Gazing Stone, Steeton, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 03420 43572

Getting Here

Gazing Stone of Steeton

In Steeton, walk up the High Street and after a hundred yards or so, turn right to go up to Quarry House (opposite Falcon Cliffe), up past Quarry Cottages to the end where it turns into a track.  Follow the track for 200 yards, where it bends left, then immediately right go into the field, following the wall along for 450 yards where you’ll go through a gate to another rocky steep hill-slope.  Walk up by the side of the walling here, at the edge of the trees and, once at the top, bear right and a few yards along keep your eyes peeled.  You’re virtually on top of it!

Archaeology & History

Not previously recorded, this is an unusual design: unusual in more ways than one.  Firstly, it’s not entirely ‘ancient’; and secondly, the linearity in some of the carved lines around the cup-marks is unusual.  It reminded me a little of the Hanging Stones above Ilkley, with its deeply cut lines, swerving around cup-marks, whose lack of ‘ancient’ guise is somewhat betrayed by the fact that Victorian quarry operations uncovered them—much like happened here…

It was first noticed in 2024 by Collette Walsh during a petroglyphic foray in the area.  She noticed the distinct cup-marks on the rock surface, but then when she noticed a distinct quarrying mark, she dropped the idea that it was prehistoric.  But this distinct quarry or stone-mason mark—executed sometime in the 19th century when the Industrialists were working here—shouldn’t take our attention away from the cup-marks; nor indeed all aspects of the other carved lines that swing round the edges of the deepest of the three cups, which is surrounded by a long curved triangle, some of which was carved into a natural crack, highlighting it more. The single outlying cup looked, from some angles when wet, that it may have had a partial ring around it—but we were unsure and it may have just been a trick of the light, along with our desire to see more than there actually is.  Anyhow, it’s worth seeing.  But we could do with a stonemason to check it out, enabling us a better assessment of which bits of this design are old and which are not-so-old.

Acknowledgements:  To Collette Walsh for uncovering this design; and to Tom Cleland for showing me where it lives!

© Paul BennettThe Northern Antiquarian

Slinger Stone, Rivock, Silsden, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 07540 44730

Getting Here

The Slinger Stone carving

A real pain-in-the-arse to find this one, and even describing how to get there is troublesome—but I’ll try my best!  I think the best starting point would be from the track that runs through Rivock plantation.  Follow directions to reach the Ripple Stone carving, then walk 35-40 yards east to the ornate multiple-ringed stones of Rivock (067) and company.  Now comes the tricky bit.  From here walk, zigzag fashion (it’s the only way y’ can do it!) up the slope ever-so-slightly east of due south until you reach the top of the slope, where the land levels out.  If you walked in a dead straight line from the triple-ringed Rivock (66) carving, it is almost bang on 100 yards. Anyhow, now you’re on top of the slope, zigzag about and look for the large flat oval-shaped stone.  Take your time—you’re gonna need it!

Archaeology & History

Section of carving

Laid amongst the dense mass of cheap crappy pine trees that plagues some of our upland countryside depriving the land of necessary nutrients for animals, flowers and other trees, this impressive multiple cup-and-ringed marked rock lies sleeping.  It was rediscovered in 2017 by local hunter Chris Slinger during one of his many ventures through the undergrowth.  I’m informed that one of his compatriots reckons that he already knew about it some forty years prior to Chris claiming it—but as yet we have no way of knowing that for sure, so the name of the carving goes to Mr Slinger.  And it’s a beauty—one helluva beauty!

Main line & ring cluster
Scattered mass of rings

This large, flat, ovoid-shaped stone, roughly 10 feet by 7 feet across, is virtually covered from head to foot in large and not-so-large cup-and-rings at varying levels of erosion.  The carving appears to have been partitioned, so to speak, into two sections that are clearly defined by a carved line that runs the breadth of the stone.  On the top, larger section above this main line are about 30 cup-marks, with perhaps a dozen of them having rings around them—some complete, some incomplete—scattered about in the usual non-linear manner.  One or two of the cup-and-rings may have double-rings, but due to dark conditions in here none of us could be sure.  On one visit, a local lady (Liz of Fell Edge if I remember rightly) noticed that the largest cluster of cup-and-rings near one quarter of the stone seemed to be arranged in a similar form to the Swastika Stone, 1.9 miles northeast of here!

Main line, cups & rings
Cluster of cup & rings

On the lower smaller section of the carving, beneath the main line if you like, there’s not quite as much going on.  At least twelve cup-marks are apparent here, at least five of which have rings around them.  The main little bunch of these are pushed right up against the long carved line, seemingly communicating with other rings on the top-side of it. In some photos it looks as if, in this section of the stone, carved lines link the cup-and-rings on each side of the main dividing line (if y’ get mi drift).  There’s a lot going on here.  It’s a pretty complex carving as you can see: one of the best in the Rivock cluster and one that I’d like to spend more time with, if only to get a complete picture of what the carving looks like in full as we’ve not yet got to the outer edges of the stone itself, meaning that there may be more of it beneath the vegetation.

