 10 yards. You’re looking for a small rounded stone and you’re damn close!

Archaeology & History

…and from another angle

Just over 40 yards east of the very basic Brown Law cup-marked stone, we find this slightly more exotic petroglyph, keeping low in the undergrowth. Difficult to see unless the daylight is just right, preferably as the sun is rising or setting (as with many neolithic carvings), on this small slightly rounded stone we see a central cup-mark surrounded by a double-ring (unfinished, perhaps on its northern edge)—although an outer cup seems to touch the edge of this second ring. As the faint images here show, there are other cups and shallow lines also etched onto the stone, but these are gradually fading as the years go by. It was originally found close to a small cairn that has seemingly been destroyed in recent years.

The carving can be troublesome to find when the heather and bracken gets growing, so it’s best explored in the Winter and early Spring—unless of course you want me to show you it, along with the hundreds of others on these moors! If so, gimme a shout. 😉

References:

Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Cowling, E.T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

Gray Stone, Burley, Leeds, West Yorkshire

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Legendary Rock: OS Grid Reference – SE 28659 34229

Also Known as:

Giant’s Stone

Getting Here

Originally located at SE 28449 34364, the site is now to be found halfway along Westfield Road, where it meets up with Hollis Place, along the footpath at the back of the school, set back against the walling. A plaque by the rock kinda gives the game away!

Archaeology & History

Gray Stone on 1852 map

The large vandalised stone you see here—sprayed-painted quite eloquently it has to be said!—is apparently a replica of the old stone which could once be found about 300 yards northwest of here. Typifying stones of this name—gray, grey and variants thereof—the original Gray Stone was an old boundary marker (Smith 1956), and the last reference to it as an archaeological site was by James Wardell (1853), who even in his day said that it was “almost buried in the ground, on the Burley Road.” It is shown on the first OS-map by the roadside, close to the junction of Woodside View and Burley Road, but was said to have been removed at the beginning of the 20th century and moved to its new and present position. However, somewhere along the line, the original stone has been destroyed and the thing that we see today has taken its place.

The original Gray Stone may have been a standing stone, but we cannot be certain about this. The present boulder stands about four feet tall and is a rather fat-looking standing stone. You can just about squeeze round the back of it, around which is an incised line which cuts around the stone – but this obviously quite modern. A plaque stands in front of the stone, telling its brief history. (if anyone can send us some photos of the site that would be great – I’ve gone and lost mine, somehow!)

Folklore

A creation myth of this site tells it to have been made by a giant, who threw the Gray Stone from the appropriately named Giant’s Hill (a supposed old camp, now destroyed), less than a mile southeast of here: an alignment which corresponds closely to the midsummer sunrise. In throwing it, he was said to have left the indentations of his finger-marks in the rock – thought to have been cup-markings. Examples of other cup-and-ring stones occur a short distance west, at Kirkstall.

References:

Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
Smith, A.H., English Place-Name Elements – 2 volumes, Cambridge University Press 1956.
Wardell, James, The Antiquities of the Borough of Leeds, John Russell Smith: London 1853.

Baildon Moor Carving (130), West Yorkshire

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Cup-Marked Stone: OS Grid Reference – SE 13077 40097

Also Known as:

Carving no.11 (Hedges)
Central Design Stone

Getting Here

Baildon Moor carving

Take the directions to find the Glovershaw Quarry carving,or the Baildon Moor 126 carving and the newly-found Toad Stones circle, and zigzag about in the bracken when it’s down at the end of Winter (forget it from summertime onwards!). You’re damn close.

