Eclipse Stone (107), Bingley Moor, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 11164 42652

Also Known as:

  1. Carving no.107 (Boughey & Vickerman)
  2. Carving no.228 (Hedges)

Getting Here

From East Morton village, take the moorland road, east, and up the steep hill.  Where the road levels out there’s a right turn, plus (more importantly!) a trackway on your left which leads onto the moor.  Go up this track for a few hundred yards until you’re on the moor proper (by this I mean the track’s levelled out and you’re looking 360° all round you with all the moor in front of you).  Just before the track starts a slight downhill slope, go into the heather on your right, for about 80 yards.  You’re damn close!

Archaeology & History

I first came here many years back in my mid- to late-teens with an old school-friend Jon Tilleard, wandering about adventurously, occasionally stopping here and there when I found some stupid cup-mark or other seemingly innocuous scratch on the rocks, gerrin’ all excited and jumping about like a tit!  But when we visited the place again a few days back my response was somewhat different.  I was worse!  But for good reason…

Primary features of CR-107
Close-up of main features

The potential variations visible in this carving are peculiar, to say the least.  Ones first impression shows a carving similar in many ways to that shown in Hedges (1986) fine survey; but upon closer inspection a number of initial visual responses begin to look murky.  A seeming cup-with-double-ring aint what it seems!  To me at least (sad fella that I am!), it’s far more intriguing and far less certain, with a number of oddities still left.

The central feature of the carving is the lovely near-cup-and-double-ring!  As we can see in the photo here, there are some insecurities in the top-right of the outer ring.  To the upper right of this is another cup-with-partial-ring that was not included in the Hedges (1986) survey, nor Boughey & Vickerman’s (2003) updated work.  There are some obvious pecked carved lines — whose specific definition yet remains unclear — in and around this area of the petroglyph; but in the “official” illustration these elements or ingredients were somehow missed.

Eclipse Stone, looking west

When we visited the stone the other day, the naturally eroded lines on the rock seemed pretty obvious; but the more we looked, the less secure we were about some of them.  Thankfully the light kept changing about, allowing us to get different perspectives — and with the low sunlight of evening casting itself across the rock, some additional features seemed obvious.  In particular, what seemed like two natural “scratches” on the stone turned out to have been pecked and carved and the straight lines ran into the double cup-and-ring on the left-side.  One of these — the lower and shorter of the two — seems to run into the central cup, but this aint certain.  The longer top line has an even more circuitous venture: entering the outer ring, it passes onto the top-inner ring and then bends along its edge, before exiting again on the right-hand side, through the outer ring and heading out towards the large natural eroded cutting a few feet away (see my crappy drawing to get an idea).  Other faint aspects on this stone may have the hand of man behind them…

My shit sketch!
Hedges 1986 sketch

There are certainly a few other cups on the stone: one with a near semi-circle on its lower and right-hand side.  The long nature-worn cut, right-of-middle, may have had the hand of man cutting into the cup at the bottom; and another couple of “is it? — isn’t it?” enhanced natural cups seem possible on the left side of the rock.  There is also what looks like a distinct single cup-marking on the west-facing vertical face of the stone (you walk towards it from the track).  It looks pretty decent, but I’ll let them there “professionals” assess the validity or otherwise of that one!  But the other unmistakable and very curious ingredient is the deep, worn arc beneath the primary double-ring feature.  This is, as the photo shows, separated by a long natural crack running halfway down and along the stone, above which possibly the double-ring feature touches.  This large ‘arc’ feature gives the distinct impression of being a big smile!  However…

Turn the image of the central feature upside down and you get a very different effect indeed.  A rainbow above the surface of the Earth, with (perhaps) a pool in which the sun has reflected?  Or an underworld venture?  Looking at it from a few angles gives the impression of a comet moving across the sky, aswell as an eclipse with the diamond-ring effect.  But as with cup-and-ring in general, there are plenty of other potentials!  Which also begs the question: was it to be looked from the top or bottom (or left or right for that matter)?

I could waffle about this particular carving for much longer, showing that it had quite an effect on me.  Check it out and sit with it for a while… It’s superb!

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  2. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian


Tomb Stone (110), Stanbury Hill, Bingley Moor, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 11229 43143

Also Known as:

  1. Carving no.93 (Hedges)
  2. Carving no.110 (Boughey & Vickerman)

Getting Here

The larger stone in this cairn is the carved rock
The larger stone in this cairn is the carved rock

From East Morton village, take the moorland road, east, and up the steep hill.  Where the road levels out there’s a right turn, plus (more importantly!) a trackway on your left which leads onto the moor.  Go up this track and keep walking till you hit a moorland ‘footpath’ signpost.  Just before this walk due west (your left) into the heather for about 10 yards.  Look around! (if the heather’s long and overgrown, you might have trouble finding it)  If you find carved stone 109, you’re less than 10 yards off this one!