Stone-fondler Koot
Stone-fondler Sean

I was hoping to get some much better photos of this site and clear back more of the covering foliage, but as the carving is now all but covered in dense forestry, we may have seen the last of it for a few decades.  Even worse, there’s the great possibility that the carving will be destroyed when the forestry lads come to cut down the trees—through no fault of their own—as they’ll have no idea that it’s directly beneath their machinery.  It would be good if some local volunteers could perhaps completely clear and protect this stone to avert such a likely disaster a few decades from now.  A small metal fence with a little notice-board would do the trick!

Acknowledgements:  Firstly, to Chris Slinger for rediscovering the carving; then to the modern stone-fondlers Rod ‘Koot’ Chambers and Sean Dillon for beginning the cleaning process, and for their photographs in this site profile; and then to Sarah Walker, Sarah Jackson and Marianna, for helping to bring the entire stone into view.

© Paul BennettThe Northern Antiquarian

Nut Head Wood, Steeton, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 03308 43184

Getting Here

Nut Head Wood carving

From Steeton village, go up Mill Lane, turning right and then bending up the steep Barrows Lane for a half-mile or so, where in turns into Redcar Lane.  There’s a row of old cottages on your left with a green lane track running into the fields at the back of them. Four fields along you’ll reach a long straight line of walling running uphill.  Up here, above and past the long geological stretch of quarried rocks, the land levels out and two trees sit next to each other by walling.  The carving’s beneath them.

Archaeology & History

Close-up of carving

Rediscovered in the summer of 2024 by Thomas Cleland, a deeply worn cup-mark is the primary feature of this petroglyph on the topmost section of the stone, with the remains of a faint incomplete ring around one side of it. Three or four other smaller cup-marks can be seen close to the main one.  There may be another cup-marked stone on an adjacent rock, with a lines running away from it, but we need to see that in better light or have one of the computer-tech doods to give it their attention to know for sure.

© Paul BennettThe Northern Antiquarian

Rivock Nose (1), Keighley, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 07355 44628

Also Known as:

  1. Carving no.12 (Hedges)
  2. Carving no.45 (Boughey & Vickerman)

Getting Here

Rivock Nose (1) stone

Follow the directions as if you’re visiting the fascinating Wondjina Stone and its companion. From here look at the large rocks on the edge of the drop a few yards away (west) and you’re looking for the flattest rectangular rock jutting out over the edge of the slope, about 15 yards from the walling.  The carvings of Rivock (2) and (3) are on the adjacent rocks.

Archaeology & History

The southernmost of (at least) three cup-marked rocks on the edge of this outcrop, it isn’t a carving I’d necessarily include in my own surveys nowadays.  It’s a dubious one to say the least.  Nonetheless, earlier surveyors added it in their catalogues.

Lichen-covered “cups”

First mentioned in John Hedges’ (1986) survey, this large and roughly flat rectangular boulder possesses three or four questionable cups close to the edge of the stone. Boughey & Vickerman (2003) subsequently included it in their own work—copying Hedges’ notes—and told it to be a “large rock. About three cups on NW side.”  Have a look at it when you visit the other more impressive Rivock carvings nearby and see what you think…

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  2. Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
  3. Morris, Ronald W.B., “The Prehistoric Rock Art of Great Britain: A Survey of All Sites Bearing Motifs more Complex than Simple Cup-marks,” in Proceedings of the Prehistoric Society, volume 55, 1989.

© Paul BennettThe Northern Antiquarian

Rivock Nose (3), Keighley, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 07359 44636

Also Known as:

  1. Carving no.13 (Hedges)
  2. Carving no.47 (Boughey & Vickerman)
Rivock Nose (3) stone

Getting Here

Take the same directions as if you’re visiting the fascinating Wondjina Stone and its companion.  From here, just a few yards to the west, are the large rocks overhanging the steep hill, several of which have cup-markings on them (including the carvings Rivock Nose [1] and [2]).  This particular carving is the one closest to the wall.  You can’t really miss it!

Archaeology & History

Line of 3 cups

A simplistic design that’ll only be of interest to the real geeks amongst you; but you might as well give it your attention when you’re looking at the adjacent Wondjina Stone.   On its large surface, the most notable ingredients are the three large cups that run (roughly) in a straight line from the middle of the stone to its outer pointy edge.  You can see them pretty clearly in the photo.  Several other cup-marks can be seen on the more northwesterly side of the stone.