Archaeology & History

A carving that I first visited when I was a child – but one which, curiously, caught my attention. The small arc of four cup-marks that you can see on the stone was an integral feature of other carvings in this particular region—though not all, of course. It seemed to me at the time that it had symbolic significance, as the arc occurred in a number of other Baildon petroglyphs. Astronomy was my fetish at that time and so I saw the arc as solar or stellar movements across the sky, represented by the cup-markings. It was one of many fascinating Rorschach’s that I encountered, just as rock art students across the world do when looking at these ancient carvings. However, the simple symbolism of this and similar nearby carvings has stuck and plays under my skin somewhat: one of those curious non-egoic tickles, constantly nudging away, as if there’s something in it, but being looked at from the wrong angle…

John Hedges 1986 sketch

Looking down at the cups

Anyway… All we have here is a primary design of four cup-marks reaching across a small earthfast stone. Other simple carvings are found close by and there are the remains of several prehistoric cairns circles within a few hundred yards. Beneath the deep bracken-mass, it is highly probable that other ancient remains remain hidden.

The carving was first recognised in one of Sidney Jackson’s (1958) archaeology bimbles in the 1950s with his bunch of northern antiquarians from Cartwright Hall, Bradford. It later found its way into the survey of John Hedges (1986) where he described it, simply:

“Small, lozenge-shaped, smooth grit rock, sloping NW-SE into grass and bracken, four symmetrical cups in slight curve.”

References:

Baildon, W. Paley, Baildon and the Baildons – parts 1-15, Adelphi: London 1913-1926.
Bennett, Paul, Of Cups and Rings and Things, unpublished: Shipley 1981.
Bennett, Paul, Megalithic Ramblings between Ilkley and Baildon, unpublished: Shipley 1982.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Jackson, Sidney, “Cup-Marked Boulders, Baildon Moor,” in Cartwright Hall Archaeology Group Bulletin, 3:2, 1958.

Sunrise Stone (605), Snowden Crags, Askwith, North Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – SE 18066 51251

Also Known as:

Carving 605
Northern Earth Mysteries Stone

Getting Here

Sunrise Stone, Snowden Carr

Take the same directions as if you’re going to visit the Naked Jogger Carving (stone 612), not far from the well-known Tree of Life Stone. From the Naked Jogger carving, walk up the small outcrop of rocks that bends above you. Barely 100 yards up when you reach the top, you’ll notice a single large sloping stone barely 50 yards ahead of you in the same field. That’s the spot!

Archaeology & History

This is a little-known beauty of a carving just off the edge of the quiet moors that are littered with prehistoric remains. It was only rediscovered a few years ago — by myself if you believe the writings of rock art student Keith Boughey (2010) in his essay on the validity of so-called “amateurs”who research and discover petroglyphs (Boughey’s essay is scattered with mistakes). But I’d never even visited this carving until two years ago! The stone was in fact found during a field-walk by early members of the Northern Earth Mysteries group in August 1989 (Wilson 1990) and subsequently described and illustrated for the first time by Phil Reeder (1990).

Close-up of main cluster

As can be seen in the photos accompanying this site profile, the rock on which the carving has been done has, at some point in the past, been cut into and its edges have been hacked away and destroyed, literally cutting into the overall design. We have no idea what the original size of the stone was, obviously, but this petroglyph was once larger than the design that we see at present. Such is the price of ‘progress’, as some folk call it.

Anyway – a few months after the carving was rediscovered, Phil Reeder (1990) wrote:

“After a visit to the Tree of Life stone…a cursory inspection by the NEM Group was made on nearby rock outcrops, part of which showed evidence of recent exposure due to soil erosion.

“One stone in particular stood out as five shallow cups and associated rings could be discerned. When cleaned, it became apparent that further carvings extended beneath a thin eroding soil layer. When this layer was cleared, a complex set of carvings were revealed.

“Only preliminary work at the site has been carried out to date, but it appears that the carvings comprise of at least 28 cups, 13 of which have associated rings; several of the cups are linked by gutters forming an intricate design, one gutter part enclosing 11 cups. The carvings on the lower edge of the stone have weathered badly and are difficult to interpret.”

Reeder’s so-called “amateur” description is a good one. Certainly more accurate than the subsequent one by Boughey (“I’m a professional”) & Vickerman (2003):

“Large rock of coarse grit whose surface slopes with the hill. About forty cups, some large, many with single rings, and many curving grooves, the whole forming a remarkable, complex design.”