Archaeology & History

First reported by Stuart Feather and described in a short note of the Yorkshire Archaeological Register* of 1977.  This was one of two small carved stones next to each other amidst the “denuded remains of a cairn 3m in diameter and 0.35m high.”  The stone we can still see here is a small one, seemingly near the very centre of the cairn, with its carved face looking northwards.  The carving is a simple double-ring surrounding a central cup: an almost archetypal cup-and-ring stone.

Crap photo of the double-ring

The other ancient carved stone that was once seen next to this (catalogued as carving 111) has in recent years been stolen by an archaeological thief no less!  Any information that anyone might have telling us who’s stolen this heritage piece, or where it might presently reside, can be emailed to me in confidence.  Or…the thief who’s taken it can return the carving to the site and put it back where it belongs before we find out where you live.  Simple as!

(Soz about the poor photo of this carving.  For decent ones of this stone you need to get here when the sun’s in a better position.  I’ll hopefully get some better images next time we’re up there when the light’s better.)

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  2. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
  3. Moorhouse, S. (ed.), “Yorkshire Archaeological Register: 1977,” in Yorkshire Archaeology Journal, volume 50, 1978.

* Does anyone have any idea who you report such new discoveries to so that they can be reported in Yorkshire Archaeology Society’s ‘Register’?  I’ve asked ‘em several times about a number of previously unrecorded sites that we’ve located, so that they can make a record of them, but I never get a reply.

©Paul Bennett, The Northern Antiquarian


Low Black Knoll, Morton Moor, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 104 445

Getting Here

Morton Moor carving

Takes a bitta finding this one.  From the Twin Towers at the top of the moors (Whetstone Gate), walk east along the footpath, past the towers for about another 100 yards, looking out on the other side of the wall until you meet with some walling running downhill onto Morton Moor.  Follow this walling for a few hundred yards till it drops down a small valley; then follow the valley down, keeping to its left-hand side, swerving a little round Black Knoll above you.  Cross the dried-up stream and about 100 yards ahead of you (southeast), heading towards the Sweet Well, zigzag about (once the heather’s grown back here, this’ll take some finding!).  Good luck!

Archaeology & History

Cup-markings, looking north

There’s no previous history to this site and archaeological records indicate no prehistoric remains in this region.  However, we (that is Dave, Mikki and me) found this and a number of other sites yesterday in a bimbling wander, to and fro, through boggy-heaths and deep heather.  It’s a previously unrecorded cup-marked stone, with what seems like an attached burial cairn right by its side (yet again!).  The cairn is 3 yards by 2 yards across.  Two very distinct cup-marks can clearly be seen near the top of the small stone, with a possible third just below.  A curious though natural yoni-like erosion can be seen on the lower side of the stone which may have some significance to people into that sorta thing!  Whether it had owt to do with the cup-markings is another thing altogether!

© Paul Bennett, The Northern Antiquarian


Stanbury Hill (109), Bingley Moor, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 11224 43139

Also Known as:

  1. Carving no.91 (Hedges)

Getting Here

From East Morton village, take the moorland road, east, and up the steep hill.  Where the road levels out there’s a right turn, plus (more importantly!) a trackway on your left which leads onto the moor.  Go up this track and keep walking till you hit a moorland ‘footpath’ signpost.  Just before this walk due west (your left) into the heather for about 10 yards.  Look around! (if the heather’s long and overgrown, you might have trouble finding it)

Archaeology & History

Thought to be one of several carvings that were first reported by Stuart Feather and described in the Yorkshire Archaeological Register* of 1977: near the “denuded remains of a cairn” (there are in fact two here) is “a further cup-marked rock adjacent.”  This is thought to be the one registered in John Hedges’ (1986) survey as ‘stone 91’.  It’s a cute little thing, about 10 yards south of carving 110 (itself sited near the centre of a much-denuded burial cairn).

Carving 109, when wet!
and when dry!

Similar in design to some of the Baildon Moor cup-marked stones (see carving no.126), the primary design here is a simple one: five cup-markings run along the edge of the small stone, with a small carved “line” running between two of the cups, as if denoting separation; whilst on the lower middle part of the stone is another, single cup, a little more worn than the others.  It seems likely that this carving, like its double-ringed companion a few yards away (and others on this part of the moors) was in some way associated with the nearby prehistoric cairns.

 

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  2. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
  3. Moorhouse, S. (ed.), “Yorkshire Archaeological Register: 1977,” in Yorkshire Archaeology Journal, volume 50, 1978.

