Follow the footpath running from the Rivock TV mast northwest, where it cuts diagonally across the field, heading towards the drystone wall. About 200 yards before the walling – stop! It’s just to your right-hand side, very close by!
Archaeology & History
First discovered in July 2009 when Keighley volunteer, Michala Potts of Bracken Bank, did further ramblings amidst the long grasses hereabouts. Its name comes from the fact that it’s found just next to the footpath that cuts across Rough Holden from the TV mast beneath Rivock. The carving’s a very simple plain design, as the photos show, with just three faded cup-markings etched onto the stones northeast face.
Close-up of cup-markings
This stone aint too far from the cup-marked Dump Stone and the nearby Rough Holden design, but all across the Holden Rough grasslands are the faded remains of old pit-workings. It makes you wonder just how many other carvings once existed across this flatland. The fact that this and the other ones nearby still remain is damn fortunate!
Follow the same directions as to reach Holden’s Buttock Stone, then north over the field and through the gate towards the Rough Holden Carving. As you approach here, keep your eyes peeled for a clump of boulders a little further down the field which stand out. That’s where you wanna be!
Archaeology & History
Found by the old Keighley volunteer, Michala Potts of Bracken Bank, a few weeks back (Friday, June 12, 2009), this previously undiscovered cup-marked boulder is amidst a scatter of boulders piled-up with each other following a field-clearance in recent years. It doesn’t seem to be in its original position, but obviously came from the fields hereby.
Side view of cup-marks
The first view we got indicated 2 or 3 cup-markings on its upper surface; but then as we wandered round it and the adjacent rocks, it seemed that several others appear to have been etched on the vertical face, as shown in one of the photos. The light wasn’t too good by the time we found this (it was one of those days where cloud and sun kept the cup-marks hidden at times!) and then a drizzle came along and stopped a sketch of the stone. But it’s obvious there are 3-4 cup-markings on the upper surface and at least 3 carved on its side. Next time up there we’ll hopefully get better light!
One of the land-owners or tenant farmers hereby has little respect for the prehistoric remains in this area and, in all honesty, I’d expect a number of the petroglyphs to be destroyed in the coming years.
Dead easy! If you come from Silsden, take the Holden Road up onto the moor edge, all the way up the wooded hill. As you reach the top, keep your eyes peeled for the stone in the slope to your left. Otherwise, coming from Riddlesden, take the moor road upwards (to Silsden Road) as if you’re gonna visit Peggy Mawson’s Well, the Baldwin Stone or some of the Rivock carvings. Keep on the road to where you see the microwave tower on Pinfold Hill to your right. It’s just below it!
Archaeology & History
Robin Hood’s Stone from above
Flints have been found on the slopes above here, but records of this stone only go back — as far as I’ve found — to 1850 (this seems to typify records around the Keighley district, which only seems to record anything post-1500 AD). In mid-Victorian times, plans were afoot to use the rock for building material, but local people objected and so the stone kept its position overlooking the valley. There are a number of very defined ‘cups’ on the sloping face of the stone, but several (though not all) of these have all the likeness of the holes dug into the rock by climbers — though why climbers would even think to cut foot-holes into this easy rock beggars belief!
Folklore
One of several sharp well-defined ‘cups’ on the rock
Not too surprisingly, folklore tells that this stone was one of the places where our old hero Robin Hood sheltered, when being chased by god-knows-who in one of his many exploits. We’ve no way of proving this of course, but the sparse woodland remains above here also bear the hero’s name. What seems to be a more modern piece of industrial folklore alleges that this stone was actually put here by workers in the Victorian times! The boulder allegedly lived near Barden, Bolton Abbey, but was blocking construction work, so was uprooted and moved all the way to where it now sits! In bygone times the rock was a local meeting place – perhaps around Beltane, in line with Robin Hood festivities.
References:
Gray, Johnnie, Through Airedale from Goole to Malham, Elliot Stock: London 1891.
Follow the same directions to reach the Robin Hood’s Wood Stone, but head from there to the dirt-track about 30 yards away. This stone is just 10-15 yards on the south-side near the bend in the track. Look around!