Phil Reeder’s 1990 drawing

Boughey & Vickerman’s sketch

We can see in the respective drawings by both Reeder (left) and Boughey & Vickerman (right) that some elements which should have been included in the ‘official’ drawing were missed, yet had been accurately included in the earlier ‘preliminary’ drawing, as Mr Reeder put it. I hope that readers will forgive me pointing out these seemingly minor elements; but I do it to illustrate the ineffectiveness of more recent rock art students who are gaining the title of ‘experts’ in this field. It’s important to recognise that, in this field of study, “experts” are few and far between indeed… I’ve certainly yet to meet any!

Northern end of carving

Southern side of carving

The carving is mentioned briefly in Beckensall’s (1999) introductory study, with little comment. But of note here is not only the curious linear feature running between two cup-and-rings, but the position of the stone in the landscape. For if you sit either upon or next to this carving, you are looking east straight across the gorgeous Fewston valley directly at the prominent wooded hill of Sword Point. As it slopes down into the present-day greenery of fields and scattered woods, the Wharfe Valley spreads out to the distant east and, as the sun rises and scatters its rays onto the wet morning stone here, the design on the rock awakens with much greater visual lucidity than that which our daytime eyes bestow to us. In all likelihood, sunrise was an important element in whatever mythic function underscored this curious carving, with its human-like figure rising on its southern side, emerging from the edge of the rock, personifying perhaps the rising solar disc and the living landscape as the daylight breath awoke Earth’s creatures; or maybe it signifies a symbolic group of people gathered together watching the sunrise…

Of course, I’m dreaming… (how very amateur of me! 🙂 )

References:

Barnett, T. & Sharpe, K. (eds.), Carving a Future for British Rock Art, Oxbow: Oxford 2010.
Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
Boughey, Keith, “The Role of the Amateur in the Study of UK Prehistoric Cup-and-Ring Art,” in Barnett & Sharpe, Oxford 2010.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Chappell, Graeme, “North Yorkshire Rock Art – New Discoveries,” in Northern Earth, no.62, 1995.
Michell, John, The Earth Spirit, Thames & Hudson: London 1975.
Reeder, Phil, “Snowden Carr Rock Carvings,” in Northern Earth Mysteries, no.40, 1990.
Wilson, Rob, “Pateley Bridge Gathering,” in Northern Earth Mysteries, 40, 1990.

Skyreholme Carving (406), Appletreewick, North Yorkshire

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Cup-marked Stone: OS Grid Reference – SE 0740 6254

Getting Here

Skyreholme 406 carving

Along the B6265 Pateley Bridge-Grassington road, roughly halfway between Stump Cross Caverns and the turn to Skyeholme and Applecross (New Lane) is a dirt-track on your right-hand side called Black Hill Road. Walk down here for a few hundred yards till y’ reach the gate on the right. A track goes downhill to the psilocybin-rich pastures of Nussey Green. Several hundred yards down, to the right-hand side of the track, we find this and its several companions. Look around!

Archaeology & History

Sketch showing cups

Just a few yards away from the Skyrehome Carving-404, this very basic petroglyph was rediscovered by Stuart Feather (1969) during one his many forays in this area. Although the stone has what initially seems to be a number cup-marks on it, it seems only two of them are man-made. The rock art students Boughey & Vickerman (2003) think there may be up to four of them.

References:

Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Feather, Stuart, “Appletreewick, W.R.: Black Hill,” in Yorkshire Archaeological Journal, volume 42, part 167, 1969.

Skyreholme Carving (405), Appletreewick, North Yorkshire

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Cup-Marked Stone: OS Grid Reference – SE 07395 62382

Getting Here

Skyreholme 405 Carving

Going down (south) off the B6265 Black Hill Road towards Skyreholme, turn right and go all round the hill ahead of you, but instead of looking to the right (where other carvings, described elsewhere, are found), turn left where the collapsed entrance to a mine-shaft is visible about 50 yards up the hill on the left. Walk up here, keeping to the right side of the collapsed mine, till you reach this rock.