* Does anyone have any idea who you report such new discoveries to so that they can be reported in Yorkshire Archaeology Society’s ‘Register’?  I’ve asked ’em several times about a number of previously unrecorded sites that we’ve located, so that they can make a record of them, but I never get a reply.

© Paul Bennett, The Northern Antiquarian


Todmoor Carving, Bingley Moor, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 10992 42594

Also Known as:

  1. Carving no.86 (Hedges)
  2. Carving no.103 (Boughey & Vickerman)

Getting Here

From Bingley, head up to Eldwick (either road, it doesn’t matter) until you hit the crossroads at the top where you go up Heights Lane onto the moors (ask someone if you’re struggling).  Right at the top where the lane meets the moorland road, straight across is a dirt-track onto the moor.  You’re going up there!  Walk up for about 350 yards, then go into the heather on your left.  About 20-30 yards in, keep your eyes peeled for the stone in the photo.  It’s low down, a few feet across either way, but easily missed when it gets covered in heather.

Archaeology & History

Todmoor carving’s cup & lines

Up here again today — Mikki Potts, Dave and me — this was first carving we came to.  It was first discovered by the late great Stuart Feather (1961) on one of his many forays onto these moors.  It’s a bittovan odd carving: deep wide grooves, seemingly carved out by humans, in which some other cups have then been carved; plus an odd scatter of other singular cup-markings, what looks like a double-cup, and a long winding line running from near the middle to the stone’s western edge.  All the carved elements have been etched onto the southern half of the stone.  The lovely little Todmor standing stone is about 50 yards northwest of here.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  2. Feather, Stuart, “Mid-Wharfedale Cup-and-Ring Markings. Nos. 5 & 6,” in Cartwright Hall Archaeology Group Bulletin, 6:7, 1961.
  3. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian


Middleton Moor Carving (448), North Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 10931 51276

Getting Here

CR-448 general design

From the back of Moor End Farm on the south-side of Langbar village, follow the Long Ridge footpath up onto the moor. Walk along the path until its starts dipping down again, onto the moor proper and where another footpath crosses and goes down into the small valley of the Dryas Dike stream: follow it down, crossing the stream and up the small slope till you’re on the next level of ground.  Stop here and walk right, off-path and up the gentle slope towards a small fenced-off piece of moor.  About 30 yards before the fence, check out the rocks under your noses.  You’re damn close!

Archaeology & History

If you’re gonna come up this region, this is the carving you’ll most wanna check out.  It’s the most ornamented of all the cup-and-ring stones at the top of Delves Beck.  Comprising at least five full cup-and-rings and a number of single cups, carved on a roughly square flat rock, it was first found by Stuart Feather in the mid-1960s.  It sits amidst a cluster of many other carvings on the same ridge.  This (for me at least) is something of a curiosity, inasmuch as we have a seeming lack of other prehistoric remains in attendance.

Carving 448 with paint damage
…and again, with paint damage

On the other side of the Wharfe valley above Ilkley, aswell as where we find cup-and-ring clusters on the Aire valley side at Baildon and East Morton, a preponderance of burials tend to cluster around clusters of rock art; but this doesn’t, initially, seem evident here.  A possible cairn is located on the northern side of this small ridge, and there is distinct evidence of another cairn down the slope on the other side of the Dryas Dike stream (by stone 440) just 100 yards away, but that’s it.  A more thorough examination of this region is required to see if other burial remains were in evidence hereby in the past.  I have photos of seemingly cairn-scatter material, and ancient walling in is clear evidence on the northern side of Dryas, but much more work needs doing.  Obviously much of this would require full surface excavation, which means we’re gonna need quite a bit of work and effort to see if the rock-art/burial patterns found elsewhere are echoed here.  It’s likely, it’s gotta be said.

…On a slightly more disturbing note: when me and Dave were up here last week, this carving and several others with more ornate designs on this ridge (carvings 446, 453 and others) had been painted over in some black substance.  You can see this clearly in the photos we took, above.  Whoever did it appears (word gets to me that a arty-dood called Paul did it) has done so to highlight the carvings so they stand out very clearly.  If you wanna highlight carvings for better images or photos, there are much better ways of bringing out the designs than the methods you employed there: chalk for one!

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  2. Feather, Stuart W., “Mid-Wharfedale Cup-and-Ring Markings: Nos 43 & 44, Middleton Moor,” in Cartwright Hall Archaeology Group Bulletin, 11:4, 1966.

© Paul Bennett, The Northern Antiquarian 


Middleton Moor Carving (449), North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 10935 51309

Getting Here

Follow the same directions to find the Middleton Moor carvings of 441, 445, or others close by.  If you can get to carving 445, then you’re about 20 yards northeast away from this one!  A bittova upright stone, with another undecorated smooth flat rock about one-foot away.