Archaeology & History
Holden Cup-Marked Rock
If you can find this stone, the 2-cupped Robin Hood’s Wood Stone carving is only about 15 yards SW. But this poor example is a mere single cup-mark sitting near the centre of a large flat rock, half-covered in vegetation like its nearby compatriot. There’s a faint possibility of a second cup-mark on the rock, but it’s pushing it a bit! Thanks to the vegetation cover on the majority of the rock, the cup’s in a good state of preservation. Nowt much to shout about unless you’re a real cup-and-ring nut!
Another carving that might take a bitta finding. Follow the same directions for reaching the Holden Buttock Stone, going past it towards the fence 100 yards away. Go through the gate and walk along the path for a couple of hundred yards. As you walk down, you’ll eventually see the cluster of rocks amidst which lives the Dump Stone carving. This, the Rough Holden cup-and-ring, is off the path (right) before you get to them in the grasses. Look around.
Archaeology & History
Rediscovered in June 2009 by Michala Potts and I, this little stone at first only appeared to possess a few cup-markings, but the more we looked at it, the more obvious it became that one of the cups had a nice ring surrounding it. Unfortunately this didn’t come out at all well in any of the photos we took, so we need to another visit here whe the sunlight’s right to get a decent image. Aswell as that, the drawing we did of the basic design appears to be missing what looks another blatant cup-marking near the centre of the rock, which did not seem at all obvious to the naked eye when we found it. (such are the delights of assessing cup&rings!)
Rough Holden cup-marksBasic sketch of the stone
The main cluster of cups occurs on the northern-edge of the stone, where a couple of them seem linked by linear features. There are also what may be a cup or three on the vertical edge of the rock, below these cups – but this needs looking at again the better lighting. The cup-and-ring is very faint, but once noticed it become increasingly obvious that it’s there, and most of the ring can be traced with ease by running one’s finger along the groove. Mikki reckons the ring runs all the way round the cup (she’s probably right), where as I could only work it out running 75% of the way round. The line which runs off above the ring seems to link up with what looks like another obvious cup-marking on the photo. We’ll have to check it out properly next time we’re up there!
Follow the same directions for reaching the Wondjina Stone. Once here, walk to the edge of the cliffs less than 10 yards away and the second largest of the rocks is the one you’re after. (the Rivock Nose [1] and [3] carvings are the rocks either side of this one)
Archaeology & History
Possible cup-markings at Rivock Edge
I’ve gotta admit, I was slightly surprised to find this carving logged in both Hedges (1986) and Boughey & Vickerman’s (2003) surveys. Although we find the distinct appearence of cup-markings near the edge of the cliff at the northwestern end of Rivock Edge, these seem a little too close to being natural to be comfortably acknowledged in archaeo-texts without notes the contrary. I took a photo of them when we were up visiting the other day, but didn’t expect them to be in the books. Not only do they include this probably natural example, they also add another two rocks found along the cliff edges (Hedges 12 & 13; B&V 45 & 47). In the event that these carvings are deemed authentic, then those along the edge of the great Kirk cliffs above Steeton must also be added to the same pot.
In the photo here you can work out perhaps nine cup-marks near the edge of the cliff, which is what the textbooks say. Make your own mind up when your next looking at the Wondjina Stone and others nearby.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Feather, Stuart, ‘Mid-Wharfedale Cup-and-Ring Markings: Nos. 7 & 8, Rivock Edge,’ in Cartwright Hall Archaeology Group Bulletin, 6:8, 1961.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
A wonderful site, though a bittova walk for city-minded folk. Head up the road from Riddlesden, Keighley, towards the southern edge of Rombalds Moor and keep going till you reach the road which surrounds the moor (called Silsden Road). At the T-junction in front of you is a path which takes you onto the fields and moor. Go over the stile and walk straight up the steepish field that follows the straight line of the forest, all the way to the top. Climb over the wall on your left when you reach the top of the tree-line, walk past the triangulation pillar for 100 yards or so till you hit the end of the walling before it drops back into the trees. The carving’s under your nose!