It was first described in John Hedges (1986) survey, whose notes were simply copied in the subsequent survey of Boughey & Vickerman (2003) where, in their traditional way, gave a very basic description, saying, “Large gritstone outcrop: 3m x 2m. Five cups towards NW edge.”

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  2. Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
  3. Morris, Ronald W.B., “The Prehistoric Rock Art of Great Britain: A Survey of All Sites Bearing Motifs more Complex than Simple Cup-marks,” in Proceedings of the Prehistoric Society, volume 55, 1989.

© Paul BennettThe Northern Antiquarian

Brass Castle (1), West Morton, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 08119 44111

Also Known as:

  1. Carving no. 40 (Hedges)
  2. Carving no. 81 (Boughey & Vickerman)

Getting Here

Brass Castle (1) Cup&Ring

From East Morton, head up the winding Street Lane for just over a mile until, on your right-hand side, you hit the long straight Roman Road, or Ilkley Road as it’s known.  Literally 690 yards (0.63km) up, on your left a footpath is signposted.  Take the path alongside the wall, through the first gate (note the pile of stones at this gate, which are the remains of the destroyed Bradup stone circle) then keeping on for ⅓-mile till you reach another gate, then 200 yards to the next one where you reach the moorland proper.  From here you need to walk through the heather, just over 300 yards southwest where you’ll reach this large rock. Y’ can’t miss it!

Archaeology & History

Looking down at the CnR

Considering the size of this stone, visitors might expect there to be more on it than there actually is; although a large section of it has been quarried off and there might have been more to it in earlier times.  A basic cup-and-ring with one or two single cup-marks elsewhere on its surface, the carving was first described by Stuart Feather (1964) following one of his many rambles hereby, when he was checking out the Rivock carvings a short distance to the west (calling it the Rivock 18 stone).  He wrote:

S. Feather’s 1964 sketch

“On the eastern edge of the Rivock plateau, about half-a-mile west of the stone circle at Bradup Bridge, is a cup-and-ring marked rock of a pronounced triangular shape.  This at present measures 10ft by 8ft and is 3ft high at its western side… At some time in the past it has been quarried, probably to build part of the adjacent gritstone walls.  The 8ft side of the rock has quite distinct drill marks visible…

Close-up of the CnR

The rock has…on its sloping surface a very fine cup-and-ring mark, the ring 6in in diameter around a cup 2in deep, all finely executed and well preserved.  Running south from this cup-and-ring mark is a level area 3ft long and 5in wide, which ends alongside the ring at one end and at the quarried edge of the rock at the other.  This is probably the former position of a fossil which has weathered out and its alignment onto the cup-and-ring may be due to the carving having been deliberately sited in juxtaposition to this very distinct natural feature.  Only one other 2in deep cup remains on the surviving original portion of the rock; others may have been quarried away.”

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  2. Feather, Stuart, “Mid-Wharfedale Cup-and-Ring Markings – no.18, Rivock”,  in Bradford Cartwright Hall Archaeology Bulletin, 9:2, 1964.
  3. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

© Paul BennettThe Northern Antiquarian

Way Hagg, West Ayton Moor, North Yorkshire

Cup-Marked Stones (lost):  OS Grid Reference – SE 9657 8840

Archaeology & History

In the autumn of 1848, antiquarian John Tissiman (1850) and his associates took to uncovering two burial mounds amidst a large cluster of them on the eastern edge of West Ayton Moor.  This one at Way Hagg was quite a big fella, measuring 36 yards across.  When they cut into its northern edge towards the centre, 8-10 feet in, they came across an upright stone, nearly two feet high, on which five cup-marks had been cut. (see sketch, no.2)  Slightly beyond this were three other stones (in sketch, nos.1, 3 & 4), each with cup-marks on them, beneath which was a tall urn.  Whether or not the carvings had been deliberately positioned to cover the urn, we do not know. Nonetheless, we can be reasonably assured that these petroglyphs had some mythic association with death when they were placed here.

Tissiman gave us the following detailed measurements of the respective carvings:

1: Nearly even surface. Length, from 16 to 18 inches; breadth, 10 to 20 ditto; depth, 8 to 9 ditto; with large oval hole cut in the centre, 7½ inches long, 4 inches broad, and 3½ inches in depth.  On the opposite side are three holes, from 2 to 3 inches in diameter, and from 1 inch to 1½ deep.  2: Uneven surface. Length, 23 inches; breadth, 14 inches; depth, 13 inches; with five holes, from l½ to 3½ inches in diameter, and 1 to 1½ inches in depth.  3: Uneven surface. Length, 33 inches; breadth, 22 inches; depth, 10 inches, with four holes, the largest being 4½ inches in diameter and 3 inches deep; the others, from 1½ inches to 2 inches in diameter, and 1 to 1½ inches deep.  4: Uneven surface. Length, 27 inches; breadth, 23½ inches; depth, 10 inches, with 13 holes, from 1½ inches to 5 inches in diameter, and ¾ of an inch to 3 inches in depth; also three lines at the end of the stone.”