Archaeology & History

Only for the purist petroglyph fanatics amongst you, the rock art students Boughey & Vickerman (2003) allege there to be four cup-markings here—and debatable ones at that—but we could really only make out the topmost cup, shown in the picture and an elongated one (which they think may have been two cups merged into one). A faint “X” is also carved on the stone, possibly from the mining days.

References:

Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.

Arncliffe, Littondale, North Yorkshire

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‘Carved Stone’: OS Grid Reference – SD 93 72

Archaeology & History

The Arncliffe Carving

This is a frustrating site entry. Not only do we not know where it is, this carving is not listed in any of the modern books on British petroglyphs, yet it was described and referenced by the famous archaeologist Jacquetta Hawkes following its discovery more than 80 years ago. After a brief mention of the carving in Frank Elgee’s (1933) Archaeology of Yorkshire, an article describing the carving was penned in the journal Man, from which I draw the only information available. It appears to have been found in the early 1930s (no date or discoverer is cited), but has a couple of peculiarities which may bring the authenticity of the stone into question. Mrs Hawkes (1934) told that the carved stone was,

“found in the bed of a moorland beck in the village of Arncliffe, Littondale, West Riding of Yorkshire. It is of buff-coloured limestone measuring 21 inches x 12 inches x 6 inches in thickness; the decorated surface is almost flat. The curvilinear pattern is executed in regular incisions about 4mm wide and 3mm deep; portions of it have been obliterated by water actions and, as is illustrated in the illustration, at one end the surface has broken away altogether. The whole stone has been much battered and may well be only a fragment of a much larger one. The state of preservation suggested that it had been in the stream for a considerable period; it is therefore probable that it was washed down from the open moorland above Arncliffe. In the original (carving), the design is more coherent than it here appears owing to the fact that in the water-worn portions faint lines are visible to the eye which cannot be shown on a tracing.

“Mr W.J. Hemp, who has kindly examined the Arncliffe tracing, identifies the style of the design with the ‘entrail’ pattern of the well-known Pattern Stone from the chambered cairn of Bryn Celli Ddu in Anglesey…

“The technique of the Arncliffe tracing is comparable with the simple incisions which form the oldest of the four techniques recognizable in the Irish megalithic tumuli, where its early date is indicated by the fact that some examples are demonstrably older than the construction of the tumuli in which they occur…

“Mr Frank Elgee, who has also been good enough to comment on the Arncliffe tracing, cannot suggest immediate comparisons from this neighbouring group (around Ilkley, PB), but such evidence as there is he considers to be against assigning a date earlier than the MIddle Bronze Age.”

The late great Eric Cowling also mentioned the stone in his prehistoric survey of the mid-Pennines, but added no further details of his own and seems to have just copied what we have just read.

The fact that the ‘carving’ was found in a stream-bed may mean that the markings on the stone were due to natural erosion; and the fact that the rock was limestone may give added weight to this idea. However, the fact that Mrs Hawkes, Frank Elgee and W.J. Hemp thought the carving to be authentic cannot be overlooked. The area is also rich in prehistoric remains (see Douky Bottom, Dewbottoms, Yockenthwaite, Blue Scar, etc) The design itself is an odd one and has none of the traditional hallmarks consistent with neolithic and Bronze Age cup-and-ring stones, but seems more reminiscent of much earlier mesolithic and palaeolithic images of carved animals and dancing human figures.

If anyone knows more about this site, particularly its whereabouts (perhaps in private possession or hiding in some museum box, where increasing numbers of cup-and-rings are wrongfully kept), or whether the ‘carving’ has been disregarded as little more than natural weathering, it would be good to know for certain.

References:

Cowling, E.T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
Elgee, Frank & Harriet, The Archaeology of Yorkshire, Methuen: London 1933.
Hawkes, Jacquetta, “A Prehistoric Carved Stone in Littondale,” in Man, volume 34, 1934.