Archaeology & History

Amidst the clump of other carvings on top of the ridge at the head of Delves Beck on the southern side of Dryas Dike, is this small standing-stone-like rock, which has a distinct single cup-marking right on the topmost part of the stone.  In certain lighting conditions it seems that there may have been a partial surrounding-ring on its top, or perhaps a smaller faded cup by its side.  It’s hard to tell — so let’s play safe and just stick with it being a single-cup stone for the time being!

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.

© Paul Bennett, The Northern Antiquarian


Middleton Moor Carving (445), North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 10917 51299

Getting Here

Follow the same directions to find Middleton Moor’s 441 carving.  Then, go across the small stream a bit further down the slope and up up the slope until you’re on the level.  Once on this small rise in the land, look up the slight slope where approaching the the fenced area.  You’re close!

Archaeology & History

Middleton Moor carving 445

On the Middle Ridge between the streams of Delves Beck and Dryas Dike, this small rounded triangular-shaped carved stone has eight simple cup-markings eroded, but notable on its smooth surface.  Boughey & Vickerman (2003) suggest some may be gunshot marks, which has to be considered at several of the seeming ‘cup-markings’ on this moor. (particularly at Carving no.440 less than 100 yards away)  Archaeo-astronomers amongst you will note the Cassiopeia-like central design on this design — though this is probably coincidental (it might have tickled mi fancy when I was going thru my astroarchaeology phase many years back, but not anymore).

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.

© Paul Bennett, The Northern Antiquarian


Pike Hill, Stamfordham, Northumbria

Cup-and-Ring Stone:  OS Grid Reference – NZ 0774 7048

Archaeology & History

1928 photo of carving

Found inside a prehistoric tomb that was excavated in the late 1920s “by Messrs R.C. and W.P. Hedley at Pike Hill, near Stamfordham,” this fascinating-looking carving was found on a stone that “was overlying the primary burial” cist in the middle of the tumulus, measuring “2 feet 9 inches long by 2 feet wide and 12 inches deep, with an orientation on the longer axis of NE.”  As we can see in the old photo that accompanied Mr Hedley’s (1928) short article in Antiquity journal, four single cups are arranged in a rough square and are joined with each other by a single line, running from cup to cup, outlining a clear quadrilateral formation.  Two other single cups are outliers on the left and right side of the ‘square.’

A second smaller cist was also found inside the same mound and on the central inner face of this was another, more simplistic carving described as “a very fine cup-mark 1½ inch in diameter and ¾-inch deep.”  These carvings are no longer in situ (I think they’re in Newcastle Museum) and apparently this second single cup-marked stone can no longer be located.

References:

  1. Beckensall, Stan, Northumberland’s Prehistoric Rock Carvings, Pendulum: Rothbury 1983.
  2. Beckensall, Stan, Prehistoric Rock Motifs of Northumberland – volume 2: Beanley to the Tyne, Abbey Press: Hexham 1992.
  3. Hedley, R. Cecil, “Ancient British Burials, Northumberland,” in Antiquity Journal, volume 2, December 1928.

© Paul Bennett, The Northern Antiquarian


Bowl Stone, Steeton, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 03593 43673

Also Known as:

  1. Crater Stone
  2. Little Snowden Cup-Marking

Getting Here

From Steeton go to the top of Mill Lane, turning left up High Street. After about 200 yards, turn right (opposite Falcon Cliff street) and go down past the end of the row of terrace houses, to the end of the dirt-track past the allotments.  Then cut up the fields to the rocky crags a coupla hundred yards above you on the left.  Over the wall at the top, look out for the single tree in the field by the walling where there’s a small cluster of stones.  That’s it!

Archaeology & History

The little Crater Stone and its more ornate companion, below

Hiding away on private land, this lovely simple carving was first located on Wednesday, April 7, 2010 (in the fine company of the Great Guru).  Our initial assessment found it to be just a simple cup-marked stone with 4 normal cup-marks, plus two large ‘bowls’ just where the rock goes into the ground.  When we found it the other day, Steve pulled a little bit of the earth back to get a better look at the stone, but we need to return here to unearth the rest of the stone (we didn’t have utensils with us this day, as we were just playing out).

The position of the stone in the land is excellent for views, looking down on the greater-looking Dragon Stone carving just a few yards away, but also looks across the Aire Valley and onto the moorland heights above Rivock, and the south-side of Ilkley Moor.  I’ll update and add further notes and clearer images when we go back to the site (hopefully) in the next week (aswell as hopefully conjure up a more respectable title!).

© Paul Bennett, The Northern Antiquarian