Archaeology & History
Rivock Edge’s ‘Wondjina’ carving
The name of this carving is based on a first impression I got of it when I came here as a young lad, still in my teens. The ‘Wondjina’ is a name given to primal aboriginal spirits whose images are etched and painted on rock surfaces in various parts of Australia (usually rock overhangs or in caves). Don’t ask me why, but that was the impression I first got of this stone — and it’s something that stays with me. Some archaeo’s won’t like the association such mythic ancestral beings may have upon people’s notions of cup-and-ring art, but they tend to be the ones who have little educational background regarding the animistic nature of rocks in traditional and peasant societies: ingredients that are integral to these ancient carvings, as research worldwide clearly shows.
The carving was first described by our old Yorkshire historian Arthur Raistrick (1936) in an early essay on Yorkshire rock carvings; and then again in a later article by Stuart Feather. (1961) The primary design is of a large single cup-and-ring at one end of the rock, with a series of seemingly unbroken lines reaching up (or perhaps moving away) from the cup-and-ring. A long central line runs through the middle of the Wondjina ‘being’, which initially seems to have been a series of cups linked by this line; though these cups (at least four of them) have eroded over time and are difficult to see without good sunlight. What seem to be several other very eroded cup-marks are also found on two of the other long lines. These can be made out in the photograph here.
Close-up of lines & cup-marks
Another carving is on the stone right next to this one (2ft away) and there are several other cup-marked stones to be found along the same ridge (carving numbers 058, 059, 060, etc). And for those of you into landscape archaeology, take the position of this carving into consideration. The view from here is quite superb and on clear days a number of prominent hills and important mythological landscape features stand out. To those of you who think such things unimportant or of little relevance in the mythography of our ancestors — you’ve a lot to learn! Otherwise, a visit to this carving and its associates is well worth a trek!
References:
Bennett, Paul, ‘The Prehistoric Rock Art and Megalithic Remains of Rivock & District (2 parts),’ in Earth, 3-4, 1986.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Feather, Stuart, ‘Mid-Wharfedale Cup-and-Ring Markings: Nos. 7 & 8, Rivock Edge,’ in Cartwright Hall Archaeology Group Bulletin, 6:8, 1961.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Raistrick, Arthur, “‘Cup-and-Ring’ Marked Rocks of West Yorkshire,’ in Yorkshire Archaeology Journal, 32, 1936.
From East Riddlesden, go up the road (over the swing-bridge) that takes you onto the moor-edge (ask a local if you have trouble). Go all the way up till you hit the road which encircles the moor (it’s called the Silsden Road where you hit it). Turn left for several hundred yards till you see the microwave tower just on the hillock to your right on Pinfold Hill (not the larger TV towers just below the forest). Walk up there, then follow the edge of the walling till you hit the old Pinus sylvestris trees of Robin Hood’s Wood where 2 walls meet. Go over the gate and walk to your right for about 200 yards, following the line of the walling. You’re there!
Archaeology & History
Cluster of cups on W edge
A newly-discovered cup-marked stone, located for the first time on Tuesday, June 9, 2009, by Michala Potts, who was out on an amble with some long-haired halfwit whizzing about getting excited about stupid cup-markings on stones, dragging her back and forth and leaving her in the middle of a bog! On one occasion when this ‘ere fruitbat wandered off (again!), leaving her alone in the middle of the hills, she decided to check out some rocks a bit further up the slope where she’d been left alone. And there, along the edge of some walling, right on the edge of the much-denuded Robin Hood’s Wood, a short distance west of Rivock, a curious stone popped out and caught her attention!
Was this a cup-marking she saw before her!? It certainly was! But she didn’t call out to this halfwit who’d left her to her own devices. She let him just wander off to his sad heart’s content, whilst she got into the nitty-gritty of checking the stone out, uncovering the essentials of the carving while he bimbled off like a freak! And what a nice carving it was she found…
Baldwin Stone – looking westFirst sketch of the stone
Although no accurate measurements were made of the stone (it was bigger than 10-inch!), at least 17 cup-markings were counted here: one singular and very well-preserved cup, alone on its southern edge, right by the walling. But the main feature of the design is a cluster of cup-marks (at least 11) on the western side of the rock — one part of this cluster having the appearance of the figure 5 on a dice! Several other well-defined cups occur on the central and more northern end of the rock.