The carvings were included in Brown & Chappell’s (2005) fine survey, but they weren’t able to find out what happened to them after Tissiman’s excavation. They remain lost.  If anyone has any information as to where they might be, please let us know.

References:

  1. Brown, Paul & Chappell, Graeme, Prehistoric Rock Art in the North York Moors, Tempus: Stroud 2005.
  2. Tissiman, John, “Report on Excavations in Barrows, in Yorkshire,” in Journal British Archaeological Association, April 1850.

Acknowledgements:  Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland

© Paul BennettThe Northern Antiquarian

Haw Farm (01), Swartha, Silsden, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 05206 46856

Archaeology & History

An intriguing find, made not too long ago by Jeff Wallbank of Silsden.  Simplistic in design, it’s found on a small ridge of rocks adjacent to an old quarry (so there may have been other carvings here in times gone by), rising up immediately south of Haw Farm about 20 yards away, from where you can ask permission of the kind land-owner to have a look at the stone.

It’s pretty basic: consisting of a distinct triangle of three plain cup-marks on one side of a natural crack that runs across a section of the stone. Immediately adjacent and on the other side of this crack, is another singular cup.  This appears to have a carved line running from it and possibly an elongated semi-circular element around the cup itself.  It’s not too special when compared to the much more ornate petroglyphs further east, but is worth checking out if you’re walking in this gorgeous western edge of Rombalds Moor.

Acknowledgements:  HUGE thanks to Sarah Walker, without whose help and permission to use her photos, this site profile could not have been written.

© Paul BennettThe Northern Antiquarian

Bucking Hill (03), High Moor, Brunthwaite, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 0845 4529

Archaeology & History

Discovered by Stuart Feather in the late 1950s, this was one of two carvings found very close to each other (see Bucking Hill 2) whose exact location are unknown (the grid-reference cited here is a reasonably accurate approximation).  In his short article where he mentions the Bucking Hill 2 carving, he then told of,

Sid Jackson’s vague drawing of the carving

“the discovery a few yards away of a small stone bearing a cup-and-ring mark providing evidence for at least one other symbol from this small hill.  This stone, only 14in long, 8in wide, and 6½in thick, has a cup 1¾in in diameter, ⅞in deep with a shallow channel 1½ long running from it.

“Round the cup, which is very symmetrical and has the pecking clearly defined, is part of a concentric channel which, if it were a complete circle, would have a diameter of 4in.  The channel, which starts near to the small channel that runs from the cup, goes only halfway round the cup and is obviously unfinished.  It is irregular in width and depth and in marked contrast to the workmanship of the cup.”

He then queries as to whether this small carved stone could have come off the larger cup-marked Bucking Hill (02) boulder close by.  We may never know, but when we consider the lack of general erosion on this cup-and-ring (the pecking was still visible), it would obviously have remained upside-down in the peat for a few thousand years!  There was an old cairn a short distance away on the top of Bucking Hill and it may have come from there.  Anyhow, Mr Feather subsequently took this portable carving home with him and it’s subsequently been donated to the Ilkley Manor House Museum where it should be visible. (can someone send us a photo so we can add it to the site profile?)

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  2. Feather, Stuart, “Mid-Wharfedale Cup-and-Ring Markings – Nos 21 and 22: Bucking Hill, High Moor, Rombald’s Moor,” in Bradford Cartwright Hall Archaeology Group Bulletin, 9:5, 1964.
  3. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

© Paul BennettThe Northern Antiquarian

Bucking Hill (02), High Moor, Brunthwaite, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 0844 4529

Also Known as:

  1. Carving no.87 (Boughey & Vickerman)
  2. Carving no.217 (Hedges)

Archaeology & History

This was one of two carvings reported by Stuart Feather (1964) that were very close to each other (see Bucking Hill 3), both of which consisted of simplistic designs but which, he thought, may once have been part of the same rock.  Its precise whereabouts are not known (the grid-ref is an approximation).  He wrote:

“On the southern slopes of Bucking Hill, a fine gritstone rock 5ft 6in by 4ft 6in by 1ft 6in high, has a very clear cup-mark 2in in diameter and ½in deep carved 8in from the straight eastern edge of the rock.”

Feather thought that the edge of the rock had been cut and quarried for use in the boundary wall to the east.  He may have been right.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  2. Feather, Stuart, “Mid-Wharfedale Cup-and-Ring Markings – Nos 21 and 22: Bucking Hill, High Moor, Rombald’s Moor,” in Bradford Cartwright Hall Archaeology Group Bulletin, 9:5, 1964.
  3. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

© Paul BennettThe Northern Antiquarian