Eventually, her sad stone-wandering fella returned, forlorn, having found no new carvings of his own (poor soul!). And so she took his poor little hand, and took him to see the little prehistoric treasure she’s uncovered — and her sad little man got all smiley and … well, you know what they’re like!
Additionally however, for the archaeo’s amongst you: if you come wandering up here to check this carving out, you’ll notice the remains of many large upright stones in a lot of the old stone walls round here. Many of these are the remains of Iron Age walling.
Follow the directions for getting to the great Badger Stone carving. From here, walk eastwards on the footpath for about 400 yards. Hereabouts walk off the path and down the slope just a few yards and amble back and forth, checking the various stones. Keep doing this until you find it! (luckily, this stone’s marked on the OS-map) There are several other reasonable carvings nearby on the same plain…the Green Gates Stone (or carving no.257) for one!
Archaeology & History
The Pitchfork Stone (after Hedges, 1986)
First found (or rather, recorded) by our old friend Stuart Feather and described in Bradford’s Cartwright Hall Archaeology Group’s Bulletin in 1961. It’s status was all-but-secret until Hedges edited the Ilkley Archaeology Group’s Carved Rocks work in 1986. The stone’s a simple design as the illustration shows: an urn-like vessel with a cup in the middle; but the attached groove at the bottom gave one anonymous chap (who dared to use the modern name of RombaldII!) the idea of it looking like a pitchfork – so the name sticks!
The enclosing “lines” that make up the pitchfork aspect of the carving are pretty enhanced (as we can see in the photograph here) and may, just may, be the result of a more recent petroglyphic artist.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Feather, Stuart, ‘Mid-Wharfedale Cup-and-Ring Markings – Nos. 2 & 3, Ilkley Moor,’ in Bradford Cartwright Hall Archaeology Group Bulletin, 6, 1961.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Follow the same directions for getting to the Idol Stone, then walk just 30 yards further up the path and it’s the big rock on your left-hand side. Y’ can’t miss it!
Archaeology & History
Main section of cup-marks
This nice big boulder can be quite a temperamental chap, depending on how the light plays with the rock surface. I’ve got some photos of this old stone where you can see next to nowt on it; where as others show clearly aspects of the design that aren’t on the archaeo-images. But such is the nature of cup-and-rings I s’ppose!
Unlike its rather linear companion a few yards away, this great boulder has the more typical scattering of faded cups, lines and at least one cup-and-ring, etched with seemingly little purpose or structural design. But as we know, the very notion of structural design in forms consistent to modern mind-sets were anathema to the neolithic people who were etching these patterns on rocks. Indeed, even the notions of these images as ‘art’ as defined in modern times, has no relationship to the intrinsic reality of either cup-and-rings or reality per se, as experienced by our ancestors. And I think we find an explicit affirmation of this in the Cluster Stone here.
Close-up of cup-and-ring
Natural cuts in the rock have been heightened, for whatever reason, so that today the division between Nature’s marks and the mark of humans have become ambiguous as time has worn the features. The clustering of cup-marks on certain parts of the rock was surely indicative of (what we would term) separate events/forms, whose mythic relationship were, however, intrinscially related. This may be representative of a landscape map, or a series of events – but each would relate to one and other. But, of course, we truly don’t know, so think I’d best shut up!
Cluster Stone design (after Hedges 1986)
The carving itself, as we can see today, has perhaps as many as 40 cup-marks on it (Boughey & Vickerman safely vouch for 26), with five or six lines running across the surface, some of which have been modified by ancient peoples. The cup-and-ring on the stone is quite distinct. Neolithic or Bronze Age walling runs just a few yards away from here, but the precise line it takes has not been accurately assessed.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
